ai_learning/error_analysis_report.csv

index,file_path,text,true_label,qwen06b_pred,reason,error_type
0,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\0_10.txt,"I went and saw this movie last night after being coaxed to by a few friends of mine. I'll admit that I was reluctant to see it because from what I knew of Ashton Kutcher he was only able to do comedy. I was wrong. Kutcher played the character of Jake Fischer very well, and Kevin Costner played Ben Randall with such professionalism. The sign of a good movie is that it can toy with our emotions. This one did exactly that. The entire theater (which was sold out) was overcome by laughter during the first half of the movie, and were moved to tears during the second half. While exiting the theater I not only saw many women in tears, but many full grown men as well, trying desperately not to let anyone see them crying. This movie was great, and I suggest that you go see it before you judge.",positive,error,解析失败,负面误判
1,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\100_10.txt,"The finest short I've ever seen. Some commentators suggest it might have been lengthened, due to the density of insight it offers. There's irony in that comment and little merit. The acting is all up to Noonan and he carries his thankless character perfectly. I might have preferred that the narrator be less ""recognizable"", but the gravitas lent is pitch perfect. This is a short for people who read, for those whose ""bar"" is set high and for those who recognize that living in a culture that celebrates stupidity and banality can forge contrary and bitter defenders of beauty. A beautiful short film. FWIW: I was pleased at the Picasso reference, since I once believed that Picasso was just another art whore with little talent; like, I assume, most people - until the day I saw some drawings he made when he was 12. Picasso was a finer draftsman and a brilliant artist at that age than many artists will ever become in a lifetime. I understood immediately why he had to make the art he became known for.",positive,error,解析失败,负面误判
2,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\101_9.txt,"This is a very, very odd film...one that is so odd it's best you just see it for yourself. The film begins with a jaded professor haranguing his class because the students have the audacity to not be as incredibly brilliant as he is! You can tell very quickly that this man is a total cynic--finding the value in practically nothing but sticking to his own inner sense of self-importance. Additionally, he seems tired and bored with the monotony of life.<br /><br />Later in the film, he walks into a bank robbery and manages to annoy the robbers so much that one of them shoots him in the head. Oddly, this is only half-way through the film and what followed was a very bizarre narration of the final seconds of his life. This is when the film becomes exciting because the style of the narration is just like one of this literature professor's novels--one that is intelligently written and says things the way we wish we could all say them.<br /><br />See this weird film--it's amazingly compelling and not like anything I've ever seen before.",positive,error,解析失败,负面误判
3,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\102_8.txt,"Although Bullet In The Brain is, without question, superior amongst short films, it largely seems more like a short piece of writing than a film. And it is a little hard to feel too sorry for the teacher when his smart ass remarks get him shot. But after the bullet enters his brain we begin to understand a little bit about why he became so jaded with life in the first place. There is an awful amount of detail packed into this reasonably short film and this is what makes me feel that it should have been extended a little bit - it seems like there's almost too much to take in at once as the details come flying at you so fast. A slightly more relaxed pace and a less po-faced narrator in the final section would have benefitted this film a little bit. Despite these complaints, there is no denying that Bullet In The Brain is a quite stupendous work compared to many short, and even full length films. The makers should be applauded for trying to make such a basically emotional and literate film in the current climate of quick jokes and Hollywood action.",positive,error,解析失败,负面误判
4,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\103_10.txt,"...means ""take up and read"", which is precisely what I felt like doing after having seen this marvelous film.<br /><br />Von Ancken stimulates and inspires with this breathtaking and superbly executed adaptation of Tobias Wolff's 1995 New Yorker article of the same name. The incredible performance by Tom Noonan is brilliant and provocative and the editing, sound design, cinematography and directing are truly inspired. The nuanced changes and embellishments on the original story are subtle, clever, and make the film cinematically more dynamic. It's lyrical pacing is mesmerizing and begs you to watch it again.<br /><br />Watch out for this young director...he's going places.",positive,error,解析失败,负面误判
5,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\104_10.txt,"<br /><br />Her Excellency Madam Shabana Azmi has worked in countless movies over life time. I think best is yet to come.<br /><br />Fire is ok.<br /><br />But still good days are yet to come.<br /><br />Hopefully, in Water I will be able see her better.<br /><br />Thanks and Regards.<br /><br />PS: India doesn't have a director to make best use of her.",positive,error,解析失败,负面误判
6,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\105_8.txt,"For a moment, let's put aside the cultural aspects of this movie, even if it is a very important side of it, and let's look at the simple fact that this is a very nice love story. Two individuals find themselves in a difficult situation, caused by two selfish husbands. They have to live through their sad days without any ray of hope. If each one of these two women had been alone, imagine what kind of life each one would have had to accept. They found each other and they fell in love. That this love was against all the social, religious and cultural laws of their environment is almost irrelevant. They loved each other, found relief in each other, that was sufficient. The reaction of the individuals around them is but a small fact that they have to accept, suffer even, and then they can go on with their lives, their life. Very nice.",positive,error,解析失败,负面误判
7,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\106_9.txt,"As well as being a portrayal of a lesbian love story, FIRE is also a comic satire of middle-class (?) Indian culture. I find this is a quality which is little appreciated about the movie. These two genres (i.e. deep meaningful alternative-love story and comic satire) usually mix together just as well as oil and water do, but Mehta (somehow) manages to achieve the balance to near perfection. The servant Jatin's behaviour, the family's treatment of him, the bedridden grandmother's constant inescapable presence, Ashok's obsession with a swami's teachings: coming from a culture much like India's, these are things I can immediately identify as being typical. They have been crying out to be pointed out and ridiculed. While developing her primary subject matter, Mehta manages to achieve this secondary theme skillfully. In fact, much of the humour in the film which provides essential relief from the heavy subjects of taboo lesbian love and gender issues, stem from this satire of the seemingly ordinary. The film flows from the comic to the serious with great subtelty.<br /><br />All in all, brilliant use of symbolic devices (Radha compared to Sita of legend and coming out of Fire unscathed and, therefore pure; the lifelong desire of the young Radha to see the ocean finally achieved when she gains freedom). Kudos to Shabana Azmi(Radha), the lighting crew and Deepa Mehta; their very un-Hollywood-like (and un-Bollywood-like!) talents made this movie special. One criticism: the first scenes seemed rather disjointed to me in that they did not flow into each other very well.<br /><br />The verdict: 9 on 10. Nothing less for a movie with scenes so burned on my mind.",positive,error,解析失败,负面误判
8,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\107_10.txt,"Easily one of the best Indian films ever. Granted, that's not saying much(I made this conclusion after a whopping 15 minutes of watching). But I can truly say that Fire is also one of the really beautiful and brilliant films I've seen.<br /><br />Beautiful because of its imagery. The best example I can give is the parallelism between the 2 female leads(Radha and Sita) and the characters of the same name in Hindu mythology. Sita, for example, is the wife of the revered Lord Ram. As legend goes, Ram subjugates his wife by making her walk through a Fire to prove her `purity.' Sita, in response, cries and leaves him, reuniting with her mother(the Earth). This story has all sort of crazy links to the stories of the 2 Indian women(Nandita Das and Shabana Azmi). The word `Fire' all of a sudden has many meanings - marriage, tradition, religion, motherhood, and probably a few others I didn't catch.<br /><br />Brilliant because of its social overtones. Many who were offended by the premise for this movie should in fact be first to see Fire(e.g. my mom, who actually loved it). Why? Because although Fire is an attack on tradition, it is also an attack on tradition. In other words, that is its strength, NOT its weakness. Traditional conservative social mores(whether Indian or Canadian or American or whatever) are useless if they enslave you. Gender roles and self-denial can both do this.<br /><br />These are the things I took with me after seeing Fire. Hats off to Deepa Mehta",positive,error,解析失败,负面误判
9,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\108_10.txt,"The movie is really about choices. In the oppressed state of affairs as seen in Fire, where good women had to be obedient and do what was correct in the eyes of tradition, there seemed few options for Radha and Sita. However, granted that it was not their only option. What is life without desire, Radha questions Ashok. Yes, it's true that life provides us with a number of options but how many we can take depends on a number of external factors. When your world is confined to a small Indian household, being a dutiful daughter-in-law to a silent but observant still powerful matriarch, a dutiful wife of 13 years to a man who has taken a vow of celibacy due to your not being able to have a child, a man who only wants you lying next to him to prove his strength in eliminating his desires. I felt the ladies had little choice but to find solace in each other's company. I guess the fact that so many women applauded Ms Mehta's work, was because it provided them with an option to think for themselves. An option to do what was perhaps unacceptable. The lesbian scenes I felt was merely to put that point across. Every scene in the movie from the first at the Taj Mahal to the last at the Mosque, is etched in my mind. How frustrating to be a prisoner of your feelings and desires. To feel that you had to forgo the human touch to be a dutiful wife just because it is expected of you. To have to suppress any desire you might have and to crave for the human touch. What then is the meaning of our existence one wonders. In the scene where Sita is crying alone in the room and Radha comes in to comfort her, their lips accidentally brush against each others and it awakens a feeling in them. Something they have both been deprived of.<br /><br />Bravo to Ms Mehta in translating her vision so clearly. I especially like the flashbacks to the young Radha trying to 'see' for the ocean. It is a metaphor for freedom. Freedom to choose, freedom to transport ourselves to places we would normally be unable to reach. In those scenes, it is gently told to us that her sense of duty has also been passed down from her mother who I assume lives within the rich Indian traditions of duty in marriage. The movie is beautifully filmed and enhanced by the musical score by A.R. Rahman. Since the film, I have become ardent fans of the two lead actresses and the director. I look forward to more of Ms Deepa's future productions.",positive,error,解析失败,负面误判
10,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\109_8.txt,The theme is controversial and the depiction of the hypocritical and sexually starved india is excellent.Nothing more to this film.There is a lack of good dialogues(why was the movie in english??). There was lack of continuity and lack of passion/emotion in the acting.,positive,error,解析失败,负面误判
11,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\10_7.txt,"If you had asked me how the movie was throughout the film, I would have told you it was great! However, I left the theatre feeling unsatisfied. After thinking a little about it, I believe the problem was the pace of the ending. I feel that the majority of the movie moved kind of slow, and then the ending developed very fast. So, I would say the ending left me disappointed.<br /><br />I thought that the characters were well developed. Costner and Kutcher both portrayed their roles very well. Yes! Ashton Kutcher can act! Also, the different relationships between the characters seemed very real. Furthermore,I thought that the different plot lines were well developed. Overall, it was a good movie and I would recommend seeing it.<br /><br />In conclusion: Good Characters, Great Plot, Poorly Written/Edited Ending. Still, Go See It!!!",positive,error,解析失败,负面误判
12,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\110_10.txt,"Deepa Mehta's ""Fire"" is groundbreaking, bold, and artistic. A masterful social commentary on the plight of the women from conservative, upper middle class Indian households, this is a film no one should miss. Shabana Azmi and Nandita Das give stellar performances by underplaying their characters as much as possible. A.R. Rahman's music is the work of the genius and almost plays the role of another character in the film. Mehta uses Rahman's score and together, they create such amazing sound montages that effectively portray the views of the world around Radha and Sita whenever they look to each other for support. This film is not about lesbianism as many have branded it. Lesbianism is just a part of the film. It is unfortunate that most people tend to write the film off calling it taboo instead of giving it a chance and looking at its real meaning.",positive,error,解析失败,负面误判
13,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\111_10.txt,"For all that has been said about the subject matter, and the controversy that surrounded it, please do not overlook what I feel to be the most important part of the film: the salient struggles of everyone to keep their pride through their trials. Whether dealing with self-imposed male braggadocio, a sexual reawakening, or even life itself, everybody is human.",positive,error,解析失败,负面误判
14,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\112_10.txt,"'Water' (2005), the final part of Toronto-based Indian film-director Deepa Mehta's elemental trilogy has been finally completed, almost ten years after the release of the very first controversial element, 'Fire' (1996), which was followed with a slightly lesser controversial sequel '1947: Earth' (1998). Mehta made her directorial debut with a 24-minute Canadian short film 'At 99: A Portrait of Louise Tandy Murch' (1975), but it was her Canadian feature film about the life of Indians living in Canada that brought her fame back in east, her country by birthright, 'Sam & Me' (1991). Recognition internationally came in the way of 'Camilla' (1994), starring Bridget Fonda, along with the actress who in 1990 won an Oscar in Best Actress in a Leading Role category at the age of 80, paving the way for middle-aged actresses to still have hope, for her portrayal of a stubborn old Jewish woman in 'Driving Miss Daisy' (1989), late Jessica Tandy. <br /><br />'Camilla' dealt with a friendship between two women from two other ends of the human lifespan, a May/December friendship. 'Camilla' was Tandy's last picture; she died the very same year.<br /><br />International fame followed Deepa Mehta in 1996 with the release of the controversial 'Fire', which spread with rage among the false patriotic consciousness existing Indian extremist. Having already explored friendship between two women in 'Camilla', in 'Fire' Mehta went a step further to portray a more intimate relationship between two lonely neglected women. Set in modern day India, the suburbs of the capital city of New Delhi, it shows two brothers and their wives, the elder brother (Kulbhushan Kharbanda) having joined a weird Hindu sect leads a life of celibacy, faithful to his guru of sexless existence. The younger brother (Javed Jaffrey) is having an extra marital affair with a Chinese woman (Alice Poon). Thus, both the wives, Shabana Azmi playing the elder brothers wife and Nandita Das the younger wife, find themselves neglected in their own way. One forced to lead a celibate life, thanks to her husband's eccentricities, and the other whose only interaction with her husband is through sex, and nothing more. Living in a world of in-laws and being the only two outsiders in the family, having nobody else to confide in, the two women fall in the arms of each other. Thus comes the issue of lesbianism. If there were an outside man's shoulder to cry on, there most probably would have been chance for them to fall into the arms of a man, but having no one else to confide in, their need for each others support is quite obvious. It does not necessarily state that all neglected women would end up taking lesbianism, it just happened to exist with regard to the two women in this context. All in all, the movie is excellent, and delves far deeper than just two women rolling in bed. The key focus isn't lesbianism in the movie, but the plight of modern day neglected Indian wives, even in the capital city, the two female characters just happen to have a sexual relationship. <br /><br />Two years later, Deepa Mehta's second installment was the element of mother earth, released in India by the name of '1947: Earth',yet another excellent movie by a great director, this time in the Hindi language, unlike 'Fire', which was made in the English language. <br /><br />Now Deepa Mehta has managed to complete the trilogy, despite a lot of problems, having released the final installment recently, 'Water'. No doubt it would be just as great as the other two.",positive,error,解析失败,负面误判
15,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\113_8.txt,This was a bold movie to hit Indian cinemas when it was released. The first movie to perhaps openly depict lesbian tendencies amongst Indian women. The leading actress of Indian cinema Shabana Azmi added substance to the movie with her hot passionate scenes with Nandita Das.<br /><br />The movie oozed with sexuality and the director used sex in the best way possible. The sex was not for erotic purposes but was in the context of the movie. The scene where Nandita Das loses her virginity to her husband certainly was the first of its kind in Indian cinemas.<br /><br />Good acting by all the actors especially Nandita Das amidst criticism from the Indian public,positive,error,解析失败,负面误判
16,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\114_10.txt,"I admire Deepa Mehta and this movie is a masterpiece. I'd recommend to buy this movie on DVD because it's a movie you might want to watch more often than just once. And trust me, you'd still find little meaningful details after watching it several times.<br /><br />The characters - except for the grandmother perhaps - are all very balanced, no black and white. Even though you follow the story from the perspective of the two protagonists, there is also empathy for the other characters.<br /><br />I think the IMDb rating for the movie is far too low - probably due to its politically controversial content.",positive,error,解析失败,负面误判
17,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\115_9.txt,"Its a very sensitive portrayal of life with unquenched or constrained desires. What does one do with desire in a culture and society with rigid norms? One husband finds outlet with the immigrant - since immigrants don't belong or aren't accepted, they don't need to conform and dam their desires. The other husband looks for solace in spirituality and tries to evaporate his desire into nothingness. It fails - of course - and he breaks down in the last scene for multiple reasons. Sita still cared enough for him to find that moment to let him know that he is not responsible for her deviant outlet to her blocked desires. The mother in her still couldn't find the strength to destroy his myth. She sees him as a child who is glorifying himself in his lust-control but should she give him the opportunity to finally grow up? Both the wives find courage and togetherness through their shared rejection by their husband. <br /><br />But the final act of rejection was by the grandmother - she could not break free from her rusted mindset to accept Sita's desire. A decade and more of receiving care was not enough to break the shackles of her culture.<br /><br />Seems like it was easiest for the househelp to let his desires flow - since he's anyway damned by his culture - being at the bottom of the hierarchy. Since there is anyway no respect and expectations, might as well taste sin.",positive,error,解析失败,负面误判
18,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\116_10.txt,"It is more a subtle story of the fact that in Indian household how most decisions are taken by the man, how no attention is paid to the desires of the lady, for example how even when the husband and wife sleep together it would be a test for the husband whether he can control his desires, not to give the woman pleasure. And in such a type of scenario, women invariably have two choices, either to accept all this and take it into their own life, which is usually the case or not accept this and try to mould things to satisfy themselves, which makes a movie!<br /><br />Fire is a brilliantly directed story of the second option, which women choose for themselves, no sacrifice, not to serve anybody else, rather a decision for their own good. Somehow the whole idea of justifying lesbianism didn't find an acceptance in the Indian audience but if one looks the whole movie from an angle of self-expression, then the whole debate doesn't even arise.",positive,error,解析失败,负面误判
19,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\117_10.txt,"While the romance in this film is an important aspect, it is largely about the role of responsibility and duty in modern Indian. All of the major characters were well fleshed out, and had their own ""inner life"". I recommend this strongly",positive,error,解析失败,负面误判
20,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\118_10.txt,"one of best movies ever...Fire...it is not much about sociological description of India today...it is the mind blowing use of light that never stops, never becomes...normal...even when...in this sense the movie is almost unique...both leads are of very good quality...the origin of Das as a street performer are pretty obvious...her performance is a superb ""cammeo""...but the use of the light...I have look at it and looked at it, again and again...still mind blowing after ages...nothing torrid in the story...rather ""pure"" way of facing the subject...in a way it is sad that in the bizarre world we live today, a major art work is usually known as a gender film...Fire can stand face to face with Dryer's Jeanne D' Arc or Ichikawa's Biruma no Tategoto or some of the major Kurosawa movies, just to name ""some"". Wish my input could help a little this movie to its deserved way to fame.",positive,error,解析失败,负面误判
21,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\119_9.txt,"I finally watched the third film in Mehta's trilogy: ""Fire"". To begin, I'd say that ""Water"" was the unquestionable masterpiece, on all levels. Fire comes next with Earth close behind in order of quality. Fire: there is so much going on in this film that I'll need a few more viewings to drink it all in. The writing is superb, the script creating friction that starts the entire process of ""heat"" from the beginning until the end when it really does erupt into a fire, the conflicts moving into complete rupture of relationships. <br /><br />Mehta is one brave lady: she sees with a clear eye much that is jaundiced, false and repressive about the great society from which she came from. India is rapidly changing these days but much of this is economic change. That she met with such ferocious opposition to the making of ""Water"" after having had the script cleared, shows that there are still many taboo subjects which Indian people more than less cannot look squarely in the face, cannot examine or discuss them. Worse, if someone like Mehta has the courage to hold up a mirror to these issues, she faces death threats. So, as much as India thinks of itself as a pluralistic, tolerant society, the facts are not always so. Whereas ""Earth"" was merely a historical setting of the carnage of the civil war after Indian independence, Fire and Water are pointing at personal, social and religious issues, which as I say are considered so strongly (in a negative sense) that an open artistic dialog is still many years away. As I write this ""Water"" is scheduled to actually be shown in India later this year. I'll believe it when I see it. <br /><br />Fire confronts a similar sexual and emotional conundrum that I saw in ""A price above rubies"". Whether it's arranged marriages (which it used to be like among Jews about 150 years ago, or like it is among many modern Indians), they have the risk of having a bad match forced upon both men and women; or, just plain loveless marriages..... However, this is not the real issue. Mehta is clearly impatient with the totally rigid religious attitudes that either keep widows in misery (Water) or else keep women enslaved to loveless marriages (Fire). I am no expert regarding either the secular or Hindu laws concerning divorce. The film seems to imply that the stigma (of divorce)is almost as bad as the sad marriage. In any case Mehta's film is a very moving, powerful attempt at sexual discourse that holds modern Indian relationships up to probing scrutiny. That all three of these films have made themselves felt in India as an unwarranted attack on their culture sounds to me like the predictable clamor of a repressive mindset. Mehta is forcing the issues to be looked at no matter how much flack. I admire her work and cannot highly recommend her films enough. Superb, disturbing, provocative, taboo shattering.",positive,error,解析失败,负面误判
22,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\11_8.txt,"I was looking forward to The Guardian, but when I walked into the theater I wasn't really in the mood for it at that particular time. It's kind of like the Olive Garden - I like it, but I have to be in the right mindset to thoroughly enjoy it.<br /><br />I'm not exactly sure what was dampening my spirit. The trailers looked good, but the water theme was giving me bad flashbacks to the last Kevin Costner movie that dealt with the subject - Waterworld. Plus, despite the promise Ashton Kutcher showed in The Butterfly Effect, I'm still not completely sold on him. Something about the guy just annoys me. Probably has to do with his simian features.<br /><br />It took approximately two minutes for my fears to subside and for my hesitancies to slip away. The movie immediately throws us into the midst of a tense rescue mission, and I was gripped tighter than Kenny Rogers' orange face lift. My concerns briefly bristled at Kutcher's initial appearance due to the fact that too much effort was made to paint him as ridiculously cool and rebellious. Sunglasses, a tough guy toothpick in his mouth, and sportin' a smirk that'd make George Clooney proud? Yeah, we get it. I was totally ready to hate him.<br /><br />But then he had to go and deliver a fairly strong performance and force me to soften my jabs. <br /><br />Darn you, ape man! Efficiently mixing tense, exciting rescue scenes, drama, humor, and solid acting, The Guardian is easily a film that I dare say the majority of audiences will enjoy. You can quibble about its clichés, predictability, and rare moments of overcooked sappiness, but none of that takes away from the entertainment value.<br /><br />I had a bad feeling that the pace would slow too much when Costner started training the young guys, but on the contrary, the training sessions just might be the most interesting aspect of the film. Coast Guard Rescue Swimmers are heroes whose stories have never really been portrayed on the big screen, so I feel the inside look at what they go through and how tough it is to make it is very informative and a great way to introduce audiences to this under-appreciated group.<br /><br />Do you have what it takes to be a rescue swimmer? Just think about it -you get to go on dangerous missions in cold, dark, rough water, and then you must fight disorientation, exhaustion, hypothermia, and a lack of oxygen all while trying to help stranded, panicked people who are depending on you for their survival. And if all that isn't bad enough, sometimes you can't save everybody so you have to make the tough decision of who lives and who dies.<br /><br />Man, who wants all that responsibility? Not me! I had no idea what it was really like for these guys, and who would have thought I'd have an Ashton Kutcher/Kevin Costner movie to thank for the education? <br /><br />Not only does The Guardian do a great job of paying tribute to this rare breed of hero, but lucky for us it also does a good job of entertaining its paying customers.<br /><br />THE GIST <br /><br />Moviegoers wanting an inside look at what it's like to embark on a daring rescue mission in the middle of the ocean might want to give The Guardian a chance. I saw it for free, but had I paid I would've felt I had gotten my money's worth.",positive,error,解析失败,负面误判
23,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\120_9.txt,"There are questions that sometimes hover over us and have no answer. Two women progressively find themselves ensnared in each other's arms (as corny as the expression sounds, that is exactly what happens) and fins that they cannot answer their own question as to what defines their relationship when their very own society has no name to what they are. Deepa Mehta's somewhat mis-titled FIRE is the first of a loosely connected trilogy, here linked by the theme of the elements, and more symbolic than consuming. Fire as uncontrolled erotic passion does not make an appearance here, since the women -- the older and more feminine Radha (Shabana Azmi) and the younger, more masculine tempered Sita (Nandita Das) come to realize they share a lot more than common ideas and affection for each other and stand for what they believe is their passion for each other despite the opposition faced by their very traditional husbands and families. As in WATER, FIRE is deeply spiritual, even if it technically falls into the mode of sentimental melodrama (where WATER, much like the weight of the word, carries a stronger meaning that ultimately transcends its definition). Even so, it's a very beautiful picture, and a strong voice from a strong director.",positive,error,解析失败,负面误判
24,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\12_9.txt,"I was pleasantly surprised to find this movie showing as a sneak preview in my local theater.<br /><br />We have all seen this plot line before (Top Gun, GI Jane, An Officer and a Gentleman) but a good script still works. This story is basically about the training of a Coast Guard rescue team with a couple of side story lines. Kevin Costner plays a highly successful rescue team leader, Ben Randall, who is forced into heading the training team after a tough mission. The movie takes us through the rigors of the training process and the personal stories of both the Costner character and that of Jake Fischer, played by Ashton Kutcher. I am happy to say that Ashton is great in this part.<br /><br />There are no great surprises in this movie and you will probably realize what is coming long before it arrives. However, the use of humor, the exploration of the toughness of the training and the fun of watching Ben Randall ""do his own thing as a trainer"", kept me riveted and thoroughly entertained. I really enjoy watching a movie that makes the entire audience laugh out loud, gasp here and there, and clap at the end as a tribute to the movie.<br /><br />We all had a good time (despite a couple of tough moments in the movie)and, I think, you will too.",positive,error,解析失败,负面误判
25,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\13_9.txt,"I work at a movie theater and every Thursday night we have an employee screening of one movie that comes out the next day...Today it was The Guardian. I saw the trailers and the ads and never expected much from it, and in no way really did i anticipate seeing this movie. Well turns out this movie was a lot more than I would have thought. It was a great story first of all. Ashton Kutcher and Kevin Costner did amazing acting work in this film. Being a big fan of That 70's Show I always found it hard thinking of Kutcher as anyone but Kelso despite the great acting he did in The Butterfly Effect, but after seeing this movie I think I might be able to finally look at him as a serious actor.<br /><br />It was also a great tribute to the unsung heroes of the U.S. Coast Guard.",positive,error,解析失败,负面误判
26,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\14_8.txt,"I attended an advance screening of this film not sure of what to expect from Kevin Costner and Ashton Kutcher; both have delivered less than memorable performances & films. While the underlying ""general"" storyline is somewhat familiar, this film was excellent. Both Costner and Kutcher delivered powerful performances playing extremely well off each other. The human frailties and strengths of their respective characters were incredibly played by both; the scene when Costner confronts Kutcher with the personal reasons why Kutcher joined the Coast Guard rescue elite was the film's most unforgettable emotional moment. The ""specific"" storyline was an education in itself depicting the personal sacrifice and demanding physical training the elite Coast Guard rescuers must go through in preparation of their only job & responsibility...to save lives at sea. The special effects of the rescue scenes were extremely realistic and ""wowing""...I haven't seen such angry seas since ""The Perfect Storm"". Co-star Clancy Brown (HBO's ""Carnivale"" - great to see him again) played the captain of the Coast Guard's Kodiak, Alaska base in a strong, convincing role as a leader with the prerequisite and necessary ice water in his veins. The film wonderfully, and finally, gives long overdue exposure and respect to the Coast Guard; it had the audience applauding at the end.",positive,error,解析失败,负面误判
27,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\15_10.txt,"As others that have commented around the web... I'm a 130 pilot in the Coast Guard. Having said that, and being the skeptic I am, I went expecting the over-the-top cheese factors. There was some cheese, but all in all, not much.. and the film was pretty accurate.<br /><br />I watched the trailer again today. After seeing the film yesterday, I've realized the trailer gives the impression the movie is nothing but rescue after rescue action scenes. This isn't the case.<br /><br />The movie is truly more character/story driven than action. The inner struggles both Costner and Kutcher are dealing with.. Kutcher's is revealed further into than movie than Costner's is.<br /><br />Of course, there is a minor love story.. no surprise there. But for the most part, the movie tells the tale of two lives that come together, and after some time, help each other heal old wounds.<br /><br />As girlie as it sounds, Costner and, as much as I try not to like him, Kutcher do actually work quite well together and compliment each other very well in the movie.<br /><br />As critics have stated, you've seen it all before.. Top Gun, Officer and a Gentlemen, etc. But what movie hasn't been remade a million times.<br /><br />I can recall only one F word being spoken.. and can't really recall any other language.<br /><br />The movie is 2+ hours, and for some, may tend to get a little long towards the end.<br /><br />You'll laugh, you may cry, but I can honestly say, it was worth the $4 I paid.<br /><br />I hope you enjoy the movie.",positive,error,解析失败,负面误判
28,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\16_8.txt,"I went to an advance screening of this movie thinking I was about to embark on 120 minutes of cheezy lines, mindless plot, and the kind of nauseous acting that made ""The Postman"" one of the most malignant displays of cinematic blundering of our time. But I was shocked. Shocked to find a film starring Costner that appealed to the soul of the audience. Shocked that Ashton Kutcher could act in such a serious role. Shocked that a film starring both actually engaged and captured my own emotions. Not since 'Robin Hood' have I seen this Costner: full of depth and complex emotion. Kutcher seems to have tweaked the serious acting he played with in ""Butterfly Effect"". These two actors came into this film with a serious, focused attitude that shone through in what I thought was one of the best films I've seen this year. No, its not an Oscar worthy movie. It's not an epic, or a profound social commentary film. Rather, its a story about a simple topic, illuminated in a way that brings that audience to a higher level of empathy than thought possible. That's what I think good film-making is and I for one am throughly impressed by this work. Bravo!",positive,error,解析失败,负面误判
29,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\17_8.txt,Brilliant and moving performances by Tom Courtenay and Peter Finch.,positive,error,解析失败,负面误判
30,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\18_8.txt,"""The Dresser"" is perhaps the most refined of backstage films. The film is brimming with wit and spirit, for the most part provided by the ""energetic"" character of Norman (Tom Courtenay). Although his character is clearly gay, and certainly has an attraction for the lead performer (Albert Finney) that he assists, the film never dwells on it or makes it more than it is.<br /><br />The gritty style of Peter Yates that worked so well in ""Bullitt"" is again on display, and gives the film a sense of realism and coherence. This is much appreciated in a story that could so easily have become tedious. In the end, ""The Dresser"" will bore many people silly, but it will truly be a delight to those who love British cinema.<br /><br />7.7 out of 10",positive,error,解析失败,负面误判
31,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\19_10.txt,"This is one of my three all-time favorite movies. My only quibble is that the director, Peter Yates, had too many cuts showing the actors individually instead of together as a scene, but the performances were so great I forgive him.<br /><br />Albert Finney and Tom Courtenay are absolutely marvelous; brilliant. The script is great, giving a very good picture of life in the theatre during World War II (and, therefore, what it was like in the 30s as well). Lots of great, subtle touches, lots of broad, overplayed strokes, all of it perfectly done. Scene after scene just blows me away, and then there's the heartbreaking climax.",positive,error,解析失败,负面误判
32,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\1_10.txt,"My boyfriend and I went to watch The Guardian.At first I didn't want to watch it, but I loved the movie- It was definitely the best movie I have seen in sometime.They portrayed the USCG very well, it really showed me what they do and I think they should really be appreciated more.Not only did it teach but it was a really good movie. The movie shows what the really do and how hard the job is.I think being a USCG would be challenging and very scary. It was a great movie all around. I would suggest this movie for anyone to see.The ending broke my heart but I know why he did it. The storyline was great I give it 2 thumbs up. I cried it was very emotional, I would give it a 20 if I could!",positive,error,解析失败,负面误判
33,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\20_9.txt,"The many other comments about the film say it all - just like to add that we showed it last week to around 30 at our Community Cinema, and it got an overall average score of 8.6. We'd 100% recommend it, then, for today's audiences, especially if they can see it on a real cinema screen, and can talk about it with others afterwards, as our audience did.<br /><br />The sheer power of the acting performances by the whole troupe was incredible and quite spellbinding. Of course, Finney and Courtenay were truly the stars. but everybody was thoroughly well cast. For our afternoon audience, the majority of whom are ""senior citizens"", the fact that the plot could be followed with such ease because of the clarity of speech and the wonderful non-techy use of camera and sound was a great influence<br /><br />How delightful, many said, to see a really great film that's British: still not dated twenty years on: not full filled with blood & guts: not confusing because of bob-about-all-over-the-place camera shots, and back and forth through time story lines: no seedy sex scenes. Such views were even uttered by some who were younger.",positive,error,解析失败,负面误判
34,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\21_9.txt,"""The Dresser"" is a small but absolutely wonderful film, brilliantly acted by Albert Finney and Tom Courtenay. How in the world this tiny film attracted enough attention to garner five major Academy Award nominations back in 1983 is a mystery to me, but it's nice to know the Academy can be guilty of a display of good taste every once in a while (of course, they gave the award that year to ""Terms of Endearment""-- after all, they don't want to be accused of showing TOO much taste).<br /><br />Albert Finney is a drunken Shakespearean actor in a production of ""King Lear""; Tom Courtenay is the man who works double time behind the scenes to keep this actor in front of the footlights. It's both hilarious and piteous to see Courtenay's character showering Finney's with attention and affection, only to see his efforts utterly unappreciated and dismissed, even up to the very bitter end. Finney and Courtenay work wonders together, and though Finney gets the showiest moments (he does get to recite Shakespeare after all), Courtenay is the heart and soul of the film.<br /><br />Grade: A",positive,error,解析失败,负面误判
35,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\22_8.txt,"What is worth mentioning that is omitted in the other reviews I have read here, is the subtext of how the law shaped the lives and behaviour of gays in the era portrayed in the film. While Courtenay's character is evidently gay, he is not the only one: the often talked about Mr. Davenport-Scott is the other, and the reason that he is never seen, the reason alluded to that he has disappeared seems to be that he has been detained by the police for homosexual activity - a criminal offense in England at the time.<br /><br />We can read under the surface that this recent event has unsettled Norman, Courtenay's character: and we can also see in a passing remark by Oxenby, the Edward Fox character, the quick renunciation of any connection to such a person when the law is involved: the fear of association affects many of the characters, and is part of the portrait the film paints of a time and the people who inhabit it. The abandonment of Courtenay at the end by Sir has been anticipated all the way through, if this subtext is included: it also makes sense of both the otherwise inexplicable omission of his Dresser from the list of those he gives thanks to. The flamboyance combined with the fear of exposure produces the combination of yearning and fear that Courtenay has to 'step into the footlights', as he does when he makes the announcement about the imminent air raids, a scene that would otherwise be gratuitous, but that is both a symbolic and literal depiction of the man's inner torment.<br /><br />So while the drama is of the decline of Finney's Sir, a great deal of the tragedy of the film and play comes from the 'fatal flaw' of Courtenay's gayness, and makes this a film about him, as the title suggests.<br /><br />The art direction, pacing and cinematic style of this film seem to come from another time, more distant than the eighties and, in some ways, even than the second world war. The implicit portrait of a society still clinging to an older moral order, and the sympathy of the character racked and ruined by the cruelties of that order, of necessity trapped in the enclosed world of the theatre; and the knowledge we have of how much of it all would be swept away after the war makes this film all the more poignant, for all its flaws.",positive,error,解析失败,负面误判
36,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\23_10.txt,"Anyone who appreciates fine acting and ringing dialogue will love<br /><br />this film. Taken from Ronald 'Taking Sides' Harwood, it's a funny<br /><br />and ultimately excoriating analysis of a relationship between two<br /><br />very 'actorly' types. Albert Finney is sublime as the despotic<br /><br />Shakespearean actor who barely notices the world war raging<br /><br />around him, so intent is he on the crumbling fortunes of his theatre<br /><br />company and his own psychological and emotional breakdown.<br /><br />Tom Courtenay is matchless as Norman, the 'Dresser' of the title,<br /><br />whose apparent devotion turns out to be anything but selfless.<br /><br />Really a must see.",positive,error,解析失败,负面误判
37,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\24_10.txt,"""Sir"" has played Lear over 200 times,but tonight he can't remember his opening lines.Sitting at the mirror,his eyes reflect the King's madness. His dresser prompts him gently,mouthing the words.There is an air of desperation about both these men.The great actor knowing his powers are slipping away,his valet cum major domo cum conscience cum surrogate wife - aware of his boss's decline into madness and knowing he is powerless to do more than ease his passing. ""The Dresser"" is really a love story between the two.Over the years they have become mutually dependent on one another to the extent that neither can conceive a future without the other. Set during the second world war,it concerns the fortunes of a frankly second - rate touring Shakespearean Company comprising an equal number of has - beens and wannabes led by ""Sir"", a theatrical knight of what might kindly be called ""The Old School"".Whatever part he is playing he grabs centre - stage and bellows out over the footlights,bullying his audience into applause.But,somewhere inside him,buried most of the time deep beneath the ham he regularly dishes out,there still remains an occasional glitter of his earlier greatness.It is to catch a glimpse of this that his audiences fervently hope for. Mr A.Finney very cleverly concentrates on the ham,often to the point of caricature,and,just when you are ready to dismiss his performance as mere hyperbole and bluster he will produce a moment of exquisite subtlety and vulnerability that makes you realise that a great actor is playing a great actor. The same goes for Mr T.Courtenay.It's easy to write off his portrayal<br /><br />of Norman as an exercise in stereotyping.Here we have a middle - aged effeminate rather than camp theatrical dresser sashaying his way through life,enjoying the company of ""The Girls"" and loving the wicked Insider gossip rife in ""The Theatre"".There were - and I strongly suspect still are - many men just like Norman in The Profession.Infinitely kind and patient,knowing more about the plays than many of the actors,they run backstage with wisdom and affection.I believe the vast majority of them would hoot with approving laughter at Mr Courtenay's portrait. I saw ""The Dresser"" on the London stage where,against the perceived wisdom,Mr Courtenay's ""Norman"" was rather more subdued than in the movie.""Sir"" was played by the great Mr Freddie Jones to huge acclaim from the audience.It was a memorable performance that overshadowed Mr Courtenay's,reducing him rather to an ""also - ran"" as opposed to an actor on level - billing.The idea that ""Sir"" and ""Norman"" might be almost incomplete without each other went right out of the window. ""Norman"" was reduced to being his puppet,which I'm not sure was what Ronald Harwood intended,but made for breathtaking theatre. Messrs Finney and Courtenay redress the balance in the movie,restoring equality to the relationship. Both men have come a long way since their early appearances in the British ""New Wave"" pictures when they became the darlings of the vaguely Leftish,""middle - class and ashamed of it"" movement.When the British cinema virtually committed Hari - kiri in the 1970s they quietly concentrated on the theatre apart from a few roles to keep the wolf from the door.With the renaissance of more substantial movies,they re - appeared,blinking in the unaccustomed bright light.<br /><br />""The Dresser"" marked their return,still fizzing with energy and talent, shouting to the world at large ""We're still here"".It's not a big movie but is assuredly a great one.",positive,error,解析失败,负面误判
38,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\25_10.txt,"This is a movie that deserves another look--if you haven't seen it for a while, or a first look--if you were too young when it came out (1983). Based on a play by the same name, it is the story of an older actor who heads a touring Shakespearean repertory company in England during World War II. It deals with his stress of trying to perform a Shakespeare each night while facing problems such as bombed theaters and a company made up of older or physically handicapped actors--the young, able bodied ones being taken for military service. It also deals with his relationship with various members of his company, especially with his dresser. So far it all sounds rather dull but nothing could be further from the truth. While tragic overall, the story is told with a lot of humor and emotions run high throughout. The two male leads both received Oscar nominations for best actor and deservedly so. I strongly recommend this movie to anyone who enjoys human drama, theater--especially Shakespeare, or who has ever worked backstage in any capacity. The backstage goings-on make up another facet of the movie that will be fascinating to most viewers.",positive,error,解析失败,负面误判
39,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\26_10.txt,"This film has its detractors, and Courtney's fey dresser may offend some folks (who, frankly, need a good smack upside the head) -- but the film is top notch in every way: engaging, poignant, relevant. Finney, naturally, is larger than life. Courtney makes an ideal foil. I thought the performances to be terribly strong in both leads, and Courtney's character provides plenty of dark humor. The period is well captured, the supporting cast well chosen. This is to be seen and savored like a fine cordial. I only wish it were out on DVD already...(*sigh*)...",positive,error,解析失败,负面误判
40,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\27_9.txt,"Albert Finney and Tom Courtenay are brilliant as Sir and his Dresser. Of course the play is brilliant to begin with and nothing can compare with the immediacy and collegiality of theatre, and I think you listen better in theatre; but on the screen we become more intimate, we're 'up-close' more than we are in the theatre, we witness subtle changes in expression, we ""see"" better as well as listen. Both the play and the movie are wondrous: moving, intelligent, illuminating--of the backstage story of the company, of historical context, of the two main characters, and of the parallel characters in ""Lear"" itself. If you cannot get to see it in a theatre (I don't imagine it's produced much these days) then, please, do yourself a favor, and get the video.",positive,error,解析失败,负面误判
41,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\28_9.txt,"A fantastic cinema experience. I really enjoyed seeing this truly magnificent film in the theater when it came out. There is nothing to add, except that is a terrible shame that sir Albert Finney still isn't accepted by the AMPAS (American Academy). After roles in such films as Tom Jones, Murder on the Orient Express, Under the Volcano (to name only few - for these he was nominated for the Oscar), The Dresser is arguably his highlight, yet...<br /><br />I know, Oscars are just popularity contest, but if Americans like British actors and actresses (""and the Oscar goes to"" Jeremy Irons, Daniel Day-Lewis, Anthony Hopkins, Emma Thompson, Glenda Jackson etc. - and they all deserved the award!), why they always left sir Finney with empty hands?<br /><br />On the other hand, they gave it to John Wayne and Marisa Tomei (in Cousin Vinny). I don't know, should I laugh or cry.<br /><br />If you have seen the two leads in The Dresser, you won't forget what is the art of acting. Watch this film and enjoy! I recommend it to everyone who loves art.<br /><br />I give 9/10 for this excellent film (1 point missing for non-cinematic material, after all it is ""just"" a theater)<br /><br />Note: My criteria is much stronger than this on IMDb (10 only for the cinematic masterpiece that should/could last forever).",positive,error,解析失败,负面误判
42,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\29_10.txt,"<br /><br />What more can you ask for? A great screenplay based on one of the finest plays of the latter half of the 20th century, two fine emotional performances by Courtney and Finney, a realistic vision of war time london, a great supporting cast. This film takes you on an emotional rollercoaster through humour, sadness, loss and fulfillment. if you are in the theatre it is even more effective. This is a true 10 on the rating scale !",positive,error,解析失败,负面误判
43,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\2_7.txt,"My yardstick for measuring a movie's watch-ability is if I get squirmy. If I start shifting positions and noticing my butt is sore, the film is too long. This movie did not even come close to being boring. Predictable in some parts sure, but never boring.<br /><br />All of the other military branches have had love notes written about them and seen their recruitment levels go up, why not the Coast Guard too? They are definitely under-appreciated, until the day your boat sinks that is.<br /><br />The movie was very enjoyable and fun. Kevin Costner is perfect as the aging macho man who doesn't know when to quit. However, I was most impressed by Ashton Kutcher's performance. I have never liked him, never watched any of his TV shows and always considered him an immature ... well, punk. In this film, he does a great job! He is well on his way to having leading-man status. I think the film we were shown must have been an advance rough cut or something, because about 2/3 of the way in, the film stock turned very grainy, the sound level dropped and microphones were seen dropping down all over the place. Also at the viewing were representatives from the movie, looking for audience feedback - particularly on the parts of the film we didn't like.<br /><br />*****POSSIBLE SPOILER: The feedback I gave concerned a a couple of lines in the beginning. Kevin Costner comes home to see his wife, Sela Ward, packing her stuff up and moving out. He says, ""Maybe I should be the one to move out."" And she replies, ""No, you don't know where anything is in this house; I should be the one to go."" This doesn't make sense: If she knows the layout so well, Costner is right, he *should* be the one to leave.",positive,error,解析失败,负面误判
44,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\30_9.txt,"'The Dresser' is one of those films which are so perfect you really struggle to find something not to like about them. Written by Ronald Harwood (himself a former dresser to the legendary Donald Wolfit), it sparkles with energy and true love of life behind the footlights.<br /><br />As 'Sir', the overbearing actor and main focus of the play, Albert Finney is a joy to watch - whether complaining about the lack of a storm during the 'blow, winds ...' bit of 'King Lear' or chatting to his faithful stage manager, Madge (Eileen Atkins, good as ever) about the old times. As Norman, his camp dresser, Tom Courtenay gives a fabulous performance, wiggling around at the beck and call of 'Lear', collecting a bottle to go at the pub, or bitchily disparaging the former Fool, Mr Davenport-Scott (often mentioned, but never seen!).<br /><br />In an engaging support cast, there's Edward Fox as Oxenby (a typical arrogant second lead), Zena Walker as her Ladyship, Lockwood West as the replacement Fool, and many others.<br /><br />This film has great energy, bringing with it some of the greasepaint of its stage origins, it is true, but being so well-acted you don't notice. Very well done indeed.",positive,error,解析失败,负面误判
45,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\31_10.txt,"I just watched The Dresser this evening, having only seen it once before, about a dozen years ago.<br /><br />It's not a ""big"" movie, and doesn't try to make a big splash, but my God, the brilliance of the two leads leaves me just about speechless. Albert Finney and Tom Courtenay are nothing less than amazing in this movie.<br /><br />The Dresser is the story of Sir, an aging Shakespearean actor (Finney), and his dresser Norman (Courtenay), sort of a valet, putting on a production of King Lear during the blitz of London in World War II. These are two men, each dependent upon the other: Sir is almost helpless without the aid of Norman to cajole, wheedle, and bully him into getting onstage for his 227th performance of Lear. And Norman lives his life vicariously through Sir; without Sir to need him, he is nothing, or thinks he is, anyway.<br /><br />This is a character-driven film; the plot is secondary to the interaction of the characters, and as such, it requires actors of the highest caliber to bring it to life. Finney, only 47 years old, is completely believable as a very old, very sick, petulant, bullying, but brilliant stage actor. He hisses and fumes at his fellow actors even when they're taking their bows! And Courtenay is no less convincing as the mincing dresser, who must sometimes act more as a mother than as a valet to his elderly employer. Employer is really the wrong term to use, though. For although, technically their relationship is that of employer and employee, most of the time Sir and Norman act like nothing so much as an old married couple.<br /><br />Yes, there are others in the cast of this movie, but there is no question that the true stars are Finney, Courtenay, and the marvelous script by Ronald Harwood. That is not to say that there aren't other fine performances, most notably Eileen Atkins as the long-suffering stage manager Madge. There is a wonderful scene where Sir and Madge talk about old desires, old regrets, and what might have been.<br /><br />Although it doesn't get talked about these days, it is worth remembering that The Dresser was nominated for five Academy Awards: Best Actor nominations for both Finney and Courtenay, Best Picture, Best Director (Peter Yates), and Best Adapted Screenplay.<br /><br />I had remembered this as being a good movie, but I wasn't prepared to be as completely mesmerized as I was from beginning to end. If you want to see an example of what great acting is all about, and be hugely entertained all the while, then I encourage you to see The Dresser.",positive,error,解析失败,负面误判
46,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\32_10.txt,"LACKAWANNA BLUES is a fine stage play by Ruben Santiago-Hudson and an even finer film as the author adapted his own life story for the screen. This brilliant film ignites the screen with rich colors, fine music, brilliant editing, superb direction by George C. Wolfe, and a cast so stunning that they make an encore viewing compulsory! Yes, it is just that good.<br /><br />The story is based on the author's life as the child 'Junior' (Marcus Carl Franklin) raised in the inimitable home of soulfully empathetic Rachel ""Nanny"" Crosby (S. Epatha Merkerson), a lady who devoted her life to aiding the disenfranchised by transporting them from the South, from mental hospitals, and from the streets to Lackawanna, New York. The boy recalls all the lessons he learned about life from the inhabitants of the house - odd characters with painful pasts - and from the disintegration of his racially mixed biological family rescued by Nanny. The myriad characters of the home are too numerous to outline but they are portrayed by some of the finest actors in the business: Terrence Howard, Rosie Perez, Mos Def, the beautiful Carmen Ejogo, Louis Gossett Jr., Jeffrey Wright, Ernie Hudson, Charlayne Woodward, Jimmy Smits, Patricia Wettig, Macy Gray, Liev Schreiber, Kathleen Chalfant, Lou Myers, Hill Harper - the list goes on and on.<br /><br />In the course of the film we are introduced to the cruelties of racism, the history of desegregation, the dynamics of drug abuse and violence, the infectious joy of African American music contributions to our musical culture, and the courage of one fine woman who battled all the hardships the world can dish out to maintain the dignity of those with whom she came into contact. S. Epatha Merkerson is wholly submerged in this role, a role she makes shine like a beacon of reason in a world of chaos. She offers one of the most stunning performances of the past years, and had this film been released in the theaters instead of as an HBO movie, she without a doubt would add the Oscar to place along side her Golden Globe award.<br /><br />The entire cast is exceptional and Wolfe handles the acting and the story like a master: like riffs in a jazz piece, he pastes tiny moments of conversation with each character and Junior along with flashes of scenes from the story with the matrix of dance fests at the local clubs brimming over the top with incredible blues, jazz, dancing, and joy. The production crew has mounted this little miracle of a picture with extreme care and never for a moment does attention lag from the momentum of the story. Highly Recommended, almost Compulsory Viewing! Grady Harp",positive,error,解析失败,负面误判
47,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\33_7.txt,"Lackawanna Blues is a drama through and through. It details the life of a strong woman by the name of Rachel Crosby (S. Epatha Merkerson). Rachel is referred to as Nanny by all who know her, but she could have just as easily been called Wonder Woman. She epitomized strength, will power, confidence and resolve. She owned a home that she used to house just about every type of person that society would reject. Her tenants consisted of a lesbian, a psychotic war veteran, an amputee, and a host of other vagrants that made the home miles away from ordinary. Each successive event Rachel took in stride and handled flawlessly. She wasn't a dictator devoid of compassion, but in fact she was quite the opposite. She displayed compassion almost to a fault by giving shelter and refuge to so many that she seemed to over-extend herself.<br /><br />Merkerson did a good job, but I believe this role was right up her alley anyway. The movie had an even keel never straying from Rachel. There were of course dramatic moments but they were to be expected. Nothing was ever to shocking or profound other than Rachel herself.",positive,error,解析失败,负面误判
48,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\34_8.txt,"Lackawanna Blues is a touching story about Nanny, a woman who gives all of herself to help those in need. It's told from the viewpoint of a boy, taken in by Nanny when his own mother isn't quite up to the task.<br /><br />I have respect for this movie for three main reasons: 1) It is touching, but not sappy. It's told in a very real fashion, without a lot of the aggravating Hollywood storytelling baggage. And the ending is quite good (teary but not over-the-top).<br /><br />2) Although it's clearly an African-American film, being set in the post-segregation black community of Lackawanna, New York, it doesn't wear its ethnicity on its sleeve. The story stands on the strength of the characters and the dramas (and comedies) surrounding their lives. It's not preachy, it's simply good.<br /><br />3) It has a great soundtrack (can't beat old-school R&B and Chicago blues).<br /><br />Generally the acting is strong, but not universally so. Some of the performances simply don't hold up to the characters the actors are supposed to portray. But considering it was a made-for-TV movie, that's to be expected.<br /><br />8 out of 10. Imperfect but likable, good film for a rainy day.",positive,error,解析失败,负面误判
49,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\35_9.txt,"Every once in a while a film comes along with characters we all know and love. A film where you see people you know portrayed on screen. It's cinema very at its best.<br /><br />Lackawanna Blues is that film. Set in 1960s upstate New York, the story surrounds a rock- solid woman, who is the foundation for her community. This, based on a true story film, is told from a child she accepted as her own. This child, Ruben Santiago-Hudson wrote the screenplay.<br /><br />*Emmy winner, S. Epatha Merkerson stars as Nanny, a woman who has wit, drive and determination for helping others in her boarding home. She does this as she wrestles with infidelity from her young lover, Bill Crosby, played by the **Oscar nominated Terrence Howard. <br /><br />But make no mistake; see this film for the amazing performance of Merkerson, who is brilliant in this role. She encompasses a person we have all known, and perhaps love.<br /><br />Lackawanna Blues is already on DVD; be sure to pick it up at your local video story today.<br /><br />*Merkerson has already won an Emmy, Golden Globe and Screen Actors Guild for this role.<br /><br />**Howard has an Oscar nomination for his role in Hustle & Flow.",positive,error,解析失败,负面误判
50,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\36_8.txt,"LACKAWANNA BLUES is an entertaining, engrossing, emotionally-charged HBO-TV movie based on the childhood memories of actor Ruben Santiago-Hudson (who also appears in a small role). This joyous motion picture experience is centered around Santiago-Hudson's childhood guardian, Rachel ""Nanny"" Crosby, a strong, big-hearted black woman who ran a boarding house in upstate New York during the 1950's. Nanny was a one-woman social service organization whose boarding house was filled with drunks, derelicts, cripples, drug addicts, misfits, and everyone else in town who needed a hand-up instead of a hand-out. The crux of the story revolves around Nanny's relationship with young Ruben (beautifully played by Marcus Franklin),a boy whose divorced parents were unable to raise the boy properly so Nanny took him in. S. Epatha Merkeson, who has been wasted for years in the thankless role of Lieutenant Van Buren on NBC's LAW & ORDER, turns in a powerhouse performance as Nanny, the neighborhood mother-figure whose boarding house became a symbol for the downtrodden black folks in her town. Merkeson is nothing short of magnificent, in a performance that earned her a Golden Globe and an Emmy Award. Merkeson is backed by an impressive all-star cast that includes Terrance Howard (brilliant and heartbreaking as Nanny's husband), Louis Gossett Jr., Rosie Perez, Jimmy Smits, Delroy Lindo, Macy Gray, Michael K. Williams, Jeffrey Wright, Henry Simmons, Patricia Wettig, Ernie Hudson, Mos Def, and Hill Harper as the adult Ruben. Colorful and exciting, beautifully photographed and exquisitely scored, this is one of a kind motion picture experience that works on all levels, but if for no other reason, is worth seeing for the electrifying starring performance by S. Epatha Merkeson, who is given the role of a lifetime and makes the most of it.",positive,error,解析失败,负面误判
51,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\37_9.txt,"This is by far one of the best biographical films of recent times. I'll go so far as to put it up there with Ray and The Aviator. It is the story of a young, bi-racial boy who lives in a boarding house run by the amazing Miss Rachael aka ""Nanny"". You will fall in love with Nanny, a woman who gives all of herself to those around her. S. Epatha Merkerson brings the character to life beautifully, and the other cast members are do the same. If I were to praise each actor for the way they played their roles, I'd have to mention everyone in the entire cast. <br /><br />The music in this film perfectly blends with the story, almost dictates the way it goes. And what's more, this film is actually entertaining. It won't bore you at all, not even for a minute! <br /><br />I highly recommend this film to anyone wanting to spend an evening at home watching a very smart, very entertaining, quality film.",positive,error,解析失败,负面误判
52,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\38_8.txt,"S. Epatha Merkerson shines as Nanny in this touching and vibrant look at the life of Ruben Santiago, Jr. (Marcus Franklin) while growing up under the guardianship of Nanny. The film gives a good character study of both Nanny and Ruben and manages to capture life's ups and downs in a realistic fashion unlike so many memoirs that are made into film. The supporting cast adds much spark and many recognizable faces appear in smaller roles including Mos Def, Macy Gray, Terrence Dashon Howard, Rosie Perez, Louis Gossett, Jr., Liev Schreiber, Jimmy Smits, Ernie Hudson, Delroy Lindo, and Patricia Wettig. Loses some steam and vibrancy towards the end, and the ending sequence leaves a bittersweet feeling. But, overall a great film with a truly outstanding performance by Merkerson.",positive,error,解析失败,负面误判
53,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\39_9.txt,"Ever since I first encountered the Divine Ms Merkerson as a sex therapist in Spike Lee's ""She's Gotta Have It"" I have been sold on the range of this exceedingly gifted yet terribly underrated actress. She received an Emmy for her portrayal here and to say it is well-deserved is a masterpiece of understatement.<br /><br />Here she simply shines as THE guiding force and hand in her community. This was especially poignant for me for I grew up in this very same time period. The production detail was phenomenal and evoked wooooooooooooooonderful memories of life and times during the 50s & 60s and of women like Ms Merkerson portrayed. She was thoroughly and ably accompanied by a hot, hot cast with performances one would enjoy over and over again. I first saw Macy Gray's name in the credits and went ho-hum. Her performance was so good, I didn't even recognize her until about a 3rd of the way through. I am especially proud of the obvious care and attention to detail to produce a feel and look of another beautiful era in African-American culture that is very tastefully done.<br /><br />Another very interesting aspect is that the project was less concerned with the racial fabric of the times but infinitely more attuned to the richness of the characters and the emotional diversity they provide to exemplify that in the final analysis it is about the choices we make and to what extent we accept responsibility for those choices.<br /><br />This is a worthy, elegant presentation of African-American life and is most assuredly destined to become a classic. You owe it to yourself to have this as part of your collection.<br /><br />I highly recommend.",positive,error,解析失败,负面误判
54,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\3_7.txt,"How many movies are there that you can think of when you see a movie like this? I can't count them but it sure seemed like the movie makers were trying to give me a hint. I was reminded so often of other movies, it became a big distraction. One of the borrowed memorable lines came from a movie from 2003 - Day After Tomorrow. One line by itself, is not so bad but this movie borrows so much from so many movies it becomes a bad risk.<br /><br />BUT...<br /><br />See The Movie! Despite its downfalls there is enough to make it interesting and maybe make it appear clever. While borrowing so much from other movies it never goes overboard. In fact, you'll probably find yourself battening down the hatches and riding the storm out. Why? ...Costner and Kutcher played their characters very well. I have never been a fan of Kutcher's and I nearly gave up on him in The Guardian, but he surfaced in good fashion. Costner carries the movie swimmingly with the best of Costner's ability. I don't think Mrs. Robinson had anything to do with his success.<br /><br />The supporting cast all around played their parts well. I had no problem with any of them in the end. But some of these characters were used too much.<br /><br />From here on out I can only nit-pick so I will save you the wear and tear. Enjoy the movie, the parts that work, work well enough to keep your head above water. Just don't expect a smooth ride.<br /><br />7 of 10 but almost a 6.",positive,error,解析失败,负面误判
55,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\40_8.txt,"Lackawana Blues An impressive HBO movie about a beautiful woman that made her house a home for several characters.Touching,alive,entrancing-a great mix of sound and story- based on a true story featuring an All-Star cast.A time capsule about .....<br /><br />you get the point and no I am not on the payola for the HBO crew- I would throw around more superlatives but I am about to go out . The extras on the DVD include a deleted scene,a featurette and commentary.The funniest part about the featurette was ""star"" lighting they used when interviewing exec producer Halle Berry..<br /><br />OK seriously - good times A",positive,error,解析失败,负面误判
56,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\41_9.txt,"What a wonderful film, filled with eccentric, unique characters who are wonderfully realized by a great ensemble cast. The director also did a great job keeping the story held together, getting those wonderful performances (on not messing with them) and using music (and what wonderful music it is) to great effect. S. Epatha in the lead role is great. I had always heard what a brilliant stage actor she is, and although I have enjoyed her on Law and Order, this really shows what she can do with a filled out, complex role. Macy Gray is terrific, Mos Def, as usual, wonderful. Lou Gossett, great. Jimmy Smits, terrific, and doesn't try to pull focus because he's a star. A true piece of ensemble acting. <br /><br />Rent it, enjoy it, groove to it, and treasure it. Something special.",positive,error,解析失败,负面误判
57,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\42_10.txt,"This is one of those movies that you just don't want to end. The characters are rich like a well woven tapestry. Colorful costumes, music and characters draw you in and tell a tale of the people that lived in a boarding house over the decades around the time of the civil rights movement and the Vietnam War. A young man is taken in by a dynamic, big-hearted woman that runs the house and these are stories based on his experiences.<br /><br />I couldn't believe this was a made for television film. It was so well executed. S. Epatha Merkerson is wonderful as Nanny and she brings so much life to this role. You want to be right there amongst her boarders.<br /><br />I enjoyed this film so much I bought the DVD.",positive,error,解析失败,负面误判
58,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\43_10.txt,"One of the best,Lackawanna Blues<br /><br />Great movie,great cast,great music,this is one of those movies that is so good that when it is over you wish it would go on for another 90 minutes,I will w3atch this one many times. <br /><br />This is one of those movies that grabs you from the beginning and twist and slams you emotionally throughout the feature. The cast is extraordinary without the faintest hint of anyone being uncormfortable in their role. You get the sense that you're really there taking all this in. A great deal of care was given in the sets, costumes and music of the period. The relationship between the characters we meet is both simple and complicated as the movie goes on, but the steady performance of Ms. Merkerson is so powerful that the movie ends before we've had our fill of the wonderful misfits. To single out anyone other than ""Nanny"" is an injustice because we have very good performances by great veteran actors including:<br /><br />Jeffery Wright, Jimmy Smits, Terrence Howard and Delroy Lindo. But it is Marcus Franklin, Macy Gray and Ms. Merkerson that makes this a wonderful experience.<br /><br />The movie moves rapidly and is short by todays standards, but it is without question one of the best movies you're going to see this year. If you like good period pieces that will challenge you emotionally, tug at your heart, lift you joyfully and have you tapping your feet at the same time, then this is the movie for you. I've shown it to several friends and they all want my copy, that says it all, the movie is that good. Check it out for yourself.<br /><br />danceability-1, Amsterdam Holland",positive,error,解析失败,负面误判
59,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\44_8.txt,"Lackawanna Blues is a moving story about a boy who is raised in a house by some pretty unusual people. <br /><br />It's editing and soundtrack really pulls you in to the story and lets you experience the film the way the writer really meant for it to be seen.<br /><br />The music really tied into the story, which made the characters come to life. The editing made the story more progressive and captivating. <br /><br />I was also surprised by some of the performances of the cast, most notably S. Epatha Merkerson's.<br /><br />I can't wait to see the one man show featuring this films writer, Ruben Santiago-Hudson.",positive,error,解析失败,负面误判
60,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\45_9.txt,"Just a great soundtrack. Really enjoyable music. Outstanding cast, great lead performance. Worth watching.<br /><br />Doesn't really explain what happened to the neighborhood. You are left feeling that integration is to blame or that with the departure of the lead character the neighborhood disintegrated.<br /><br />This movie seems well researched and extremely well crafted. I especially enjoyed some of the minor characters like Jeffrey Wright.<br /><br />The cutting during the opening sequence helps express what a lively, engaging and desirable experience that nightclub would have been with the jump music, food, drink, dancing, gambling and sex.",positive,error,解析失败,负面误判
61,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\46_10.txt,"I have watch this movie almost every night that is was on HBO. It is of my opinion that it could have been successful in the theater, providing the advertisement leading up to it was top scale. I was thoroughly impressed with the actress who played Nanny. She is an outstanding actress. Of course, my favorite actor is Terrance Howard. He is a very understated actor and he deserves much more credit than he has received. Ebony magazine did do a nice article on him, giving him some of his due propers. Lakawanna Blue, gave me a understanding of the stories my parents use to tell us. They were from a similar town ""Philadelphia, PA"" were they had to have their fun in the junt joints and such. I also like to say that Mos Def is a incredible actor. He has found his calling. I've seen him in several movies where he has played a variety of roles, from thug to doctor and he has the stuff! Overall, please put Lakawanna Blues on video for rental.",positive,error,解析失败,负面误判
62,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\47_10.txt,"Lackawanna Blues is and excellent movie. The casting was perfect. Every actor and actress was perfectly suited for the role they played. Their chemistry together was amazing. The acting was superb. I felt as if i knew the characters. I could almost 'feel' them. They reminded me of people that I knew as a child growing up in the 50's and 60's. Oh, the memories!! My personal belief is that this movie should have been on the big screen for all to see. I have watched this movie so many times, that I can almost recite the lines as the characters are saying them. I can't even list my favorite part, because I have SO MANY favorite parts. Thank you for bringing back a part of my youth that I never see in this day and age...and that is Black people loving each other, looking out for each other, respecting each other, caring about each other, and doing all we can to help each other. Gotta go now. I have to go watch it again.",positive,error,解析失败,负面误判
63,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\48_9.txt,I watch Lackawanna Blues every time it comes on. It brings back happy times for me. I grow up in a big city in the mid-west. It reminds me of when I was a child although my situation was a little different it feels the same. It makes me wonder if all we will ever know about families are lost. The big mama's of day are under the age of 55. Will they see know what it takes to be a inspiration to other. I hope that I was not the only one who loved this movie enough to relate it to their past. The music was great in this movie. I truly felt like this should have gone to the theaters I would have paid to see it. As I viewed the movie for the second time I figured out who life this movie was about. He did an superb job in writing and producing this film. I guess who better to produce a film based on your life other than you. As soon as I can I will be obtaining a copy for my home use. I alway enjoy black producer or directors they make such film feel like you were actually living in the time right than. Thanks for such a great movie.,positive,error,解析失败,负面误判
64,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\49_10.txt,"Lackawanna Blues is a very moving film depicting an era filled with varying emotions and characters as seen through the eyes of a young boy. The film clearly supports ""it takes a village to raise a child"" and reminds of an important time in black history and culture. I gained an incredible amount of respect for Macy Gray as an actress. Her character was a little crazy, yet lovable; clearly we all have known someone like Macy's character. S. Epatha Merkerson is absolutely fantastic as Nanny. I never realized that Epatha was such a great actress. Law & Order never showcased the depth of Epatha's acting abilities like Lackawanna Blues. I was pleasantly surprised and amazed! The music and the characters reminded me of my own childhood...it was a sweet nostalgic walk down memory lane. I truly enjoyed the film and eagerly await the DVD release to add to my collection.",positive,error,解析失败,负面误判
65,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\4_10.txt,"This movie was sadly under-promoted but proved to be truly exceptional. Entering the theatre I knew nothing about the film except that a friend wanted to see it.<br /><br />I was caught off guard with the high quality of the film. I couldn't image Ashton Kutcher in a serious role, but his performance truly exemplified his character. This movie is exceptional and deserves our monetary support, unlike so many other movies. It does not come lightly for me to recommend any movie, but in this case I highly recommend that everyone see it.<br /><br />This films is Truly Exceptional!",positive,error,解析失败,负面误判
66,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\50_10.txt,"Fantastically written, acted, and produced! Loved seeing this gleaming, talented cast -- every single one of them -- give a such great performance. This movie thoroughly warmed the cockles of my heart! Great storytelling!<br /><br />This is a great movie for Black History month. Full of an accurate portrayal of recent history and very real characters who weathered incredible pain -- with dignity and a belief in a better future. It is so easy to see how these diverse adults all affected this child and contributed to the fertile imagination that would eventually fuel the talent of his adulthood. The next time you're in the company of a listening and observing child, remember; show or he may be a writer-in-the-making!",positive,error,解析失败,负面误判
67,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\51_10.txt,"This was absolutely one of the best movies I've seen. <br /><br />Excellent performances from a marvelous A-List cast that will move you from smiles to laughter to tears and back.<br /><br />I couldn't help but care about the characters. Ms. Merkerson will blow you away, as will the young man playing the young lead.<br /><br />I also thought that the set design was top-rate. The viewer is really placed inside each era as it's presented. <br /><br />The music is a blast, too. Nice selections to represent mood, time and place. The blind blues man is stereotypic but he delivers some great songs. <br /><br />This is a great story that will survive many repeated viewings. Take the time to watch it!",positive,error,解析失败,负面误判
68,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\52_10.txt,"This is a must-see movie. You will laugh, you will cry, and when it's over you'll wish there were more. Well-written and compelling, this movie draws you in and holds on tight. The casting was perfect, the characters purposeful, and the performances outstanding. ""Nanny"" is the standard to which all women should hold themselves: strong, forgiving, protective, and never judgmental. ""Nanny"", to me, is the epitome of what a Christian mother and woman should be: a true pillar of the community. If I were half the woman ""Nanny"" is, I might consider myself to be doing okay. I would have been devastated if ""Nanny"" had died at some point in the movie, but since she didn't I will definitely buy this when it comes out on DVD. I can only hope that the story continues and that Ruben goes back to Lackawanna to try to rebuild the town, piece by piece and person by person.",positive,error,解析失败,负面误判
69,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\53_7.txt,"This movie was very good, not great but very good. It is based on a one man play by Ruben Santiago Hudson..yes he played most of the parts. On paper it looks like stunt casting. Yes let's round up all the black folks in Hollywood and put them in one movie. Halle Berry even produced it. The only name I didn't see was Oprah's ,thank god because it probably would of ended up being like a Hallmark movie. Instead this movie was not some sentimental mess. It was moving but not phony, the characters came and went with the exception of her husband, Pauline and the writer in question. The movie revolved around the universe of Nanny, Mrs Bill Crosby and how she raised the writer and took in people. Now being a jaded New Yorker when he said she took in sick people and old and then we see them going to a mental institution to pick up a man, I'm thinking looks like sister has a medicare scam going. Getting folks jobs and taking the medicare/caid checks But no she explains to Lou Gosset she just wants 25 bucks a week and did not want the money ahead of time. I think that part was put in the movie just for us jaded New Yorkers so we know she is not scamming the poor folks.(g) It was written by a New Yorker so he knows the deal(g).. She almost seems angelic and looking through a little boys eyes I can see why. She is married to a ne'er do well who is 17 years younger and fools around on her. Terrence Howard was born to play these type of parts. He was good but I would like to see him play something different. Markerson who plays Nanny is also very good. But for some reason the person who stood out to me was a small role played by Jeffery Wright. Where is this mans Oscar? He already won a Emmy and a Tony. He was in Shaft and he stole the movie. I did not even know who he was in this movie. He is a chameleon never the same. I never seen him play a bad part yet. This was a 5 minute role and he managed to make me both laugh and cry. I re-winded the scene few times ..one time because I didn't know who he was. His wife Carman Ejogo was excellent. I have seen her in roles before mostly mousy stuff. But she is so good here. I actually know people who act just like her. So it was very real to me Macy Grey who had one of the bigger parts was also very good. I was very happy that they did not kill Nanny off. I thought she was a goner in the beginning of the movie. BUT she was able to go home and start her old routine of taking care of people. There are women like that in most of our lives. People we might know or even lived with. Thank god for them, I do not know how they do it all of the time. I have a friend who lost 2 children and been through a lot of stuff but whenever I am feeling selfishly sorry for myself I call her and she always puts me in a good mood. THis movie is a tribute to all of those people. I only wish they they told us what happened to some of the characters like the the one armed man, Paulines boyfriend who is played by one of my favorite actors on HBO's The Wire, Omar, Rosie Perez's character and Richard the lesbian and Delroy Lindo's one arm man, he was mesmerizing in another small role.",positive,error,解析失败,负面误判
70,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\54_10.txt,This was a great movie. Something not only for Black History month but as a reminder of the goodness of people and the statement that it truly does take a village to raise a child. The performances by S Eptath was outstanding. Mos Def and his singing was off the hook. Had to do a double take when I saw that was Rosie Perez there. But the supporting cast of actors and actresses made this worth watching. All the different stories they had was amazing. And how Nanny protected Jr and literally everyone else that was in her presence. I can truly understand her being the matriarch of that time period and even more so how tired she was in helping everyone. Cant wait for it to come out on DVD. It would be a welcome addition to any movie library.,positive,error,解析失败,负面误判
71,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\55_10.txt,"No blood, no sex (though it oozes passion), no special effects, but just one of those pearls that comes across your movie screen when you're not really looking and grabs your attention. <br /><br />Great acting, great sets, great music, beautiful storyline. If only there were a lot more movies made like this one!<br /><br />The sets move us through time and make us feel like we were there.<br /><br />The acting appears like real life, and elevates us to the level of awareness of ""Nanny"", to whom no-one is a lost cause, least of all the inhabitants of her own ""Halfway"" house. <br /><br />Best of all it's a true story of misfits learning to ""fit in"". I was somewhat jealous of the good times that everyone appeared to be having in the movie! Could we all spend some time in Nanny's house?",positive,error,解析失败,负面误判
72,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\56_10.txt,"""Lackawanna Blues'is so emotionally powerful in its portrayal of urban Blacks during the 50s and early 60s. A culture of joy and sadness specific to working class Blacks that existed outside the mainstream culture. The characters of Santiago-Hudson's play depicted Black individuals who lived imperfect lives but maintained strong positive values of love,loyalty and honor. Although the characters moved away from those values at times, they did not deny the importance of the values. Instead they recognized and accepted their own imperfection and those of the other characters, without judgment, that passed through the life of ""nanny"". The central characters were strong and believable, the settings were realistic and brought back personal memories of a by-gone era. Pre-integration urban life was a time of sensory intoxication, sight, sound,and smell, that could almost be experienced by watching the drama ""Lackawanna Blues"" unfold. I will watch it again and again.",positive,error,解析失败,负面误判
73,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\57_10.txt,"I gave this film my rare 10 stars.<br /><br />When I first began watching it and realized it would not be a film with a strong plot line I almost turned it off. I am very glad I didn't.<br /><br />This is a character driven film, a true story, which revolves mainly around the life of Rachel ""Nanny"" Crosby, a strong, beautiful (inside and out)Black woman and how she touched the lives of so many in the community of Lackawanna.<br /><br />Highly interesting not only its strong characterizations of Nanny and the people who lived at her boardinghouse, but also it gives us a look at what life and community were like for African Americans in the 1950's, prior to integration, and the good and bad sides of segregation and how it ultimately affected and changed the Black community.<br /><br />In addition to excellent performances by all members of the cast, there is some fine singing and dancing from that era.",positive,error,解析失败,负面误判
74,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\58_8.txt,"Superb editing, outstanding acting, especially by Epatha Merkerson, and highly enjoyable musical soundtrack. This film reaches back to the 40's to comment on the racial lifestyle differences and some effect of desegregation while it weaves the true story of a truly admirable and fantastic lady.<br /><br />The actor portraying the young Terrence Howard character does a wonderful job reflecting the life and times of his upbringing in the small upstate New York town. The audience laughed, cried, and erupted in applause for the film and its director. <br /><br />Soon to be shown on HBO (Feb 7, I believe) - fire up the TIVO and enjoy a great story!",positive,error,解析失败,负面误判
75,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\59_10.txt,"I always felt that Ms. Merkerson had never gotten a role fitting her skills. Familiar to millions as the Lt. on Law and Order, she has been seen in a number of theatrical releases, always in a supporting role. HBO's Lackawanna Blues changes that and allows this talented actress to shine as Nanny, successful entrepreneur in a world changing from segregation to integration. But the story is really about the colorful array of characters that she and her adopted son meet in a boarding house in Lackawanna, New York, a suburb of Buffalo.<br /><br />The story could be set in any major African-American community of the 50's and 60's from Atlanta's Sweet Auburn to New York's Harlem. But the segregation-integration angle is only a subtle undercurrent in the colorful lives of the folks at Nanny's boarding house. The story revolves around Nanny's relationships with all kinds of people, played by some of the best actors in the business (I purposely did not say black actors--this ensemble is a stunning array of talent who happen to be black, except for Jimmy Smits, of course) I recommend this film as a fun and colorful look at a bygone day.",positive,error,解析失败,负面误判
76,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\5_7.txt,"I only went to see this movie because I have always liked Kevin Costner. I felt that Ashton did a great job in the Butterfly Effect. Unfortunately, even though these two actors were/are capable of good if not great acting moments some of that was missing here. Some of the scenes were just not believable and didn't have enough story line support.<br /><br />Though the movie claims influence from the hurricane Katrina aftermath, there was very little (none) to that effect in the movie.<br /><br />Overall, I liked the fact that the movie brought forward some of what goes into saving lives from a water perspective.<br /><br />The special effects were pretty good and more than a little intimidating. Not sure I'll ever go deep sea fishing again...<br /><br />I expected a little more emotion in the film than what was presented.<br /><br />Definitely a movie that could've been seen on DVD.",positive,error,解析失败,负面误判
77,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\60_8.txt,"The main reason for watching this picture is to savor the brilliant performance of S. Ephata Merkerson. Ms. Merkerson dominates this film with her tremendous presence as Nanny, the woman who believes in doing good, no matter to whom, with no strings attached. This actress clearly shows a range that is amazing.<br /><br />Thanks to director George Wolf for bringing this distinguished cast of some of the best Black Americans actors together. This ensemble group under his tight direction help create the right atmosphere in which the action takes place.<br /><br />Of course, none of this would have been possible if Ruben Santiago Hudson hadn't written his wonderful play. Working with Mr. Wolf, perhaps the best theater director of this generation, they have opened the play in a way that it evokes that not too distant past where a child lives under the influence of Ms. Crosby, when his own parents are not around to take care of him. Ms. Crosby becomes the adoring mother of little Ruben; in a way, he represents her reward for having lost her own daughter.<br /><br />Unfortunately, there is no time to develop some of the characters, as the action solely concentrates in enhancing the relationship between Nanny and the young Ruben, played with such charm by the young Marcus Carl Franklin, who is a natural. The only thing that could have been done differently was the voice over narration that is at times intrusive, as it doesn't clarify, or justify what one is seeing. Frankly, just by watching the interaction of the players, is self explanatory.<br /><br />In the background there is always music. No matter what hard times these people are going through, but Nanny's house is full of laughter and that glorious music that takes us back to that era.<br /><br />Aside from Ms. Merkerson, other notable performances are given by Terrence Dashon Howard, one of the rising stars of the moment. Mos Def, Jeffrey Wright, Marcy Gray, Louis Gossett Jr.,Delroy Lindo, Rosie Perez, Carmen Ejogo, Jimmy Smits and the rest.<br /><br />Ms. S. Ephata Merkerson deserves to be seen by a wider audience. In ""Lackawanna Blues"", she clearly demonstrates she can do anything she wants because of her enormous talent and charisma.",positive,error,解析失败,负面误判
78,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\61_9.txt,"The centerpiece of Lackawanna Blues is the character Rachel ""Nanny"" Crosby, who runs a boardinghouse and provides unflagging support to a young boy, Ruben, the narrator of the film. Based upon the experiences of writer-actor Ruben Santiago-Hudson, the film lovingly recreates the upstate New York boardinghouse and evokes the cultural climate of a world in transition in the 1960s. <br /><br />The first half of the film is virtually non-stop music. The second half addresses more completely the various characters in the boardinghouse. Nanny's ability ""to take fragments and make them whole"" affects everyone within her sphere. An especially vivid scene is when she confronts an abusive husband, telling him firmly, ""If you ever touch that child again, we're going to dance!"" As delivered by actress S. Epatha Merkerson, that line is so steely and filled with such resolve that the husband with the hair-trigger temper is frozen in his tracks. <br /><br />From start to finish, Merkerson delivers a commanding presence Her character binds together the disparate lives of the borders in her home. This was a touching, heartfelt film with a wonderful cast. As played by Merkerson, the character of Nanny simply radiates love. This is a film experience that I will remember for a long time to come.",positive,error,解析失败,负面误判
79,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\62_8.txt,"Fun, entertaining movie about WWII German spy (Julie Andrews!) falling in love with American pilot (Rock Hudson), while trying to get secrets from him. For some reason this was attacked by critics and shunned by the public in 1970--I can't see why. It's beautifully shot, has wonderful costumes and interiors, and exciting aerial dogfights. Also it has Andrews doing a strip-tease (strictly PG material) and singing a beautiful song--""Whistling in the Dark"". The movie does have problems. Andrews and Hudson did not get along during the shooting of this--and it shows. Their love scenes lack spark and they have zero sexual chemistry. Still, they turn in OK performances. The film is a little long (even in the 105 min director's cut I saw) and gets way too dark and serious at the end. Still, worth catching. Try seeing the directors cut...the other one runs half an hour longer!",positive,error,解析失败,负面误判
80,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\63_10.txt,"It really is a great film (after being able to ignore Blake Edwards Pink Panther references which he appears to be obsessed with and are hugely unfunny). Julie is, as usual, wonderful - singing and acting brilliantly. I remember seeing it at the Odeon Cinema in the Haymarket, London on its release. However Julie's non-appearance at the UK premiere of STAR! was most unfortunate and (apparently!) due to filming the aerial shots for Darling Lili over Ireland. A reasonable excuse if she had appeared in any of these aerial shots but she did not. Two box office flops in a row ruined her film career for quite a few years. But Darling Lili,just like STAR!, deserves much more public appreciation.",positive,error,解析失败,负面误判
81,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\64_10.txt,"Darling Lili is a mixture of Perfection and Magic! The Stars; Julie Andrews & Rock Hudson could not have done a better attempt if they tried. It's full of all the magic that a young lady wishes for and it makes it seem as if it can all really happen to you. The brilliance of the Director; Blake Edwards is shown to be at his best. He was truly capturing the woman he loved on screen!<br /><br />The blend of each song, went perfectly with the moment in the film. The Film opened with Julie Andrews singing Whistling Away In The Dark and closed with the same Song by Andrews.<br /><br />For A Film Of This Excellence To Have Been Such A Failure When It Was Released, Is A Total Shock...<br /><br />As It Is: ""Inspirational...Purely....Inspirational!"" ~One Of Andrews Most Memorable Lines In This Film!",positive,error,解析失败,负面误判
82,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\65_7.txt,"I am an avid Julie Andrews fan and I just watched this for the first time on DVD -- the Director's Cut version. I was very surprised that it was rated G. How did they get bedroom scenes, a seduction story line, two strip tease acts, and war/shooting/blood into a G rating? Weird. I would rate it PG-13.<br /><br />Other than that I thoroughly enjoyed the movie. It was a beautiful showcase of Andrew's voice and talent. The acting was great. The storyline was a little weak, leaving gaps that could have been filled with some good dialogue. There were too many ""no talking, just walking"" scenes for me... I would have liked to see the the relationship between Julie and Rock blossom, so that the intense love would be more believable.",positive,error,解析失败,负面误判
83,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\66_10.txt,"I first viewed this movie when it first came out and also bought an LP recording of the soundtrack. I liked it so well, I went back to see it several times..cannot understand why it was considered a flop. Julie Andrews was lovely in this film, her voice was in top form and the costuming was beautiful!<br /><br />The film contains a little bit of everything and even though some of the scenes were a bit heavy-handed, they were still fun. <br /><br />I recently found I could get a copy in DVD form and ordered it......I was disappointed that a couple of songs and sequences in the movie were not included in the version of the DVD I ordered.",positive,error,解析失败,负面误判
84,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\67_10.txt,"This Blake Edwards film isn't too sure whether it wants to be a comedy, a drama or a musical. No matter, the sheer presence of Julie Andrews, is reason enough to see this comedy-drama-musical-spy spoof. Julie is beautiful and uses her many talents, throughout the film. Rock Hudson looks tired, but he's is more than fine, as Julie's romantic interest. Authentic World War I cars and planes, add to the appeal. Overall, the film is very entertaining. The DVD release is an edited (by Blake Edwards) version of the original release. Supposedly, this is the only version that Edwards would allow; but, Turner Classic Movies has shown the complete (theatrical release) version, recently. Recommended.",positive,error,解析失败,负面误判
85,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\68_9.txt,"Julie Andrews and Rock Hudson were great in this movie / musical. The opening song by Ms. Andrews, ""Whistling Away the Dark,"" will always be in the back roads of my mind. The plot line during World War I, is great and suspenseful one. If you are a romantic, you will love this movie. This is a movie that I always enjoy to see again and again.",positive,error,解析失败,负面误判
86,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\69_10.txt,i found the story to be just enough of a thriller that the wonderful henry mancici music didn't lull me. julie andrews was excellant and i sure don't understand why this movie had problems at the box office when it came out because it just makes me happy at the end to have everybody singing. and i do like happy ever after endings which i think you can say this movie has along with some traditional blake edwards humor...,positive,error,解析失败,负面误判
87,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\6_7.txt,"I was fortunate enough to see this movie on pre-release last night and, though I wasn't expecting to, actually really enjoyed the movie for the most part. The rescues and sea effects were amazing to watch and definitely provided edge of the seat tense moments, probably all the more so knowing that there are guys who do this for a living. The weaker parts of the movie revolve largely around using stereotypical set scenes. I'm not going to spoil the movie but this really follows along the lines of An Officer and a Gentleman and those moments give it a little bit of a cheesy aftertaste.<br /><br />Like I said over all this movie is pretty good and worth checking out as long as you can get past the clichés.",positive,error,解析失败,负面误判
88,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\70_8.txt,"This movie is certainly well-constructed, beginning and ending in the dark, with focus on Lili Smith /Schmidt, Julie Andrews,initially the singing 'angel' later the notorious spy.<br /><br />It's beautiful! I saw the movie about 15 years ago and watched it again recently. While it was dismissed by critics in the 70's as overblown, 'cinema vulgaris', and lacking in structure (among others) time has proven them wrong. Blake Edwards certainly has produced a film that is almost of lyrical quality.<br /><br />The film soars and swirls (aerial photography; Julie Andrews in motion) and captivates. One must just buy into the premise that Julie Andrews is a spy whose mission has gone wrong. Overlooking the tepid chemistry between Julie Andrews and Rock Hudson, one must believe that these are lovers - who in all innocence fall for each other. And in the end, love is far more important than winning wars. And so is maintaining innocence.<br /><br />There is a lot of understated acting, and the film certainly reaches emotional depths often not seen in comedies.<br /><br />There are wonderful comedic elements (foreshadowing the French goons in Victor/Victoria), interesting diplomatic asides (reminding me of The Tamarind Seed, seen about 18 years ago) and a general sense of good-will.<br /><br />Suspend all disbelief and this movie will carry you away. Julie Andrews' belting out of war songs and the haunting 'Whistling Away the Dark' are reason enough to turn the TV on, just for the soundtrack. And the striptease number, like the 'Jenny' number in Star! works. <br /><br />This film has, like a good champagne, aged well. Paramount should bring it to DVD as soon as possible. The same applies to transferring the laser disk of Star! to DVD. These are both interesting pieces of Julie Andrews' meticulous and then underrated works.",positive,error,解析失败,负面误判
89,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\71_9.txt,"I always loved this film. The music,story and the action. I especially love the opening and closing of the film. The music stayed with me throughout the years. The WWI plane battles were great and the comedy is typical Blake Edwards. Slaptick is his forte' after all. Julie's singing is amazing and keeps me glued to the screen. The sets and the scenes are wonderful. The characters are appealing. I loved the scene with the wounded soldiers and Julie's singing to them. I wish she sang to me in Vietnam. I also enjoyed the old cars from the period and the WWI music.I was glad when the DVD arrived. Now I can whistle in the dark watching it again and again.",positive,error,解析失败,负面误判
90,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\72_8.txt,"Even a bad Julie Andrews Musical is worth watching and this isn't bad! In fact it's quite entertaining. Actually it's a fascinating study on trying to manipulate a star's personae.<br /><br />To break Julie's ""goody two shoes mold"" she plays a German Spy/English Musical Hall Actress. She subsequently went on to take her top off in the movie S.O.B. and play a drag queen in Victor Victoria and other not so goody girls usually under hubby Blake Edward's direction.<br /><br />The movie is admittedly problematic It is hard to feel for her character because she's a German Spy. We want to love Julie but she's on the wrong side of the law. Probably this is why this movie flopped. Julie as a German Spy? Our Mary Poppins? our Maria Van Trapp suddenly a German Spy?<br /><br />The romance seems to happen overnight and come from nowhere. But never mind, it's a musical and it has Jullie. Oh and did I mention hunky Rock Hudson is in it too?<br /><br />Julie gives a glowing wonderful performance that any musical comedy buff should not miss. Great WW 1 Songs and nice tunes by Mancini.<br /><br />Yes the film has plot holes and at times doesn't seem logical. For example, why is Julie and her uncle suddenly pursued by the Germans when a minute ago she was spying for them. <br /><br />But on another note, who cares? The musical numbers are fun and exciting. The costumes and scenery extraordinarily lavish. The cinematography quite on the mark.<br /><br />It has the annoying idiot detectives that Blake Edwards puts in all his movies. (Yawn)<br /><br />But it has Julie- trying desperately to change her image. (You can imagine dinner with Blake and Julie - Julie: ""Blake we need to change my image."" <br /><br />Blake: ""I Will make you a German Spy, then we will take your clothes off in another movie and then play a transvestite in a another movie. They won't recognize you. It will be the death of Maria Von Trapp""<br /><br />Fascinating study on changing an image. Wonderful Julie. A must see for musical comedy buffs. Much more entertaining than Star!",positive,error,解析失败,负面误判
91,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\73_10.txt,"Yes, I am a romantic of sorts who likes musicals and comedy and this fit the bill! Julie Andrews gives a mesmerizing performance at the beginning and end of this film with the ""Whistling in the Dark"" production number. The sedate-to-outrageous number that she performs in the middle of the story when she believes that Rock Hudson has been seeing a dancing/call girl is eye-popping and will certainly make you giggle.<br /><br />I only wish that this film could be found in video or DVD as I would surely purchase it in a heartbeat for my home library!",positive,error,解析失败,负面误判
92,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\74_10.txt,"Darling Lili is fantastic! Its by far one my favorite films! It certainly didn't deserve the poor reviews it received. Julie Andrews, playing the title role of Lili Smith (Schmidt) is the best part of the whole movie. She is entrancing and spectacular! As Julie Andrews is my most favorite actress and singer by far, I was most definatly not surprised by how stunning she is. This movie is just...great (I'm running out of adjectives!), it's magnificent, marvellous, amazing, funny, terribly romantic, sad, and just an all-out thrill and its all thanks to Dame Julie Andrews!And to her husband, director Blake Edwards. Oh, yeah Rock Hudson was ok, too :)<br /><br />Julie Andrews is the beautiful and well-loved singer, Lili Smith. Rock Hudson portrays Major Larabee, who quickly falls for Lili, and she with him. But their affair was not coincedental. There meeting was planned by the German Government (I'm not sure if that's exactly what you'd call them, but you get the point), because the warm, happy, singing entertainer Lili is actually a German Spy. Lili is told to seduce Major LArabee in order to get information of the new Top Secret Opertaion (later know as ""Crepe Suzette""). Though Lili is on a solemn mission, she falls in love with Bill (Major Larabee), for real, making her original quest challenging. But Lili pulls through and completes er task, after she finds out something that is not really true about Bill. The ending will remain unsaid by me as it is wonderfully layed out. If anything, you'll thoroughly enjoy this movie, I most certainly did!!!!!!!!<br /><br />",positive,error,解析失败,负面误判
93,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\75_10.txt,"This often maligned movie is a must for fans of Blake Edwards, Julie Andrews, Henry Mancini, or Hollywood musicals. Other writers have commented on the shifts in tone, the confusion of plot, etc., but the film has many things to recommend it. The score is one of Henry Mancini's best (and he has written many wonderful ones), several songs are sung to perfection by Andrews, Julie's performance is nuanced and she is decked out in some beautiful clothes, (she is at her absolutely loveliest here), the on-location shots are breath-taking, and there are some funny Inspector Clouseau-type sight gags to boot. Rock Hudson basically phoned in his performance, but he is passably good. A real curiosity item in that it was the last major film Julie did for about 10 years and, in many ways, is a precursor to Victor/Victoria. It is lovely to look at and listen to. When will it be available on DVD??? When it is, I for one would like both versions--the longer and shorter, director's cut. Since it was lampooned in S.O.B., they would make a great two-pack!",positive,error,解析失败,负面误判
94,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\76_8.txt,"I suppose I like this film as well as any I know; it is not perfect, but under the title ""The Americanization of Lily"" this charming and memorable semi-musical satire might I suggest have been appreciated more, and still loved by those who recognized its special Blake Edwards'-produced spirit of gentleness, clever humor and solid narrative. The improbably but delightful story-line follows Lili Smith, a fringe-type spy for the Germans in a much simpler and less black-and-white war; Lili Schmidt passing as Smith is helping her Uncle who is patriotic too, for Germany but neither cruel nor political, merely opportunistic. Lili's target is William Larrabee, a charismatic U.S. squadron leader who can supply her valuable information. The plot thickens comes when Lili falls in love with Larrabee, has her eyes opened to the consequences of her playing spy, and sees the effects of combat on wounded men at a hospital and realizes what it might mean to his men whom she has met and likes. She gets jealous of a rival for Larrabee's affections, then realizes she can no longer do what she has been doing and gives up the spy business. The logical end of the film comes when after the terrible WWI has ended, as she sings the theme song of the film, ""Wishing"" in a darkened theater, one by one the members of Larrabee's squadron appear, including her lover himself, indicating they have forgiven her and their former opponents; and even Uncle Kurt enthusiastically joins in the singing of ""It's a Long To Tipperraree"", to indicate all is well with the world again. This is an audacious and sometime brilliant story idea, written by director Blake Edwards and William Peter Blatty of ""John Goldfarb"" fame; and it is a delightful narrative. Larrabee's squadron, including an inebriate who keeps crashing and other lovable types populate this lively film; and the feel of this stylish and glowing film is almost epic, both in its scope and realization. Credit must go to Jack Bear and Donald Brooks for their costume creations, Reg Allen and Jack Stevens for sets, Fernando Carrere for another beautiful production design, Henry Mancini for his sensitive and appropriate musical score, and to Russell Harlan for his shining cinematography. In the beautiful footage, the principal actors are Julie Andrews as Lili, Rock Hudson as Larrabee, Keremy Kemp outstanding as Lili's Uncle Kurt, Michael Witney, Lance Percival as the inebriate pilot, gorgeous Gloria Paul as Lili's stripteasing rival, and many other fine actors in smaller parts. It is hard to say enough nice things about the pace, or the cleverness of the just-this-side-of broad comedy; this element is introduced by Edwards to leaven the horrors of actual warfare, to example the almost comic-opera approach with which men made war back in a more innocent-minded era of human civilization.. This comedy also helps prepare the way for Lili's conversion from uncritical acceptance of a duty to the German state to acceptance of the reality of what she is doing and potentially what she may be causing. This is a rare ""sense-of-life"" film about Lili's ""Americanization"", her assertion of herself in the real world and then among others before tragedy can happen. It is haunting, I find, and beautiful in many ways. I consider it to be Blake Edwards'masterpiece of directing; and under the title ""The Americanization of Lili"" I believe with hardly any changes it might have been recognized as the polished sapphire of a film it is by every standard I know.",positive,error,解析失败,负面误判
95,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\77_10.txt,"Julie Andrews plays a German spy who falls in love with an American pilot Rock Hudson, while on an assignment for Germany.<br /><br />The songs are beautiful. The two are well-paired. Julie demonstrates a more temperamental side in this film than the nice girl she normally plays. <br /><br />A half-German, half-English girl who sings beautiful and entertains the troops in WW I, Julie sings some endearing Mancini songs. <br /><br />I loved the film. Some will say it's a ""chick-flick,"" but so what. It's wonderful. <br /><br />Supporting characters are somewhat stereotyped. It may not be up to Rock's performance in Pillow Talk, Magnificent Obsession, or Giant.<br /><br />Blake Edwards shot the film in Ireland and authentic WW I -type planes were used in the film. Scenery for England and France is absolutely gorgeous.",positive,error,解析失败,负面误判
96,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\78_8.txt,"Robert McKimson's 'Acrobatty Bunny' is one of the director's finest shorts. Although the circus-based setting may evoke hideous memories of McKimson's dreadful 'Big Top Bunny', 'Acrobatty Bunny' is in fact nowhere near as dull as that travesty. Pitting Bugs Bunny against a ferocious lion, 'Acrobatty Bunny' is fresh and funny from the outset, not to mention extremely attractive to look at. There's a classic scene in which Bugs takes a strangled elevator ride out of his hole only to emerge directly into the jaws of the lion. In a brilliant Disney parody, he hollers ""Pinocchio"" down the lion's throat! This brilliant opening is a sign of things to come. There are some expertly choreographed antics in and around the lion's cage to begin with, followed by a hilariously grotesque and irritating rendition of 'Laugh Clown Laugh' which, as a child, I used to impersonate regularly! All this culminates in a short acrobatic sequence which gives the cartoon its name. I've never been fond of the circus as a setting for cartoons and find it usually makes for a dull and predictable set of gags but 'Acrobatty Bunny' breaks from the mould and the result is an exhilaratingly funny short which stands amongst McKimson's best.",positive,error,解析失败,负面误判
97,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\79_8.txt,"Once again, Bugs Bunny sacred home is violated by careless people. This time the traveling circus put a lion's cage right over the rabbit's hole. So Bug's has to come out of the hole and face Nero (that's the name of the lion), which he does in his usual hilarious style. After a slow and rocky beginning to the cart, it keeps getting better and better and winds up being quite hilarious. Nero the lion turns out to be a pretty good foil for Bugs and that turns this short into a highly memorable one, if still shorn of a classic. This animated short can be found on Disk 1 of the Looney Tunes Golden Collection Volume 3.<br /><br />My Grade: A-",positive,error,解析失败,负面误判
98,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\7_9.txt,"Our family (and the entire sold out sneak preview audience) enjoyed ""The Guardian"". Kevin Costner and Ashton Kutcher gave convincing performances as the fictional helicopter rescue swimmer characters Ben and Jake. After seeing this movie, you can't help but imagine how difficult it must be to graduate from the USCG helicopter rescue swimmer school and one day take part in real rescues.<br /><br />Even though this is a fictional movie, it delivered rather convincing virtues of team spirit, dedication and bravery exhibited by all the members of the actual U. S. Coast Guard.<br /><br />The special effects used to create the rescue scenes were incredible. You actually felt like you were taking part in a real rescue.<br /><br />I feel the movie could have been made without the ""Hollywood"" bar scene (when you see the movie, you might agree) since the real Coast Guard does not condone such behavior. <br /><br />Very entertaining, very action packed, definitely worth seeing. Thank you, U. S. Coast Guard and the REAL helicopter rescue swimmers, ""So Others May Live"". I'd highly recommend this movie to everyone.",positive,error,解析失败,负面误判
99,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\80_7.txt,"The ""good news"" is that the circus is in town. The ""bad news"" is that's right over Bugs Bunny's underground home. He wakes up as his place shakes like an earthquake hit it, when workers pound stakes into the ground and elephants stomp by, etc.<br /><br />To be more specific, the lions' cage is place exactly over Bugs' hole. The lion sniffs food, and by process of elimination, figures out it's a rabbit. Bugs, curious what all the racket is about, winds his way through the tunnel and winds up in the lion's mouth.<br /><br />I'll say for thing for BB: he is totally fearless, at least in this cartoon, and at least for 30 seconds. When he comes to his senses, he runs like crazy and we get a lion-versus-a rabbit battle the rest of the way. Once again, Bugs faces dumb opponent, one he calls ""Nero,"" but lion is fierce and Bugs will need all his wits and somewhat-fake bravado to fend off this beast.<br /><br />About half the gags are stupid and the other half funny, but always fast-moving, colorful and good enough to recommend. I mean, it's not everyday you can see a lion on a trapeze, or doing a hula dance!",positive,error,解析失败,负面误判
100,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\81_9.txt,"A savage, undisciplined lion has been put behind bars for a circus carnival. He suddenly notices a hole on the floor of his cell, then sticks his nose into this hole to snuff it. At first he thinks Bugs Bunny's home is belong to a camel; yet when he wakes Bugs up from his sleep hoisting him up to the ground, there he meets with Bugs, his next trainer. <br /><br />If you ever wonder how Bugs would turn a savage lion into a Hawaiian hula dancer with traditional skirts on, you should watch this cartoon. Director Bob McKimson offers endless laughters by means of absurd and unexpected demonstrative humour. <br /><br />The signature scenes include:<br /><br />1/ the look of Bugs Bunny's home, cross-referencing to Donald Duck with the B.B. name acronym on the headboard of Bugs's bed <br /><br />2/ Bugs Bunny's short journey with the mine hoist climbing up to the ground floor <br /><br />3/ When Nero the Lion calls his friend the Elephant for help, Bugs uses a toy mouse to scare the Elephant; since the Elephant needed a broom to outpower that toy mouse, he uses Nero as a broom! <br /><br />4/ Bugs becoming a clown with the proper costume and make-up and the practical clown jokes that he makes <br /><br />5/ the trapeze scene while Nero chasing after Bugs <br /><br />6/ the famous Human Cannonball scene after which Nero the Lion starts dancing Hawaiian Hula<br /><br />The magic moments which keep Acrobatty Bunny fresh at all times in our memory:<br /><br />1/ When Bugs comes out of his bunny hole, he thinks he's in the Pinocchio tale; and starts acting to save Pinocchio out of the giant whale's stomach <br /><br />2/ When the Lion roars to scare him, Bugs replies back to him with roaring<br /><br />3/ Bugs arguing with the Lion for he's making so much noise, then finding a piece of wood to rub it against the iron bars while singing in order to make more noise than him <br /><br />4/ Wearing rubber heels at the circus, Bugs starts to bounce like toy rabbits and causes Nero to bounce! <br /><br />Those are the 10 main reasons that keeps Acrobatty Bunny as a Bugs Bunny classic and can be found in the ""Bugs Bunny Classics' MGM/UA Video (1989)""",positive,error,解析失败,负面误判
101,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\82_10.txt,"When the circus comes to town and places the lion's cage directly over Bugs Bunny's home, Bugs ends up somewhere in the range right between freaked out and intrepid. Despite the title ""Acrobatty Bunny"", it's only at the end when Bugs and the lion perform acrobatics. But even leading up to that, it's quite funny what Bugs does to escape getting eaten; somehow, he always manages to use the other character's weakness against him, and then pull any convenient object out of thin air! Bugs later ended up in the circus in ""Big Top Bunny"". I liked this one better, as the latter got drug down a little bit by giving the antagonist an Eastern European accent (I know that it was during the Cold War, but still). I recommend this one.<br /><br />And with the end, we can affirm that it'll never be Aloha Oe for this cartoon.",positive,error,解析失败,负面误判
102,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\83_10.txt,"Channel zapping one night I just caught the start of this movie and it hooked me from the beginning. It tells the sad story of an adopted child, Adam, whose mother left him after birth. The movie takes us through his childhood, and makes us discover a very disturbing fact from Adam's past. I will not reveal more, but it is a very in-depth movie and will intrigue you for sure. This was one of Jimmy Smits best roles in my opinion.",positive,error,解析失败,负面误判
103,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\84_10.txt,"A very good film, focusing on a very important issue. Fetal alcohol syndrome is a very serious birth defect that is totally preventable. If more families saw this film, perhaps more children would not end up like Adam. Jimmie Smits performs in one of his best roles ever. This is an excellent movie that takes into account a very special family with very important needs. This is not unlike thousands of families that exist in the United States today. There are children struggling with this world wide. The really important point here is that it all could have been prevented. More people should see this movie and take what it has to say seriously. It is well done, with important messages, handled in a graceful way.",positive,error,解析失败,负面误判
104,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\85_10.txt,"This was a excellent movie. I deal with a child who I am raising that has FAE and watching this movie was more than word can explain. I also purchased the book and it was great. I would like to have a copy for my own use and so I can have my son's teachers watch it also.I would like to know if anyone could sell me a copy of this movie, let me use it for a time or refer me to someone where I could purchase it. Thank You, Myra I would recommend this movie to anyone who deal with children/adults with special ability's. This movie should be shown again on TV. The team of doctor's that have been tracking my son would also like to have a copy. His special Ed teacher has also asked me to try to locate a copy that he can have or that he can borrow.<br /><br />Thank You",positive,error,解析失败,负面误判
105,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\86_10.txt,"This movie was everything but boring. It deals with reality. To the people who think this movie was boring, open your eyes to the real problems in our society. Our children are dying. The consequences of alcohol and drug abuse are not to be ignored. I work in a correctional facility as a chemical dependency counselor,and i deal with these problems every day. People of all ages and all walks of life are effected by the consequences of their alcohol and drug abuse. It destroys families, hurts people and leads to serious brain damage,all kinds of health problems, and death. It is all preventable. This movie should be shown in every high-school in the world. If anyone owns this movie and wants to sell it, or sell me a copy, please e-mail me at: Ottenbreit2@netzero.net thank you",positive,error,解析失败,负面误判
106,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\87_10.txt,"It has been years since I have been privileged to see this movie on TV. I only wish I could contact someone to see it again. I married a man with three children and two had Fetal Alcohol Syndrome. I didn't' realize this but seeing this movie helped me understand more about their problems and more about how I can love them and help them overcome their difficulties. My step-son is now 35 and thank the Lord he has blossomed wonderfully but still has many after affects of being born by an alcoholic mother. We speak every month to Rehab patients with alcohol and drug addictions and this sharing has truly made monumental changes in their behaviors and endeavors to start out a new life not addicted to drugs and alcohol. Please please let me know how I can get a copy VHS or DVD of this movie or when they will show the movie again on TV. If you have not been in these shoes, you probably could never understand its value. Thank you so very much.",positive,error,解析失败,负面误判
107,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\88_10.txt,"This story focuses on the birth defect known as FAS, or Fetal Alcohol Syndrome, a disease diagnosed too often among Native Americans. In spite of the down-beat nature of this drama, the great script and the characterizations move the story along very well. This is arguably Smits best performance.",positive,error,解析失败,负面误判
108,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\89_10.txt,"This is a piece of cinematic beauty, and it shows more of Quebec culture to others than probably any other work to come from la belle province. It takes everybody into a first-person experience of the culture, to the point that you wish you glued your hair in place and lived, breathed, and ate everything Maurice Richard. The book does this as well as the short, and I'm glad that in all the time I did spend studying French in high school, this was required reading in both languages.<br /><br />I thought it was brilliant to have Roch Carrier narrate this story. His molasses-thick accent brought a lot of realism to the story. The animation was good, as well, very surrealist, which brings attention to the idea of this being a whimsical daydream, fancying over better days gone by.<br /><br />Again, as a symbol of culture quebecoise, this is unsurpassed. One can almost smell the tourtiere being cooked slowly over a wood stove. This whole film deserves endless praise for making people proud to be Canadian, and encourage us all to appreciate the finer things of family and our roots. I'm from Ontario, and this film made me fall in love with Quebec. Maurice Richard va toujours vivre dans nos coeurs.",positive,error,解析失败,负面误判
109,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\8_9.txt,"I'm a Petty Officer 1st Class (E-6) and have been in the USCG for 6 years and feel that this movie strongly represents the Coast Guard. There were only a few scenes that were far fetched. The most far-fetched was when PO Fischer (Kutcher) went down inside of the sinking vessel to pull the vessel's captain out of the engine room... that would never happen. Swimmers are not allowed to go inside of any vessel no matter the circumstances. Second, the Command Center (supposedly in Kodiak), it looked more like a NASA command center... we don't have any gear that hi-tech. Third, the Captain of the Airstation would not be running the search & rescue cases with like 10 people on watch. In reality it would be an E-6 or E-7 as the SAR Controller and maybe 2 other support personnel like an assist SAR Controller & a Radio Watchstander. Otherwise the movie was dead on, I think they should have incorporated more of the other rates in the CG and their roles in search & rescue instead of just Aviation based rates. Some of the scenes from ""A"" school reminded me of my days their and the dumb stuff I did and got in trouble for in my younger days.",positive,error,解析失败,负面误判
110,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\90_9.txt,"I throughly enjoyed this short, even as a Toronto Maple Leafs fan. <br /><br />Director Sheldon Cohen and Narrator Roch Carrier captured all of the boy's emotions perfectly. From the feelings he had for his hero, Maurice ""Rocket"" Richard, to the excitement, anticipation and hope of getting a new Montreal Canadiens sweater soon, to the look of horror on his face when he got his sweater from his mother; A Toronto Maple Leafs sweater was priceless and the shame of having to wear this dreadful (in his eyes) blue and white Toronto Maple Leafs sweater; Not the rouge, bleu and blanc of the Montreal Canadiens with Richard's number nine, like his old sweater. And worst of all, his Mum made him wear this Maple Leafs sweater out of the house. You could envision and anticipate the ridicule he would get from his friends when he hit the ice wearing that sweater before he got there.<br /><br />I was laughing the whole time and this is one of the best animated shorts I've seen.<br /><br />",positive,error,解析失败,负面误判
111,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\91_10.txt,"This movie made by the NFBC was made in honor of the Montreal Canadians dynasty years in the 50's,60's and 70's. My 5th grade teacher played this in class in honor of my 11th birthday in 1987 and also to celebrate my return from a serious facial injury in 1986. I have been a Canadians fan for 29 of my 30 years of life. on a scale of 1-10, I give this film a 117. All hockey fans should see this as I hope it will be placed in the Hockey Hall of Fame in Toronto and shown at the Bell Centre in Montreal or here in Edmonton at Rexall Place. Watch this film with your family it is a great movie. I also recommend the book in both French and English. Go Habs Go.",positive,error,解析失败,负面误判
112,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\92_8.txt,"I would assume that this film would get rave reviews in Canada--particularly in Quebec. That's because the Canadians have traditionally loved hockey and the Montreal Canadians were like gods in Canada for decades. As an American, the closest thing we have to them are the New York Yankees. If you are a fan, then they are the greatest and winningest team in history. If you are not a fan, then they are Satan's team!! Well, at least that's how it was as I grew up in Washington, DC in regard to the Dallas Cowboys. So I am pretty sure when this film was shown up North that everyone immediately had a strong emotional reaction--their national sport AND the closest thing they have to a national team in the NHL.<br /><br />Now the cartoon itself is moderately interesting when it begins and the main character talks about growing up around Ottawa and rooting for the Canadians AND Maurice ""the Rocket"" Richard. However, when his mother accidentally buys him a Toronto Maple Leafs jersey and forces him to wear it, I knew right away what a horrible and shameful thing this would be to a little boy. This ability to connect to the character--even though he lives in a far off land is what made this a very special short film. The way the other kids treated him and his conversation with God at the end make this a lovely nostalgic film. Very clever and memorable.",positive,error,解析失败,负面误判
113,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\93_9.txt,"A boy who adores Maurice Richard of the Montreal Canadiens receives, much to his horror, a Toronto Maple Leafs sweater in the mail. I recently watched this in a class in which few of the students were interested in hockey, but nearly everyone knew about Maurice Richard and the Toronto/Montreal rivalry. Highly entertaining, amusing, and accurate.",positive,error,解析失败,负面误判
114,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\94_10.txt,"This marvelous short will hit home with everyone who, as a child, specifically asked for something because it was hip or cool, only to be given something that would mark you for life with your peers and were told by your Mom or Dad (or both) that it didn't matter, as you earnestly began considering enlisting in a Witness Protection Program in order to avoid ridicule. For those U.S. residents who don't get the horror because you don't follow hockey, it's like a Dallas Cowboy fan getting a Washington Redskins jersey or a Yankees fan getting a Red Sox jersey. It isn't pretty. For our European friends, think of two great rival football (soccer to us) clubs and imagine a fan of one getting a jersey from the other. Ouch!!! NFB of C outdid themselves here!<br /><br />Une hommage du Maurice ""Rocket"" Richard, merci, M. Richard.",positive,error,解析失败,负面误判
115,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\95_10.txt,"Animated shorts just don't get much better than this wonderful Canadian film. This short feature is dripping with Canadian references, and so, this film will probably be appreciated by Canadians most of all. But the basic story is universal, and it is told lovingly by writer Roch Carrier. It is a hilarious story that I have known for quite sometime, and I was recently fortunate enough to see it again, so I simply HAD to write a hearty recommendation for it. This is a masterpiece, and a must-see whether or not you are Canadian.",positive,error,解析失败,负面误判
116,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\96_10.txt,"Having been raised in Canada, I saw this short many times mostly on the CBC. I have seen it numerous times, at many ages in my life, and each time the reactions are the same. It is a joyous bittersweet, beautifully animated film that tugs at your heart. I am sure I have it on some VHS tape somewhere digging around.<br /><br />Every kid growing up can relate to the situation, and wanting to fit in with your favourite idols. The scene and look on the kids face when his mom is filling out the Eatons catalogue and his jumping around the room is priceless. I haven't seen someone capture that carefree mood of youth on film as well as this little short has.<br /><br />Sure I am a Montreal habs fan, and that makes my appreciation for it more special. But in the end it is the nostalgic look and feel of pond hockey, and the memories of your family telling you that you should be greatful for what you get even if it isn't exactly what you wanted. And oh yeah, the animation is beautiful too ;)<br /><br />Rating 10 out of 10",positive,error,解析失败,负面误判
117,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\97_7.txt,"Well, I have to disagree with Leonard Maltin on this animated short. He loves it and claimed it was hilarious. I enjoyed it but didn't see any humor. He doesn't even like hockey or know anything about it, and still loved the story. Living right across the border from Canada, I have watched hockey for 50 years both there and in Buffalo....but I didn't think much of this cartoon. Oh, it was interesting and I know what would happen if you wore a Toronto jersey up in the Quebec area - disaster! That especially holds true in the glory years of Les Canadians. However, that doesn't make the story funny. <br /><br />Back in the 1950s, everyone in the Quebec provinces idolized the Montreal Canadians and their star player, Maurice Richard, and everyone wanted to be like him. When his mother orders a new sweater, it has the Toronto Maple Leafs emblem on it, so the kid doesn't want to be caught dead wearing it.. When he finally does and heads to the local rink, he gets ostracized from the rest of his hockey buddies. What's so funny about that? I could see the same thing happening to a kid in Boston who is Red Sox die-hard and his mom gets him Yankees shirt! Horrors! You couldn't wear it, and vice-versa.<br /><br />Maybe to someone who doesn't follow sports at all, like Maltin, this situation seems odd and humorous to him...but it's a fact of life or any bit-time sports fan and his favorite team. It was an interesting story, and totally believable, but nothing that made me laugh.<br /><br />The art was fun to look at throughout, almost like looking at a long series of crayon paintings done by a talented school kid. The French Canadian accent was good, too. This movie was part of the DVD ""Leonard Maltin's Animation Favorites From The National Film Board Of Canada.",positive,error,解析失败,负面误判
118,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\98_9.txt,"This short deals with a severely critical writing teacher whose undiplomatic criticism extends into his everyday life. When he learns why that's not a good idea, we learn a bit about the beautiful craft of writing that he's been lecturing on.",positive,error,解析失败,负面误判
119,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\99_10.txt,"This movie, with all its complexity and subtlety, makes for one of the most thought-provoking short films I have ever seen. The topics it addresses are ugly, cynical, and at times, even macabre, but the film remains beautiful in its language, artful with its camera angles, and gorgeous in its style, skillfully recreating the short story of the same name written by a master of short stories, Tobias Wolff.<br /><br />Not wishing to spoil anything of the movie, I won't go into any details, other than to say that this movie is magnificent in and of itself. It takes pride in what it does, and does it well. It shows the most important memories of life, all of which can be topped by the single most elusive feeling: unexpected bliss. This movie, of its own volition, has created in me the same feelings the main character (Tom Noonan) felt when words transformed his very existence, and that is one impressive feat.",positive,error,解析失败,负面误判
120,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\positive\9_7.txt,"I've seen this story before but my kids haven't. Boy with troubled past joins military, faces his past, falls in love and becomes a man. The mentor this time is played perfectly by Kevin Costner; An ordinary man with common everyday problems who lives an extraordinary conviction, to save lives. After losing his team he takes a teaching position training the next generation of heroes. The young troubled recruit is played by Kutcher. While his scenes with the local love interest are a tad stiff and don't generate enough heat to melt butter, he compliments Costner well. I never really understood Sela Ward as the neglected wife and felt she should of wanted Costner to quit out of concern for his safety as opposed to her selfish needs. But her presence on screen is a pleasure. The two unaccredited stars of this movie are the Coast Guard and the Sea. Both powerful forces which should not be taken for granted in real life or this movie. The movie has some slow spots and could have used the wasted 15 minutes to strengthen the character relationships. But it still works. The rescue scenes are intense and well filmed and edited to provide maximum impact. This movie earns the audience applause. And the applause of my two sons.",positive,error,解析失败,负面误判
121,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\0_2.txt,"Once again Mr. Costner has dragged out a movie for far longer than necessary. Aside from the terrific sea rescue sequences, of which there are very few I just did not care about any of the characters. Most of us have ghosts in the closet, and Costner's character are realized early on, and then forgotten until much later, by which time I did not care. The character we should really care about is a very cocky, overconfident Ashton Kutcher. The problem is he comes off as kid who thinks he's better than anyone else around him and shows no signs of a cluttered closet. His only obstacle appears to be winning over Costner. Finally when we are well past the half way point of this stinker, Costner tells us all about Kutcher's ghosts. We are told why Kutcher is driven to be the best with no prior inkling or foreshadowing. No magic here, it was all I could do to keep from turning it off an hour in.",negative,error,解析失败,负面误判
122,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\100_4.txt,"I was looking forward to this movie. Trustworthy actors, interesting plot. Great atmosphere then ????? IF you are going to attempt something that is meant to encapsulate the meaning of life. First. Know it. OK I did not expect the directors or writers to actually know the meaning but I thought they may have offered crumbs to peck at and treats to add fuel to the fire-Which! they almost did. Things I didn't get. A woman wandering around in dark places and lonely car parks alone-oblivious to the consequences. Great riddles that fell by the wayside. The promise of the knowledge therein contained by the original so-called criminal. I had no problem with the budget and enjoyed the suspense. I understood and can wax lyrical about the fool and found Adrian Pauls role crucial and penetrating and then ????? Basically the story line and the script where good up to a point and that point was the last 10 minutes or so. What? Run out of ideas! Such a pity that this movie had to let us down so badly. It may not comprehend the meaning and I really did not expect the writers to understand it but I was hoping for an intellectual, if not spiritual ride and got a bump in the road",negative,error,解析失败,负面误判
123,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\101_3.txt,"I gave this a 3 out of a possible 10 stars.<br /><br />Unless you like wasting your time watching an anorexic actress, in this film it's Carly Pope, behaving like a ditz, don't bother.<br /><br />Carly Pope plays Sara Novak, a young college student, who becomes intrigued with a game of riddles, that leads her down into subway tunnels underneath the city - a dangerous thing for even a well-armed man to go in alone.<br /><br />There are various intrigues in the film -- a weirdo classmate who is apparently stalking Sara, a cynical shopkeeper who runs some kind of offbeat hole-in-the-wall establishment that appears to be located in the back alley of a ghetto, a nerdish dim-wit that hangs around the cynic's shop, and a woman named Emily Gray, who is back in prison.<br /><br />Sara's father is a lawyer who is handling Emily Gray's case. <br /><br />A few years back, Emily Gray attempted to drown a 12 year old boy. Emily was put in a mental hospital for 5 years, and for some cockeyed reason they let her out again, even though it is obvious she is still dangerously deranged.<br /><br />The only explanation Emily has ever given for her crime is: I never sinned.<br /><br />It's all part of the design.<br /><br />Well, my friend, don't expect to ever get any better explanation than that, because you won't.",negative,error,解析失败,负面误判
124,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\102_4.txt,"I of course saw the previews for this at the beginning of some other Lion's Gate extravaganza, so of course it was only the best parts and therefore looked intriguing. And it is, to a point. A young college student (Sarah)is finding riddles all over the place and is becoming obsessed with answering them, and in doing so she's unwittingly becoming involved in some game. Now that's fairly intriguing right there but unfortunately it all gets rather muddled and becomes so complicated that the viewer (like myself) will most likely become frustrated. Characters appear with little introduction and you're not really sure who they are or why Sarah knows them or is hanging out with them. All of this has something to do with this woman who tried to drown a young boy years ago and her reason for that was that it's ""all part of the design"". In reality, it's all part of the ""very sketchy script"" and when the film is over you'll find yourself feeling that you've lost about an hour and a half of your life that you want back for more productive uses of your time, like cleaning the bathroom, for instance. 4 out of 10.",negative,error,解析失败,负面误判
125,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\103_3.txt,"too bad this movie isn't. While ""Nemesis Game"" is mildly entertaining, I found it hard to suspend my disbelief the whole length of the movie, especially the situations that Sara was putting herself into. Are we supposed to believe that:<br /><br />1) this hot chick is going to go slumming unarmed around abandoned buildings and dark subway tunnels in the middle of the night just to solve some riddles?<br /><br />2) the protagonists are supposedly such experts that they play riddle games for fun, but don't put the whole ""I Never Sinned"" riddle together until the very end...and then...and then...get this...she has to do the whole mirror thing to finally put the pieces together?? I know it was the filmmaker's device to show the audience what was going on, but do they really think we're that stupid?<br /><br />3) when Vern and Sara go to the Chez M to question the blonde, there is not ONE topless chick in the whole building. Nada. C'mon. I know it's Canada, but I would expect more from a country that gave us Shannon Tweed.<br /><br />And anyone else notice that when Vern was surfing the Web and found that riddlezone site, that when he moused over the link the cursor stayed an arrow, and didn't turn into a little hand (LIKE ALL CURSORS DO WHEN YOU CLICK ON A HYPERLINK)?!? I mean, if you're gonna have the internet play such a prominent role in your movie, at least get the little things right. Geez.",negative,error,解析失败,负面误判
126,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\104_1.txt,"This movie had a very unique effect on me: it stalled my realization that this movie REALLY sucks! It is disguised as a ""thinker's film"" in the likes of Memento and other jewels like that, but at the end, and even after a few minutes, you come to realize that this is nothing but utter pretentious cr4p. Probably written by some collage student with friends to compassionate to tell him that his writing sucks. The whole idea is … I don't even know if it tried to scratch on the supernatural, or they want us to believe that because someone fills your mind (a very weak one, btw) with stupid ""riddles"", the kind you learn on elementary school recess, you suddenly come to the ""one truth"" about everything, then you have to kill someone and confess…. !!! What? How, what, why, WHY? Is just like saying that to make a cake, just throw a bunch of ingredients, and add water… forgot about cooking it? I guess these guys forgot to, not explain, but present the mechanism of WHY was this happening? You have to do that when you present a story which normal, everyday acts (lie solving riddle rhymes) start to have an abnormal effect on people. Acting was horrible, with that girl always trying to look cute at the camera, and the guy from Highlanders, the series, acting up like the though heavy metal record store (yeah, they're all real though s-o-b's). The ""menacing"" atmosphere, with the ""oh-so-clever"" riddles (enter the 60's series of Batman and Robin, with guest appearance of The Riddle) and the crazies who claim to have ""the knowledge"" behind that smirk on their faces… just horrible, HORRIBLE.<br /><br />I'm usually very partial about low budget movies, and tend to root for the underdog by giving them more praise than they may deserve, in lieu of their constrictions, you know, but this is just an ugly excuse for a movie that will keep you wanting to be good for an hour and a half, and at the end you will just lament that you fell for it.",negative,error,解析失败,负面误判
127,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\105_3.txt,"The Forgotten (AKA: Don't Look In The Basement) is a very cheaply made and very old looking horror movie.<br /><br />The story is very slow and never really reaches anything worth getting excited about.<br /><br />The patients at the asylum are embarrassingly funny especially Sam and the old woman who always quotes an old saying to everyone. (Look out for the bit when she gets close to the camera, tell me you can watch without laughing!).<br /><br />Now the gore is very poor looking, with the blood looking pink in many scenes so it doesn't really deserve its place on the video nasties list!.<br /><br />Overall if you aren't looking for a fantastic horror film and have some time to spare then it's worth a watch.",negative,error,解析失败,负面误判
128,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\106_3.txt,"Dr Stephens (Micheal Harvey) runs a mental asylum. He has a different approach to the insane. He conducts unorthodox methods of treatment. He treats everyone like family, there are no locks on the patients doors and he lets some of the inmates act out their twisted fantasies. He lets Sergeant Jaffee (Hugh Feagin) dress and act as a soldier and Harriet (Camilla Carr) be a mother to a doll, including letting her put it to bed in a cot. Dr. Stevens is outside letting Judge Oliver W. Cameron (Gene Ross) chop a log up with an axe, it turns out to be a bad move as once Dr. Stevens back is turned the Judge plants the axe in his shoulder. Soon after Nurse Charlotte Beale (Rosie Holotik) arrives at the Sanitarium having arranged an interview with Dr. Stevens about a possible job. She is met by the head Nurse, Geraldine Masters (Annabelle Weenick as Anne McAdams) and is offered a trail position. She gets to know and becomes well liked among the patients. However things eventually start to turn sour, the phone lines are cut, an old lady named Mrs. Callingham (Rhea MacAdams) has her tongue cut out and she starts to get a strange feeling that things just aren't right somehow. Then, one night all the Sanitariums dark secrets are violently revealed. Produced and directed by S.f. Brownrigg this film has a great central idea which builds into a cool twist ending, but ultimately is a bit of a chore to sit through because of it's low budget restrictions and a rather slow script by Tim Pope. There are just too many long boring stretches of dialogue by the inmates, not a lot really happens until the final twenty odd minutes. The film has no real visual quality as it's set entirely in the Sanitarium and it's grounds which is basically just a big bland house in the middle of nowhere. There's no graphic gore in it, a few splashes of blood here and there and thats yer lot. There's a bit of nudity, but like the gore not much. The acting is pretty strong, especially Holotik and Weenick. The photography is flat and unexciting and I can't even remember what the music was like. The twist ending is great, but it just takes far too long to get to it. A film that had a lot of potential that was probably held back by it's budget. OK I guess, but I think it would have worked a lot better if the story had been turned into a half an hour 'Tales form the Crypt' episode.",negative,error,解析失败,负面误判
129,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\107_4.txt,"Low budget horror movie. If you don't raise your expectations too high, you'll probably enjoy this little flick. Beginning and end are pretty good, middle drags at times and seems to go nowhere for long periods as we watch the goings on of the insane that add atmosphere but do not advance the plot. Quite a bit of gore. I enjoyed Bill McGhee's performance which he made quite believable for such a low budget picture, he managed to carry the movie at times when nothing much seemed to be happening. Nurse Charlotte Beale, played by Jesse Lee, played her character well so be prepared to want to slap her toward the end! She makes some really stupid mistakes but then, that's what makes these low budget movies so good! I would have been out of that place and five states away long before she even considered that it might be a good idea to leave! If you enjoy this movie, try Committed from 1988 which is basically a rip off of this movie.",negative,error,解析失败,负面误判
130,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\108_2.txt,"Every movie I have PPV'd because Leonard Maltin praised it to the skies has blown chunks! Every single one! When will I ever learn?<br /><br />Evie is a raving Old Bag who thinks nothing of saying she's dying of breast cancer to get her way! Laura is an insufferable Medusa filled with The Holy Spirit (and her hubby's protégé)! Caught between these harpies is Medusa's dumb-as-a-rock boy who has been pressed into weed-pulling servitude by The Old Bag!<br /><br />As I said, when will I ever learn?<br /><br />I was temporarily lifted out of my malaise when The Old Bag stuck her head in a sink, but, unfortunately, she did not die. I was temporarily lifted out of my malaise again when Medusa got mowed down, but, unfortunately, she did not die. It should be a capital offense to torture audiences like this!<br /><br />Without Harry Potter to kick him around, Rupert Grint is just a pair of big blue eyes that practically bulge out of its sockets. Julie Walters's scenery-chewing (especially the scene when she ""plays"" God) is even more shameless than her character.<br /><br />At least this Harold bangs some bimbo instead of Maude. For that, I am truly grateful. And if you're reading this Mr. Maltin, you owe me $3.99!",negative,error,解析失败,负面误判
131,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\109_4.txt,"Ben, (Rupert Grint), is a deeply unhappy adolescent, the son of his unhappily married parents. His father, (Nicholas Farrell), is a vicar and his mother, (Laura Linney), is ... well, let's just say she's a somewhat hypocritical soldier in Jesus' army. It's only when he takes a summer job as an assistant to a foul-mouthed, eccentric, once-famous and now-forgotten actress Evie Walton, (Julie Walters), that he finally finds himself in true 'Harold and Maude' fashion. Of course, Evie is deeply unhappy herself and it's only when these two sad sacks find each other that they can put their mutual misery aside and hit the road to happiness.<br /><br />Of course it's corny and sentimental and very predictable but it has a hard side to it, too and Walters, who could sleep-walk her way through this sort of thing if she wanted, is excellent. It's when she puts the craziness to one side and finds the pathos in the character, (like hitting the bottle and throwing up in the sink), that she's at her best. The problem is she's the only interesting character in the film (and it's not because of the script which doesn't do anybody any favours). Grint, on the other hand, isn't just unhappy; he's a bit of a bore as well while Linney's starched bitch is completely one-dimensional. (Still, she's got the English accent off pat). The best that can be said for it is that it's mildly enjoyable - with the emphasis on the mildly.",negative,error,解析失败,负面误判
132,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\10_3.txt,"Years ago, when DARLING LILI played on TV, it was always the pan and scan version, which I hated and decided to wait and see the film in its proper widescreen format. So when I saw an inexpensive DVD of this Julie Andrews/Blake Edwards opus, I decided to purchase and watch it once and for all.<br /><br />Boy, what a terrible film. It's so bad and on so many levels that I really do not know where to start in describing where and when it goes so horribly wrong. Looking at it now, it's obvious to any fans of movies that Blake Edwards created this star vehicle for his wife simply because so many other directors had struck gold with Andrews in musicals (MARY POPPINS, SOUND OF MUSIC, THOROUGHLY MODERN MILLIE, etc) but also because Andrews was snubbed from starring in projects made famous on stage by Julie herself (CAMELOT, MY FAIR LADY, etc) because Hollywood thought she wasn't sexy or glamorous enough. So Blake created this stillborn effort, to showcase his wife in a bizarre concoction of spy story/war movie/romance/slapstick comedy/musical. DARLING LILI suffers from multiple personalities, never knowing who or what it is. Some specific scenes are good or effective but as a whole, it just doesn't work at all to a point of it being very embarrassing.<br /><br />Mind you, the version on the DVD is the ""director's cut"", or in this case, ""let's salvage whatever we can"" from this notorious box office flop. In releasing the DVD, Edwards cut 19 scenes (19!!!!!!!!) from the original bloated theatrical version into this more streamlined and yet remarkably ineffective version. The film moves along with no idea of what it is. We are 25 minutes into it and we still don't know what's going on or why we're watching what's going. What kind of spy is Lili? How powerful is she? Was she ever responsible for someone's death? Instead we watch a thoroughly bored looking Rock Hudson trying to woo a thoroughly bored looking Julie Andrews. Things aren't helped much with the inexplicable reason why the two fall in love. Why does Julie fall for Hudson? Why him and not other men she got involved with? There should have been one of her ex hanging around, trying to win her back or trying to decipher her secret. This would have given us some much needed contrast to the muddled action. It would also have given us some impetuous to the sluggish proceedings. There's no catalyst in this story.<br /><br />One only has to look at the cut scenes to clearly see that Edwards and the writer just came up with ideas inspired by Andrews' (and Edwards') previous successes. The best (or worst) example is the scene when Andrews and Hudson follows a group of children who sing in the middle of a forest. Edwards channeling SOUND OF MUSIC. It's no wonder he removed it from the DVD. Back in 1970, that scene might have worked on a certain level but today, that moment reeks of desperation. There are other plot elements directly inspired by Andrews/Edwards other films. The endless scenes of dogfights is inspired by the much better MODERN MILLIE. The musical moment ""I'll give you three guesses"" was created just to make fun of Julie's MARY POPPINS persona, which is turned ""raunchy"" with Julie doing a striptease in the act. The ending, bird's eye view of Julie running towards Hudson's plane, is another ""wink"" at SOUND OF MUSIC.<br /><br />The whole thing is confusing. Julie plays a singer, born from a German father and British mother, who lives in England but sings her (English) songs in Paris. You never know exactly where the story takes place. Some moments are just badly edited. Like when Julie and her ""uncle"" are on horseback. They talk and talk and then Julie suddenly sprints off in mid-sentence. I'm like ""what happened here?""<br /><br />The comedy bits are unfunny and cringe-worthy. Every scene with the French police are pathetic. Where's Peter Sellers when you really need him. The action is stupid beyond belief. When Julie and her ""uncle"" are on their way to Germany on that train, Hudson's squadron shoots rounds of bullets at the train, almost killing Lili in the process. Brilliant. What's also funny about that scene is the two leave on the train in the middle of the night but Hudson and his squadron reach the train even though they fly off the next morning. That's one slow moving train there. <br /><br />The musical moments. The beginning is the best part of the entire film (and the reason I gave this film 3 stars) but it's effect is diminished considerably because it's repeated at the end. Speaking of redundant, did we really need to see a can-can dance, Crepe Suzette stripping scene and Julie stripping too? The ""Girl in no man's land"" is OK even if it's bleeding obvious, but that moment just doesn't make any sense whatsoever because Lili sings it to a group of injured soldiers at a French hospital, making me wonder: how many soldiers there were injured indirectly by the result of her spying?<br /><br />The whole project is listless and without energy. The romance is 100% unbelievable. Rock Hudson is way too old and tired looking (check out the museum scene). Julie looks dazed, like she's on Valium. But what really kills this ill-conceived project is Julie playing a German spy. Edwards desperately wanted to dispel the Mary Poppins syndrome afflicting his wife and believed that playing a traitor was a good career decision. As much as I like Julie, she's no Greta Garbo, who pulled it off so beautifully in MATA HARI. Funny enough, even if Julie plays a German spy, she still comes across as cloying and cute.<br /><br />How bad is DARLING LILI? Even after 37 years since its release, Blake Edwards felt he still needed to work on it for its DVD release.",negative,error,解析失败,负面误判
133,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\110_1.txt,"I just finished watching this movie and am disappointed to say that I didn't enjoy it a bit. It is so slow Slow and uninteresting. This kid from Harry Potter plays a shy teenager with an rude mother, and then one day the rude mother tells the kid to find a job so that they could accommodate an old guy apparently having no place to live has started to live with his family and therefore the kid goes to work for a old lady. And this old lady who is living all alone teaches him about girls, driving car and life! I couldn't get how an 18 year old guy enjoy spending time with an awful lady in her 80s. Sorry if my comments on this movie has bothered people who might have enjoyed it, I could be wrong as I am not British and may not understand the social and their family structure and way of life. Mostly the movie is made for the British audience.",negative,error,解析失败,负面误判
134,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\111_3.txt,"This cheap, grainy-filmed Italian flick is about a couple of inheritors of a manor in the Italian countryside who head up to the house to stay, and then find themselves getting killed off by ghosts of people killed in that house.<br /><br />I wasn't impressed by this. It wasn't really that scary, mostly just the way a cheap Italian film should be. A girl, her two cousins, and one cousin's girlfriend, head to this huge house for some reason (I couldn't figure out why) and are staying there, cleaning up and checking out the place. Characters come in and out of the film, and it's quite boring at points, and the majority of deaths are quite rushed. The girlfriend is hit by a car when fleeing the house after having a dream of her death, and the scene is quite good, but then things get slow again, until a confusing end, when the male cousins are killed together in some weird way, and this weirdo guy (I couldn't figure out who he was during the movie, or maybe I just don't remember) goes after this one girl, attacking her, until finally this other girl kills him off. Hate to give away the ending, but oh well. The female cousin decides to stay at the house and watch over it, and they show scenes of her living there years later. The end. You really aren't missing anything, and anyway, you probably won't find this anywhere, so lucky you.",negative,error,解析失败,负面误判
135,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\112_2.txt,"Now, I LOVE Italian horror films. The cheesier they are, the better. However, this is not cheesy Italian. This is week-old spaghetti sauce with rotting meatballs. It is amateur hour on every level. There is no suspense, no horror, with just a few drops of blood scattered around to remind you that you are in fact watching a horror film. The ""special effects"" consist of the lights changing to red whenever the ghost (or whatever it was supposed to be) is around, and a string pulling bed sheets up and down. Oooh, can you feel the chills? The DVD quality is that of a VHS transfer (which actually helps the film more than hurts it). The dubbing is below even the lowest ""bad Italian movie"" standards and I gave it one star just because the dialogue is so hilarious! And what do we discover when she finally DOES look in the attic (in a scene that is daytime one minute and night the next)...well, I won't spoil it for anyone who really wants to see, but let's just say that it isn't very ""novel""!",negative,error,解析失败,负面误判
136,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\113_3.txt,"A group of heirs to a mysterious old mansion find out that they have to live in it as part of a clause in the will or be disinherited, but they soon find out of its history of everybody whom had lived there before them having either died in weird accidents or having had killed each other.<br /><br />You've seen it all before, and this one is too low-budget and slow paced to be scary, and doesn't have any real surprises in the climax. No special effects or gore to speak of, in fact the only really amusing thing about the whole film is the quality of the English dubbing, which at times is as bad as a cheap martial arts movie.<br /><br />3 out of 10, pretty low in the pecking order of 80's haunted house movies.",negative,error,解析失败,负面误判
137,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\114_2.txt,"I saw the Mogul Video VHS of this. That's another one of those old 1980s distributors whose catalog I wish I had!<br /><br />This movie was pretty poor. Though retitled ""Don't Look in the Attic,"" the main admonition that is repeated in this is ""Don't go to the villa."" Just getting on the grounds of the villa is a bad idea. A character doesn't go into the attic until an hour into the movie, and actually should have done it earlier because of what is learned there.<br /><br />The movie starts in Turin, Italy in the 1950s. Two men are fighting, and a woman is telling them the villa is making them do it. One man kills the other, then regrets it, and the woman pulls out the knife and stabs him with it. She flees the villa, and after she's left a chair moves by itself (what's the point of that?), but when in the garden a hand comes up through the ground and drags he into the earth.<br /><br />From there, it's the present day, thirty years later. There's a séance that appears suddenly and doesn't appear to have anything to do with the movie. The children of the woman from the prologue are inheriting the house. The main daughter is played by the same actress who played her mother. At least one of the two men from the prologue seems to reoccur as another character too. She's haunted by some warnings not to go to the villa, but they all do, since if they do not use it, they forfeit it. People die. A lawyer who has won all his cases tries to investigate a little. The ending is pretty poor. Why was the family cursed? An unfortunately boring movie.<br /><br />There's an amusing small-print disclaimer on the back of the video box that reads ""The scenes depicted on this packaging may be an artist's impression and may not necessarily represent actual scenes from the film."" In this case, the cover of the box is an illustration that does more or less accurately depict the aforementioned woman dragged underground scene, although there are two hands, and the woman is different. It's true, sometimes the cover art has nothing to do with the movie. I also recall seeing a reviewer who had a bad movie predictor scale, in which movies with illustrations on the cover instead of photos got at least one point for that.",negative,error,解析失败,负面误判
138,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\115_3.txt,"I first watched this movie back in the mid/late 80's, when I was a kid. We couldn't even get all the way through it. The dialog, the acting, everything about it was just beyond lame.<br /><br />Here are a few examples... imagine these spoken real dramatically, way over-acted: ""Oreegon? You're going to Oreegon? Why would anyone want to go to Oreegon?""<br /><br />""Survivalists? Nobody ever told us about any survivalists!""<br /><br />This movie was SO bad, my sister and I rented it again for her 16th birthday party, just so our friends could sit around and laugh at how awful it was. I don't think we were able to finish it then either!",negative,error,解析失败,负面误判
139,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\116_4.txt,"Blind Date (Columbia Pictures, 1934), was a decent film, but I have a few issues with this film. First of all, I don't fault the actors in this film at all, but more or less, I have a problem with the script. Also, I understand that this film was made in the 1930's and people were looking to escape reality, but the script made Ann Sothern's character look weak. She kept going back and forth between suitors and I felt as though she should have stayed with Paul Kelly's character in the end. He truly did care about her and her family and would have done anything for her and he did by giving her up in the end to fickle Neil Hamilton who in my opinion was only out for a good time. Paul Kelly's character, although a workaholic was a man of integrity and truly loved Kitty (Ann Sothern) as opposed to Neil Hamilton, while he did like her a lot, I didn't see the depth of love that he had for her character. The production values were great, but the script could have used a little work.",negative,error,解析失败,负面误判
140,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\117_1.txt,"This flick is a waste of time.I expect from an action movie to have more than 2 explosions and some shooting.Van Damme's acting is awful. He never was much of an actor, but here it is worse.He was definitely better in his earlier movies. His screenplay part for the whole movie was probably not more than one page of stupid nonsense one liners.The whole dialog in the film is a disaster, same as the plot.The title ""The Shepherd"" makes no sense. Why didn't they just call it ""Border patrol""? The fighting scenes could have been better, but either they weren't able to afford it, or the fighting choreographer was suffering from lack of ideas.This is a cheap low type of action cinema.",negative,error,解析失败,负面误判
141,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\118_1.txt,"Honestly awful film, bad editing, awful lighting, dire dialog and scrappy screenplay.<br /><br />The lighting at is so bad there's moments you can't even see what's going on, I even tried to playing with the contrast and brightness so I could see something but that didn't help.<br /><br />They must have found the script in a bin, the character development is just as awful and while you hardly expect much from a Jean-Claude Van Damme film this one manages to hit an all time low. You can't even laugh at the cheesy'ness.<br /><br />The directing and editing are also terrible, the whole film follows an extremely tired routine and fails at every turn as it bumbles through the plot that is so weak it's just unreal.<br /><br />There's not a lot else to say other than it's really bad and nothing like Jean-Claude Van Damme's earlier work which you could enjoy.<br /><br />Avoid like the plaque, frankly words fail me in condemning this ""film"".",negative,error,解析失败,负面误判
142,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\119_3.txt,"Technically I'am a Van Damme Fan, or I was. this movie is so bad that I hated myself for wasting those 90 minutes. Do not let the name Isaac Florentine (Undisputed II) fool you, I had big hopes for this one, depending on what I saw in (Undisputed II), man.. was I wrong ??! all action fans wanted a big comeback for the classic action hero, but i guess we wont be able to see that soon, as our hero keep coming with those (going -to-a-border - far-away-town-and -kill -the-bad-guys- than-comeback- home) movies I mean for God's sake, we are in 2008, and they insist on doing those disappointing movies on every level. Why ??!!! Do your self a favor, skip it.. seriously.",negative,error,解析失败,负面误判
143,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\11_3.txt,"Julie Andrews satirically prods her own goody-two-shoes image in this overproduced musical comedy-drama, but if she approaches her role with aplomb, she's alone in doing so. Blake Edwards' film about a woman who is both music-hall entertainer and German spy during WWI doesn't know what tone to aim for, and Rock Hudson has the thankless task of playing romantic second-fiddle. Musicals had grown out of favor by 1970, and elephantine productions like ""Star!"" and this film really tarnished Andrews' reputation, leaving a lot of dead space in her catalogue until ""The Tamarind Seed"" came along. I've always thought Julie Andrews would've made a great villain or shady lady; her strong voice could really command attention, and she hits some low notes that can either be imposing or seductive. Husband/director Edwards seems to realize this, but neither he nor Julie can work up much energy within this scenario. Screenwriter William Peter Blatty isn't a good partner for Edwards, and neither man has his heart in this material. Beatty's script offers Andrews just one fabulous sequence--a striptease. *1/2 from ****",negative,error,解析失败,负面误判
144,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\120_2.txt,"It actually pains me to say it, but this movie was horrible on every level. The blame does not lie entirely with Van Damme as you can see he tried his best, but let's face it, he's almost fifty, how much more can you ask of him? I find it so hard to believe that the same people who put together Undisputed 2; arguably the best (western) martial arts movie in years, created this. Everything from the plot, to the dialog, to the editing, to the overall acting was just horribly put together and in many cases outright boring and nonsensical. Scott Adkins who's fight scenes seemed more like a demo reel, was also terribly underused and not even the main villain which is such a shame because 1) He is more than capable of playing that role and 2) The actual main villain was not only not intimidating at all but also quite annoying. Again, not blaming Van Damme. I will always be a fan, but avoid this one.",negative,error,解析失败,负面误判
145,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\12_4.txt,"Blake Edwards tried very hard to change Julie Andrews image in this film. He tried to make her sexy not realizing she already was. I think they were both still a bit irked that Julie had not been chosen to film her Broadway success of Camelot and was passed over as not being sexy enough. Unfortunately, they chose this vehicle to try and assuage this belief. It gets to the point where it is almost funny seeing Rock Hudson, who we all know now was gay, kissing Julie every 2 minutes throughout this movie. It seems now that they were not only trying to make you believe that Julie was a femme fatale but that Rock was straight. Sadly, they have absolutely no chemistry together and the unending kissing scenes start grossing one out. The other error they made with this picture was not knowing what kind of movie they were making. It is almost three separate movies. There is the drama of Julie as the German spy trying to get military secrets from Rock. There is an air war movie with lots of footage of WWI vintage planes swooping about and there is the stupid attempts at humor that Blake Edwards seems to think he has to insert in every one of his pictures whether it is appropriate or not, In this case, it was not. The only truly redeeming qualities in this film are looking at the always lovely Dame Julie and hearing her sing in that crystal clear bell-like soprano. Of course if you love her, you may overlook the weaknesses of this film just because of her. You can always tell yourself, afterward, that it was a hell of a lot better than sitting through STAR!",negative,error,解析失败,负面误判
146,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\13_1.txt,"An obvious vanity press for Julie in her first movie with Blake. Let's see. Where do we begin. She is a traitor during a world war; she redeems that by falling in love; her friends (who are presumably patriots because they are German citizens) are expendable and must die; and she winds up as a heroine. OK. The scenes with the drunken pilot and the buffoons who work for French intelligence can't even be described, and we won't even mention Rock's romantic scenes with a female. (By the way, when they visit a museum, look at his gaze - I reran it on video and it's priceless). Is it a farce or is it a romantic classic or is it a war movie? I don't know and you won't either.",negative,error,解析失败,负面误判
147,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\14_1.txt,"Some may go for a film like this but I most assuredly did not. A college professor, David Norwell, suddenly gets a yen for adoption. He pretty much takes the first child offered, a bad choice named Adam. As it turns out Adam doesn't have both oars in the water which, almost immediately, causes untold stress and turmoil for Dr. Norwell. This sob story drolly played out with one problem after another, all centered around Adam's inabilities and seizures. Why Norwell wanted to complicate his life with an unknown factor like an adoptive child was never explained. Along the way the good doctor managed to attract a wifey to share in all the hell the little one was dishing out. Personally, I think both of them were one beer short of a sixpack. Bypass this yawner.",negative,error,解析失败,负面误判
148,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\15_2.txt,"Few movies have dashed expectations and upset me as much as Fire has. The movie is pretentious garbage. It does not achieve anything at an artistic level. The only thing it managed to receive is a ban in India. If only it was because of the poor quality of film making rather than the topical controversy, the ban would have been more justifiable.<br /><br />Now that I've got my distress out of my system, I am more able to analyse the movie: <br /><br />* From the onset the movie feels unreal especially when the protagonists start conversing in English. The director, of course, did not make the movie for an Indian audience; however it underestimated its international audiences by over simplifying it. Watching the character of the domestic help conversing in perfect English is too unreal to be true.<br /><br />* Next we get regular glimpses into Radha's dreams. These scenes are not very effective. They coming up as jarring and obstruct the flow of the movie. I'm still wondering how that philosophical dialogue connected to the story. I felt that the surrealism was lost.<br /><br />* The love scenes felt voyeuristic and are probably meant for audience titillation rather than being a powerful statement. In any case, they do not achieve either of the two.<br /><br />* The names chosen for the women, Radha and Sita, are names of Hindu deities and hence been selected to shock the audiences. However, since the film wasn't meant for Indian audiences in the first place, the shock-through-name-selection is not meant to achieve its goal, which is absurd.<br /><br />* The quality of direction is very poor and some key and delicate scenes have been poorly handled. A better director could have made a powerful emotional drama out of the subject.<br /><br />* The acting felt wooden although Nandita Das brought some life into the role, the others were wasted. I always thought that Shabana Azmi was a good actress but her talent is not evident in this film. The male leads were outright rubbish.<br /><br />In case you are a fan of Earth and wish to see more of the director, stay away from this one. Please.",negative,error,解析失败,负面误判
149,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\16_1.txt,"For years, I've been a big fan of Park's work and ""Old boy"" is one of my all-times favorite.<br /><br />With lots of expectation I rented this movie, only to find the worst movie I've watched in awhile. It's not a proper horror movie; there's no suspense in it and even the ""light"" part is so lame, that I didn't know whether to laugh or cry.<br /><br />I introduced my younger brother to Chan-Wook Park and what a disappointment he got from this. For me, an idol has fallen.<br /><br />If you loved movies like ""Old boy"", the Mr & Lady ""Vengeance"" or even his short films on ""Three extremes"", don't waste your time, the film's not worth it.",negative,error,解析失败,负面误判
150,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\17_3.txt,"Might end up being the biggest disappointment that I will see in 2009. I seem to be the rare person who disliked Park's Oldboy, but I think that his ""Lady Vengeance"" and ""Sympathy for Mr. Vengeance"" are among the best films I've seen in the 2000's decade. Therefore, I really was looking forward to see this, especially as it got such positive reviews. Instead, I found the film clichéd, and broke little, if any new ground to the vampire genre. And while I can appreciate a bit of gallows humor in movies like this, I felt Park did this at very inopportune times.<br /><br />Others have compared/contrasted this to ""Let the Right One In,"" and I have to say that ""Let the Right One In"" was far superior to this one, and was a fresh take on the vampire genre. Sadly, Park's take was a tired one.",negative,error,解析失败,负面误判
151,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\18_1.txt,"Bloody Birthday opens to a shot of Meadowvale General Hospital. There three babies are being born at precisely the same time during a total eclipse. A caption informs us that it is now 'Meadowvale, California June 1, 1980'. Two teenage lovers, Duke Benson (Ben Marley) and Annie Smith (Erica Hope) are getting down to business in an open grave. They hear noises and Duke investigates. Both Duke and Annie are murdered. Sheriff Jim Brody (Bert Kramer) is baffled and only has the handle of a child's skipping rope that Annie was holding, as a clue. Unfortunately before Sheriff Brody can solve the case his youngest daughter Debbie (Elizabeth Hoy) and two of her friends Curtis Taylor (Billy Jayne as Billy Jacoby) and Steven Seton (Andy Freeman) murder him. Just as they are finishing Sheriff Brody off another young boy from their class named Timmy Russel (K.C. Martel) turns up, the three killers are unaware of how much he saw. Soon after the incident Timmy plays with Steven and Curtis in a junkyard. Curtis locks Timmy into an old locker. Timmy manages to escape and tell his sister Joyce (Lori Lethin), but she doesn't believe him at first. The three children carry on their murder spree. Their strict teacher Miss Davis (Susan Strasberg) a lovemaking couple (John Avery and Sylvia Wright) in a van and Debbie's older sister Beverly (Julie Brown) are among their victims. Joyce begins to have her suspicions about Debbie, Curtis and Steven which makes her and Timmy a target for the evil trio. Will they be able to convince the authorities that these three innocent looking 10 year olds are really soulless killers?<br /><br />Co-written and directed by Ed Hunt I have an intense dislike for this film. I think it's absolutely awful and doesn't have a single enjoyable aspect to it's 83 minute running time. The script by Hunt and Barry Pearson gives us no explanation for the child killers motives beyond the solar eclipse that blocks out Saturn and therefore for some bizarre astrological reason these three children don't have any conscience, so these are the only children ever born during a total eclipse? If that is true why do they wait until just before their tenth birthday's before starting their killing spree? I guess it just suddenly kicks in, right? To it's credit it is reasonably well paced but I still found it incredibly boring and tedious to sit through. The film as a whole is very unexciting and predictable, the children are revealed as the killers within the first 10 minutes and as I've mentioned next to no motive is given. It's very silly at times, too. Check out the scene where Debbie stops Steven by throwing a bowl of water over him! The Sheriff's death is put down to him falling down some steps, yeah right the injuries suffered from that type of accident aren't going to be the same as if your beaten to death with a baseball bat like he was in reality, any competent Doctor or Pathologist would have spotted that within 5 seconds. There isn't a single drop of blood spilt in the entire film and all of the lame killings are dull and unimaginative. There is some out-of-place looking nudity as Debbie charges 25c to let boys peek through a hole while her sister Beverly strips. There is an early scene just after the 5 minute mark when Joyce walks from the kitchen to the living room and the boom mike is clearly visible at the top of the screen, not even a little bit of it the whole damn thing. The general incompetence continues throughout the film. The whole production is bland and instantly forgettable. The acting is poor throughout, those three kids are very annoying and got on my nerves right from the start and made sitting through this film even more of a chore, especially Curtis in his geeky over-sized glasses. I just hate this film really, simple as that. I can't think of a single good thing to say about it. Definitely one to avoid.",negative,error,解析失败,负面误判
152,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\19_1.txt,"This movie cannot be serious because it has a nerdy looking kid named Curtis killing people. The other two psycho kids are kind of cute but that Curtis kid is just so ugly because he wears these huge, brown, ugly glasses. The actor probably wandered on the wrong set and he was really supposed to go to Revenge of the Nerds.<br /><br />Another thing that I hate so much about this movie is that Curtis takes his sweet time shooting people. I kept my finger on the fast forward button because he took too long and what was up with his voice? He sounded like he was fourteen and not ten. Another thing I hated was that he kept smiling like an idiot and there was no point to that.<br /><br />Then they put that annoying kid in the freezer and somehow he found a flashlight in there. That didn't make any sense and neither did the music. The music didn't fit any of the scenes.<br /><br />This movie is slow, boring and a waste of time. Watch a different movie on your birthday.",negative,error,解析失败,负面误判
153,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\1_3.txt,"This is a pale imitation of 'Officer and a Gentleman.' There is NO chemistry between Kutcher and the unknown woman who plays his love interest. The dialog is wooden, the situations hackneyed. It's too long and the climax is anti-climactic(!). I love the USCG, its men and women are fearless and tough. The action scenes are awesome, but this movie doesn't do much for recruiting, I fear. The script is formulaic, but confusing. Kutcher's character is trying to redeem himself for an accident that wasn't his fault? Costner's is raging against the dying of the light, but why? His 'conflict' with his wife is about as deep as a mud puddle. I saw this sneak preview for free and certainly felt I got my money's worth.",negative,error,解析失败,负面误判
154,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\20_1.txt,"A mean spirited, repulsive horror film about 3 murderous children. Susan Strasberg is totally wasted in a 5-minute cameo, even though she receives star billing. If your a Julie Brown fan, you'll want to check it out, since she's naked in a couple of shots. All others,avoid.",negative,error,解析失败,负面误判
155,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\21_1.txt,"Bloody Birthday is a totally rubbish slasher movie from beginning to end. <br /><br />I found the acting to be pretty good considering the genre of movie and its obvious low budget. I don't know what was going on with the cinematography but it looked ghastly. Way too over-saturated. Maybe this is a bad transfer to DVD or maybe it always looked like that, I don't know. <br /><br />There really are no redeeming qualities to speak of. There are a few deaths but not really gory. I wouldn't bother with it if I was you. The best thing about the DVD was the 15 minute interview with producer Max Rosenberg who was very amusing and honest. He didn't have anything good to say about director Ed Hunt and admits the movie was a failure, but he would like to re-make it as he believes it has a decent plot. However, he died in 2004 so I guess it will be up to someone else to take on that challenge. With the way things have been going in the last few years it wouldn't surprise me, there's at least one re-make per week at the cinema these day. It couldn't be any worse than the original I suppose but I couldn't care less whether it got re-made or not.",negative,error,解析失败,负面误判
156,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\22_3.txt,"When you make a film with a killer-kids premise, there are two effective ways to approach it; you can either make it as realistic as possible, creating believable characters and situations, or you can make it as fun as possible by playing it for laughs (something which the makers of ""Silent Night, Deadly Night"" did, for example, on an equally controversial subject: a killer Santa). The people who made ""Bloody Birthday"", however, do neither of those things; they simply rely on the shock value of the image of a kid with a gun (or a knife, or a noose, or an arrow) in his/her hand. The result is both offensive and stupid. The whole film looks like a bad idea that was rushed through production (and then kept from release for several years). It's redeemed a tiny bit by good performances from the kids, but it's VERY sloppily made. (*1/2)",negative,error,解析失败,负面误判
157,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\23_4.txt,"When people say children are annoying u think ya my little cousins can be annoying and i said LITTLE. These children are turning 10 and they are without a doubt the most annoying bratty children you will ever encounter (in a film). Lets start with the blonde - Debbie - She's a slut of a girl, i mean come on she wears mini skirts, she has stupid frizzy blonde hair and a freckley red bunny like face. She acts so innocent. Next we have the second child - the Geek - who thinks he's so cool, with his long range shooting and his use of a silencer (a coat over the gun) and most of all his evil bratty smile. The next kid is the quiet one you don't care about so thats all on him. This film angered me at the children's intelligence and the only enjoyment i got was from my cousin who kept bitching about them.",negative,error,解析失败,负面误判
158,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\24_4.txt,"'Bloody Birthday' is an odd and, at times, humorous low-budget horror flick along the lines of 'Mikey' or a less intelligent version of 'The Good Son'.<br /><br />Set in a small Californian town, three babies are born at the height of an eclipse, where planetary alignment means they are somehow born without emotions. Ten years later, our three little psychopaths take themselves on a killing spree, doing away with parents, siblings, teachers and anyone else who irritates them. Only one teenage girl knows the truth to be able to stop them. There is no explanation for why babies across the world born at the same time aren't equally as twisted but there you go!<br /><br />For a slasher film, it's very tame in terms of violence and gore, which I suppose highlights the problem of casting child characters as the killers as there is only so much you can expose the young actors to. Instead, it's amusing and a little disturbing seeing three ten-year-olds plotting murders and carrying out their plans using guns, knives and crossbows. The main reason why it doesn't descend into being totally ridiculous is because the child actors are very convincing in their roles with the way they slyly play the little innocents in front of undiscerning adults while showing their dark side to the girl who knows the truth.<br /><br />'Bloody Birthday' is rather mediocre as a horror flick, with few scares and little blood, but because it has the shock factor of having kids as the killers, it is a bit unique in that way. One to watch if there's nothing else on.",negative,error,解析失败,负面误判
159,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\25_3.txt,"Is it a poorly acted, cliche-ridden pile of trash? Of course. Anyone who doesn't realize that when they pick up the box in the video store probably doesn't have any right judging movies in the first place. Thus, I will now rate the aspects of the film that we actually care about on a scale of 1 to 10:<br /><br />Violence and gore: 4 -- For this genre, there are very few deaths, and the gore is almost non-existent. Anyone looking for a little blood should probably look elsewhere. The only redeeming quality is the fact that kids are doing these awful things, which raises the bar a little.<br /><br />Suspense: 1 -- Okay, I feel bad for anyone who gets scared by this trio of dorky looking kids.<br /><br />Nudity/sex: 7 -- Lots of boobage from three different women, one of whom is the MTV vj Julie Brown. There are two sex scenes, but little is shown in them.<br /><br />Unintentional humor -- 4 -- There are a few good laughs with the kids trying to act scary, but all in all, it's just bad, not funny bad.<br /><br />Overall -- 4 -- It's not unwatchable. There are a few fun moments, and enough nudity to keep your attention for the entire movie. However, only watch this movie if you're a big fan of the 80's slasher flicks. This definitely falls on the lower end of the scale, but it's not all the way at the bottom. The real downside is the disappointing ending. It almost ruined the movie for me.",negative,error,解析失败,负面误判
160,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\26_3.txt,"Formulaic slasher film, only this one stars three ten year olds (all born during a lunar eclipse) as the killers. Nice, huh? A little bit of gore and a nice nude scene may make this worthwhile for diehard fans of the genre, others beware.<br /><br />*1/2 out of ****",negative,error,解析失败,负面误判
161,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\27_4.txt,"""Cover Girl"" is a lacklustre WWII musical with absolutely nothing memorable about it, save for its signature song, ""Long Ago and Far Away."" This film came out before Gene Kelly really hit his artistic stride, and while there are evidences of his burgeoning talent here, mostly he plays sidekick to Rita Hayworth. And there's the problem. Rita Hayworth is gorgeous, no doubt about that. But she's simply not a compelling screen presence. I've always found myself wanting to like her more than I actually do, and this movie is no exception. She's simply not a very good actress, and she's not even a very good dancer. Good looking as she is, there's something vapid about her, and this movie suffers because of it.<br /><br />Grade: C-",negative,error,解析失败,负面误判
162,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\28_3.txt,"Rita Hayworth plays a Brooklyn nightclub dancer named Rusty who specializes in cheesecake chorus revues; she manages to get herself on the cover of a national fashion magazine, but her impending success as a solo (with romantic offers all around) has smitten boss Gene Kelly chomping at the bit. Terribly tired piece of Technicolor cotton candy, with unmemorable musical sketches (the two worst of which are irrelevant flashbacks to the 1890s, with Hayworth portraying her own grandmother). Kelly, as always, dances well but acts with false sincerity; when he's serious, he's insufferable, and the rest of the time he's flying on adrenaline. The script is a lead weight, not even giving supporting players Phil Silvers and Eve Arden any good lines. *1/2 from ****",negative,error,解析失败,负面误判
163,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\29_3.txt,"Like 'Singin' in the Rain', 'Cover Girl' has a trio of two guys and a girl. In 'Cover Girl', Phil Silvers (Genius) is the comic relief. He corresponds to Donald O'Connor's funny man part in 'Singin in the Rain'. In Cover Girl, Gene Kelly's love interest is Rita Hayworth and in 'Rain', it's Debbie Reynolds. That's where the comparison ends.<br /><br />Whereas ""Singin' in the Rain' is a classic American movie musical, 'Cover Girl' is mediocrity incarnate. The story isn't very complicated. Rusty Parker (Rita Hayworth) is a dancer in Danny MacGuire's low-rent nightclub in Brooklyn. Rusty decides to enter a Cover Girl contest sponsored by a wealthy publisher, John Coudair, who made an unsuccessful play for Rusty's grandmother years ago. Coudair introduces Rusty to Broadway producer Noel Wheaton who makes her into a star. Danny feels slighted when Rusty starts showing up late for rehearsals at the nightclub and decides to close the club down and go on the road entertaining the troops along with his sidekick, Genius. At the last minute, with Rusty at the altar with Noel, she realizes the error of her ways and runs back to Danny. They live happily ever after.<br /><br />Gene Kelly has the least developed part in the movie. All we find out about him is that he owns a nightclub and is madly in love with Rusty. Coudair and Wheaton act like besotted teenagers toward Rusty and Phil Silvers delivers some thoroughly goofy but unfunny shtick. The most interesting aspect of Rita Hayworth's performance is the scene in which she gets drunk. This foreshadows what happened to her in real life. Anyone who has read her biography will learn that she disliked Hollywood, pined away for a normal home life which she could never attain but eventually began drinking and ended up with full-blown Alzheimer's during the last years of her life.<br /><br />Almost all of the songs in Cover Girl are old-fashioned and not very tuneful. Gene Kelly has only one really excellent dance number and that's the scene where he dances with his 'alter ego'. Earlier, the trio has another number which is a pale precursor of 'Make em Laugh' from 'Singin' in the Rain'.<br /><br />The most annoying thing about 'Cover Girl' is the way in which Rita Hayworth is put up on a pedestal. A couple of decades later, Raquel Welch had the same problem. Both actresses later in their careers would always try and find scripts that showcased their acting abilities. They wanted to be known as 'actresses' and not 'pinup girls'. Unfortunately, 'Cover Girl' is an example of how Hollywood used to exploit women for financial gain.",negative,error,解析失败,负面误判
164,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\2_3.txt,"It seems ever since 1982, about every two or three years we get a movie that claims to be ""The Next Officer and a Gentleman."" There has yet to be one movie that has lived up to this claim and this movie is no different.<br /><br />We get the usual ripped off scenes from OAAG (""I want you DOR,"" the instructor gives the Richard Gere character his overdose of drills in hopes he'll quit, the Gere character comes back for the girl, the Gere character realizes the instructor is great, etc.) and this movie is as predictable as the sun rising in the East and is horribly miscast on top. Costner plays his usual ""wise teacher"" character, the only character he can play, and you really get a sense of his limited acting abilities here. Kutcher is terrible in the Richard Gere character, just miscast with acting skills barely a notch above Keanu Reeves.<br /><br />The main problem with this OAAG wannabe is the two main characters are so amazingly one-dimensional, you never care for either in the least and when Kutcher's character finally turns around (just like Gere did in OAAG) you just go ""so what? The movie leaves no plot point unturned and seems to never end as if to say ""oh wait, we forgot to close out the girlfriend story, or the what happens after he graduates story, or the other six plot points in the movie..."" What's more baffling is the great ""reviews"" I see here. The general public's opinions never cease to amaze me.",negative,error,解析失败,负面误判
165,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\30_4.txt,"Rita Hayworth is just stunning at times and, for me, the only reason to watch this silly film. Despite the overdone 1940s lipstick, Rita was one of the all-time glamor women of Hollywood. In fact, for a couple of years I can't imagine anyone that looked better, except maybe Elizabeth Taylor in her prime.<br /><br />Anyway, the co-star of the show, Gene Kelly, does not play his normal likable, at least the kind of guy we all know him from in ""Singin' In The Rain."" Here, Kelly's ""Danny McGuire"" pouts much of the time. Phil Silvers, who I loved on TV at ""Sgt. Bilko,"" is so stupid in here as ""Genius"" you will just cringe listening to his dumb jokes....and they are stupid.<br /><br />The visuals are good with great Technicolor, which almost looks terrific. You get to see a lot of pretty women in here, too, not just Hayworth. Unfortunately, the story isn't all that much. It centers around Hayworth deciding about a career choice. Along the way, we get the normal shabby treatment of marriage and we get an insultingly-dumb ending. All in all, an unmemorable film, except as a showcase for Hayworth's beauty.",negative,error,解析失败,负面误判
166,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\31_4.txt,"It hurt to watch this movie, it really did... I wanted to like it, even going in. Shot obviously for very little cash, I looked past and told myself to appreciate the inspiration. Unfortunately, although I did appreciate the film on that level, the acting and editing was terrible, and the last 25-30 minutes were severe thumb-twiddling territory. A 95 minute film should not drag. The ratings for this one are good so far, but I fear that the friends and family might have had a say in that one. What was with those transitions? Dear Mr. Editor, did you just purchase your first copy of Adobe Premiere and make it your main goal to use all the goofy transitions that come with that silly program? Anyway... some better actors, a little more passion, and some more appealing editing and this makes a decent movie.",negative,error,解析失败,负面误判
167,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\32_3.txt,"This film seems well made, and more efforts should be made to promote films by women. That aside, this film is also profoundly disturbing in that it justifies the manipulative and psychotic machinations of a character that is profoundly disturbed. If you've seen any of the promotional material, you might think this is a poignant film about a relationship that's reached its end, but none of that suggests how really disturbing the central premise is:<br /><br />A woman threatens suicide unless her soon to be ex agrees to relive here most treasured memories of their relationship. When told how unfair (to say the least) that such a threat is, Tessa (the purported protagonist) suggests that ""life's not fair.""<br /><br />Huh??? This character also uses tears to manipulate her former lover into staying, and coaxes him into sexually oriented behavior (which she initially denies as a motive) all the while assuring him ""this isn't sex.""<br /><br />Reverse the genders, have the leads played by Tracey Gold and Brian Austin-Green and this could air in feature length on Lifetime with a title like ""Hostage to Obsession."" There is no medically accepted definition of sound mental and emotional stability that would encompass Tessa's behavior in this film.<br /><br />Props to Kristen Thomson for playing a border-line psychotic, manipulative ex to a T, perhaps too well because there is no well-adjusted person, male or female, who could watch this and not have shivers run up their spine.",negative,error,解析失败,负面误判
168,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\33_3.txt,"Sorry, but Jacqueline Hyde (get it??? - Jack L and Hyde - Jekyll & Hyde) has some of the worst acting this side of hardcore porn, not to mention a script apparently written by a first-grader with undiagnosed learning disabilities.<br /><br />Jackie Hyde inherits an old mansion by a grandfather she never knew she had. Guess who? Yes, an inventor of the special formula that slowly takes over one's body and mind - yes, that Mr. Hyde! <br /><br />Despite some nice skin scenes, this film fails to register any feeling or emotion other than uncontrollable laughter.<br /><br />As much as poor Jackie tries she just can't stay away from granddaddy's special formula and the result is an hour and half of wasted time.",negative,error,解析失败,负面误判
169,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\34_1.txt,"Jacqueline Hyde starts like any other normal day for telemarketing individual Jackie Hyde (co-producer Gabriella Hall) until her boss (Robert Donovan) fires her for taking personal calls at work, however it's not all bad news as the call she took was from a lawyer informing her that her Grandfather (Malcolm Bennett) has recently died & that he left her his mansion & fortune (why doesn't stuff like that ever happen to me? Sigh). Very excited Jackie heads on over there & makes herself right at home, while looking for the thermostat late one night Jackie stumbles upon a secret room where her Grandfather stashes the bright red formula that he invented that allows whoever drinks it to change their appearance. Being a bit on the porky side Jackie finally settles on the glamorous Jacqueline (Blythe Metz), however Jackie's better looking alter-ego starts to take control...<br /><br />Written, co-produced & directed by Rolfe Kanefsky I thought Jacqueline Hyde was complete total & utter crap from start to finish & it's as simple & straight forward as that. According to the opening credits Jacqueline Hyde was 'inspired' by the classic Robert Louis Stevenson novel 'The Strange Case of Dr. Jekyll and Mr. Hyde', frankly if Mr. Stevenson could see what was being done to his story here he'd turn in his grave. For a start I think Jacqueline Hyde was/is intended to be a horror film, the IMDb certainly lists it as such but there isn't any horror in it at all apart from just how bad it is. I would say that Jacqueline Hyde is more a soft-core porno than anything else & extremely tame with it, why sit down & watch this softer than soft porno crap when you can watch you proper hard-core stuff that actually delivers the goods? Why, that's the question I ask here. It's not even good porn either, besides being far too soft it's dull, boring & the not-worth-mentioning sex scenes are few & far between. The most intelligent aspect of this film is the title which would have been quite clever if not for the fact that another film used the Jacqueline Hyde (1998) title during the last century & judging by the IMDb's plot summary it sounds a hell of a lot better than this piece of rubbish. This is one of those films you have to watch yourself to see just how bad it is but just hope that you never get the opportunity.<br /><br />Director Kanefsky was obviously working on a low budget but that's not an excuse these days, shot on a digital camcorder the film looks cheap & the few instances of CGI look like they came from a Nintendo Gameboy, the final 'shocking' twist has probably the worst morph effect I've ever seen & is pretty good for a laugh as is the scene when Jackie's breasts grow via more terrible CGI. That's another thing, the film takes itself far too seriously. The subject matter sucks, is far too predictable & makes for a poor film but maybe if the dialogue had been intentionally funny with some dirty porn talk the film might have been more fun to watch, alas it isn't so it isn't. Forget about any decent horror, violence or gore as there isn't any apart from a surprisingly bloodless decapitation at the end.<br /><br />Technically Jacqueline Hyde is home made film type stuff, the photography is of the flat hand held point-&-shoot variety, the music, production design & special effects are of a suitably low standard to match the script. The acting was awful, seriously this is bad.<br /><br />Jacqueline Hyde in my opinion a load of crap, there is not one positive thing about this turgid film that I can think of. Any proper film lover will have an almost impossible time trying to find any redeeming value in this crap, definitely one to avoid.",negative,error,解析失败,负面误判
170,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\35_1.txt,"Maniratnam, who in India, is often compared with prominent world film makers and is regarded a genius in film-making, has yet again proved that he can only make the frames look visually good, without offering much food for thought.Forget about pure cinematic pleasure that can be derived from cinema as a very old form of art.<br /><br />While I would not like to claim and portray myself as someone who has seen all the beautiful movies made around the world, still any thoughtful and a bit educated film goer can identify that his films do not contain innovative ingenuous plots, does not contain lingering effects afterward and MOSTLY contain ridiculous ending and a LOT of melodrama, seen profusely in Indian movies.<br /><br />Overall, Maniratnam has successfully confirmed my distaste for his films once again.<br /><br />Sorry for those who on this board were claiming otherwise. My suggestion to you: WATCH SOME BEAUTIFUL CINEMAS MADE AROUND THE GLOBE.",negative,error,解析失败,负面误判
171,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\36_3.txt,"This film, which I rented under the title ""Black Voodoo"" should be avoided. I was expecting a blaxploitation/horror flick; but what I got was a very dull, standard ""ghost extracts vegence"". In this case the ghost was that of a religious cult leader who tried to refuse treatment, but who's plea was ignored and he died in an operation. The result: his spirit posesses Nurse Sherry and forces her to commit acts of murder. The only voodoo connection was to one of the three black characters, in this case a blinded ex-football player, who's mom practiced voodoo. The film is very slow and very dull. There is a very standard ending that provides on excitement, followed by a horrificly stupid ending (warning: SPOILER)<br /><br />In which a woman actually manages to defend herself against murder charges by saying she was possessed. This movie is slow, and bad in a non-funny, just stupefying way. Avoid it at all costs.",negative,error,解析失败,负面误判
172,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\37_1.txt,"The first 20 minutes were a little fun because I don't think I've seen a film this bad before {acting, script, effects (!), etc....} The rest of the running time seemed to drag forever with every cliche in dialog used to no effect. These people seemed to not really like horror movies or how to make them or any other movie. There's no adult language, a bit of brief nudity, and no gore except fake blood smeared over no open wounds, etc.. It would have been rated PG in the early eighties and PG-13 nowadays. I'm not sure how it got an R rating or if it really did. I saw the American International release titled Hospital Of Terror. I've seen 100 horror films in the past 12 months and this is probably the worst film I've ever seen. Here's an example of how bad it is: There's one scene where something green comes through the door. I'm not sure what it's supposed to be but what it is on screen is some kid's green crayon scribblings {I'm not exaggerating} super-imposed over the film, semi-moving inside the door, then its supposed to do something to Nurse Sherri to possess her I suppose. I could not believe they had the lack of pride to show this embarrassment.",negative,error,解析失败,负面误判
173,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\38_1.txt,"I only came here to check Terror Hospital for an alternate title so I'd know what not to pick up. Not only do I get the original title, but I come to find Terror Hospital is one of seven more aliases.This one is a real clunker. Movies like this can usually be forgiven for any number of reasons, mostly unintended consequences of the feature on every level of production that result in at least a mild form of entertainment, mostly amusement. This has none of that. Instead, the viewer is witness to redundantly unnecessary and way-too-convenient-for-the-situation exposition and drawn out scenes of characters warily moving from room to room, and all this is half of the film. Forget trying to figure out where anybody is (or who they are) during darkened or nighttime scenes, too; you probably won't care, anyway. There is also a random car chase sequence that seems quite dull when compared to some of the old driver's ed movies I slep... er, I mean sat through and watched way back in high school. Really, we're talking about mysticism, possession, and a killer on the loose here - not a bad recipe for trash cinema. Unfortunately, there's nothing here to make it even ""good"" trash; when joined to the aforementioned, the bad acting and not-so-special effects are just that - bad acting and not-so-special effects. This one's just trash, pure and simple. Leave it on the rack at the pawn shop or in that box at the yard sale. There's a reason its there...",negative,error,解析失败,负面误判
174,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\39_3.txt,"This is a hard film to rate. While it truly deserves its 3 (or perhaps even a two), for an Al Adamson film, it's exceptional--and practically Adamson's very best. That's because unlike many Adamson films, there are times when NURSE SHERRI almost looks competent. But, being an Adamson film, you know that sooner or later that crappiness MUST rear its ugly head! <br /><br />The film begins with some bizarre cult leader of a huge congregation (six) trying to resurrect a dead guy who looks like he's made of blue cheese. However, in the process, the cult dude has a heart attack and it taken to the hospital. He apparently dies, but it also seems like many of these hospital scenes are missing and a few of them appear much later in the film. In other words, when you see the film, he appears to have possibly recovered--only to hear later that he'd died. Because the guy is the b.f.f. of Satan, however, his evil soul can't die and he comes back to both haunt one of his henchmen and to possess Nurse Sherri.<br /><br />Now, Sherri is obviously a very disturbed lady--demonic possession or not. At times she acts like a zombie and at others she's violently homicidal. So I ask...""why didn't her boyfriend (a doctor) think this was, perhaps, problematic?!"". In other words, after trying to kill a patient, he neither gets an exorcist nor commits her to the booby hatch!!! Oh, and speaking of boobies...this movie is NOT the breast-filled sex romp its title and posters would indicate. While there are a few bare breasts here and there, they are irrelevant to the plot and only seen very briefly (1/2 second or so) in all but one scene. So, if you are a perv, this movie is not for you--though a few places in the film (such as the nurse undressing for a patient) make it look like the film MIGHT have, at one time, been designed as a porn flick.<br /><br />If you are a bad movie fan, however, there is enough to whet your appetite. Some examples of incompetence are the inability of many of the actors to deliver lines that aren't zombie-like--and I am not even talking about Sherri. Especially noticeable is one of the very final scenes--I have never seen and heard some stilted acting and dialog in my life--and this includes Ed Wood's films! There are also a few more cheap touches, such as the bad animation of the ""green stuff"", the doctor finding a murdered nurse yet continuing to investigate in a house where walls are covered in blood (I'd get a cop...better yet, an army of cops).<br /><br />So despite these problems, why do I think it's good for an Adamson film? Well, the story isn't all bad and he was able to build tension very well. Many false alarms early on made my heart race a bit. Also, the car crash, while irrelevant, came off pretty well and was practically big-budget for Adamson.<br /><br />Overall, not a good film and one most people would be bored watching. However, fans of Adamson or inept films will like it--it does deliver some entertainment in a cheesy manner that will provide a few laughs.",negative,error,解析失败,负面误判
175,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\3_4.txt,"Wow, another Kevin Costner hero movie. Postman, Tin Cup, Waterworld, Bodyguard, Wyatt Earp, Robin Hood, even that baseball movie. Seems like he makes movies specifically to be the center of attention. The characters are almost always the same ... the heroics, the flaws, the greatness, the fall, the redemption. Yup, within the 1st 5 minutes of the movie, we're all supposed to be in awe of his character, and it builds up more and more from there.<br /><br />And this time the story ... story? ... is just a collage of different movies. You don't need a spoiler; you've seen this movie several times, though it had different titles. You'll know what will happen way before it happens. This is like mixing An Officer and a Gentleman with Backdraft, but both are easily better movies. Watch Backdraft to see how this kind of movie should be made ... and also to see how an good but slightly underrated actor, Russell, plays the hero.",negative,error,解析失败,负面误判
176,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\40_4.txt,"I bought this on VHS as ""Terror Hospital"", and when I got home I checked IMDb and was like OMG it's the legendary ""Nurse Sherri""!!! So here's another one from Al Adamson, who had clearly learned some minuscule amount about film-making since the ""Blood of Dracula's Castle"" days. Where that earlier effort is a more or less totally sclerotic lump, this one mixes it up a little, adding a definite element of variety and surprise amid the incompetence. Sure half of the movie is a blind post-op football player shooting the breeze with his stacked nurse, but at any moment we might be cutting away to the cackling disembodied head of the satanist mastermind, or Nurse Sherri running a farmer through with a pitchfork, or a wee bit of abstract student-film quick cutting to go with the pulsing-blob effects in the possession scene, or the most gratuitously half-hearted topless bit ever, or god knows what else (I forget, to be honest). As dumb-ass pieces of sh*t go, this one runs toward the high end. Congrats, Al.",negative,error,解析失败,负面误判
177,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\41_4.txt,"The film opens with a cult leader attempting to resurrect a dead member with his followers chanting for his rebirth as the sun strikes upon them in the desert. Reanhauer(Bill Roy)believes wholeheartedly in his power, and gets so worked up that he collapses with what appeared to be a heart attack. Unable to keep him alive, all those involved, doctors and nurses, are sentenced for attack with Reanhauer's demonic spirit invading the curvaceous body of nurse Sherri(..big-chested Jill Jacobson)targeting each one using her as a tool of vengeance. Forced against her will, with no memory of inflicting such harm, Sherri's host body murders selected victims. Fortunately, Sherri's fellow co-worker, nurse Tara(Marilyn Joi)begins a rather blossoming romance with a blinded patient, Marcus Washington(Prentiss Moulden), once a star football player, whose mother was a practitioner of voodoo. Through Marcus' knowledge, passed down from mom, Tara finds out about possession and how to possibly save Sherri before she murders everyone unknowingly. Meanwhile, Sherri's lover, Dr. Peter Desmond(Geoffrey Land)worries about her present condition and welfare.<br /><br />Well, this was my first Al Adamson film and I must agree with his detractors that, just from this film alone, it seems he holds them together with paper clips and Elmer's glue. The animation with which we see the spirit take control of Sherri is beyond awful and rather laughable. A little soft-core nonsense as filler, some demonic possession thrown in the mix(Sherri actually speaks in another voice when she's possessed), with naughty nurse behavior(..the three nurses focused on in the film all are quite sexually active and free-spirited)and a little bit violence/gore. The film is essentially shot in tiny rooms with dull dialogue from a rather mundane cast. The sexual situations aren't that hard-core and Al often shoots them without revealing all that much. The film looks embarrassingly cheap and there's an absence of thrills, although the chilling score(..which sounds like something from Dark Shadows)does help a little bit. Jacobson and Mary Kay Pass(..as nurse Beth who seems to be a nymphomaniac if she'll even screw a nutty patient, always complaining of illnesses he really doesn't have, with enough chest hair to declare him a Neanderthal)aren't bad looking, and Adamson's story-line, although frail, is somewhat coherent(..it seems he rarely directs films which are). Overall, the movie looks like it cost 5 bucks and Adamson just can not overcome the budgetary restrictions(..or, in my opinion, create an unpleasant enough atmosphere due to a sometimes plodding narrative and tedious scenes which do little for the story). John F Goff has the role of the hospital's psychiatrist who wants to commit Sherri, not believing the idea that she was possessed;he constantly bickers with Peter over her. I watched the unrated ""lost"" version which I guess is the real version to watch of Nurse Sherri.",negative,error,解析失败,负面误判
178,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\42_4.txt,"Art-house horror tries to use unconventional aesthetics to cover the fact that this is just another serial killer chiller which ultimately relies on pornographic combinations of teen sexuality and violent gore. The suburbs come across about as well as they do in every piece of Australian writing (book or film) since 1960 - surprise surprise, the suburbs have a dark underbelly - and the plot is as contrived as any you've seen. ""The neighbours would never know about this guy,"" one of the filmmakers says about Joel Edgerton's character. ""But he was completely plausible as to what he was. Serial killers don't all have patches over their eyes and scars down their cheeks. They look like the guy next door."" Another trader in pornographic violence who sees a serial killer in every street. But the real insignificance of this film is in the fact that it's a genre film that nobody saw. Backed by substantial funds (including some from Film Finance - that's government), this got a run at the Underground Film Festival in Melbourne and had to rely on ACMI kindness for a *very* short release season. Q1: What is the FFC doing funding genre flicks, even if they are 'arty' and aesthetically unconventional? Q2: Why are these nasty movies (ACOLYTES; BEAUTIFUL; PUNISHMENT; NO THROUGH ROAD) being made in the first place? Richard Wolstencroft & co encourage their creators to believe they're giving the masses what they really want, as opposed to what the culture elite in government funding think they want. The truth is that these brutal and forgettable nasties earn far more critical acclaim - and win far more obscure awards - than they're due.",negative,error,解析失败,负面误判
179,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\43_1.txt,"I was completely bored with this film, melodramatic for no apparent reason. Every thing just becomes so serious and people are swearing with really dumb expressions. Then there is a serial Killer who apparently can Kill one person to get the title of serial Killer. Well the serial Killer likes butterflies and is illustrated by sound effects you might hear in the dream sequence of most modern films;<br /><br />why oh why? I nave no idea. It really really wants to be scary, but I think in this universe scary equals talk a whole bunch and add dark ambient noises.Just for the record, this is in no way is a horror film, its most definitely a thriller (barely). Really movie makers nowadays need to do their homework before making ""horror"" films or at least calling a movie a ""horror"" film. it makes me say (in too may words ironically) ""acolytes, you take forever to say nothing.""",negative,error,解析失败,负面误判
180,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\44_4.txt,"A rather lame teen slasher from Brisbane. While the plot hinges on a fairly decent idea, the writing is profoundly lame and two of the three main teens are absurdly wooden. The problem is that for the kids to go through with their plan they have to be far more reckless than shown, but if they were that devil-may-care, it would perhaps be hard for them to be likable, so they end up being neither really. In fact, I only started enjoying the film when I started wishing for their death. One of those movies where in about a thousand places the most sensible option would be to call the police. I realise we wouldn't have a movie if they did, but it would be nice if we could believe that they actually wouldn't. Avoid.",negative,error,解析失败,负面误判
181,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\45_2.txt,"This was a decent movie for the first half. Too many cheap BOO! moments but the tension builds, the bad guys are creepy and everything seems to be setting itself up nicely. The kids are not particularly deep but hey, that works for teens. <br /><br />Then it just gets ridiculous and tries way too hard- the ""why in the world would he/they do that?"" moments overwhelm anyone's capacity for suspension of disbelief, the twist involves too many ridiculous coincidences, and the title comes from a late attempt to philosophize some meaning into the film that goes nowhere and is quickly dropped. There was laughter in the theater at moments that were in no way supposed to be funny. <br /><br />Great premise but just badly written and doesn't hold together. Some very nice shots but they're hard to enjoy while you're rolling your eyes.",negative,error,解析失败,负面误判
182,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\46_2.txt,"Acolytes presents an interesting mix of original concepts in ""screaming teen"" cliché horror with a more thriller-like pacing. In some ways Acolytes is very successful, but in many other ways the film fails miserably.<br /><br />Overall Acolytes avoided the typical archetypes of the naivety and innocence of youth of endless horror films in the like of Cabin Fever, Texas Chainsaw Massacre, and countless other films where unsuspecting and relatively naive and innocent teenagers, have sex, run around screaming and one-by-one are plucked off by some sort of monster. Instead this innocence is replaced with pride, retaliation, and arrogance. The characters had several opportunities to save themselves from immanent death and despair, but failed to do so due to their own personal demons. In the end you were left with the feeling that there were no (and perhaps are no) innocent victims.<br /><br />As the name implies, the film also touches greatly on following a leader or authority. This was used in a direct sense of if the main character would become like the serial killer and was also used less directly throughout the film. Following a central figure is a reoccurring theme throughout the film.<br /><br />Through all this, the film makers also incorporated a lot of cliché, which I suspect was intentional and gave the film a unique mixture of depth as well as shallowness which I found intriguing. This, perhaps inadvertently, plays well with the characters who are, at first appearance very shallow but as the story unfolds it becomes obvious that they are, at least the two main male characters, quite complex.<br /><br />Technically the film has a lot of problems however. The cinematography, which is typically regarded highly, I find rather sophomoric and over-stylized, utilizing formulaic 2/3 approaches far too rigidly. Many transitions I felt were also over-stylized. The use of symbolism was not only vague, but also greatly over used.<br /><br />The plot was poorly planned and relied exclusively on misinformation in order to achieve a rather hokey twist ending, which was poorly resolved and leaves viewers confused. Methods used to resolve the climax are cheap and ill-prepared, motivations are routinely unclear, and major plot points remain untied in the end.<br /><br />Overall, the film's relative originality, themes and thesis are lost in a maze of poor technical execution, over-stylized imagery, unclear motives, obtuse and unnecessary symbolism and cheap twists maintained only by a lack of or entirely incorrect information.<br /><br />If the film were better executed, it would have been excellent. However, Acolytes receives only two stars in my opinion.",negative,error,解析失败,负面误判
183,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\47_2.txt,"I caught this on IFC last week and I thought it was typical of the indie short subject film: heavy on style, little on substance and originality. Does it comes as any surprise that a coming out film stars an unusually attractive (and blond to boot) boy with 70s shag hair and too-cool-for-school clothes? Plus, this film wallows in late 1970s chic, which works for some (Sofia Coppola's ""The Virgin Suicides"" comes to mind) but not for this director.<br /><br />Another reviewer compared this to Harmony Korine's work and I agree. Yet I don't view this as a positive thing (what has HE done lately, anyway?). ""Bobbycrush"" is really just a waste of time and energy for all involved. If you happen to see it late night on cable, turn the channel and watch something else instead.",negative,error,解析失败,负面误判
184,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\48_4.txt,"It's Saturday, it's raining, and I think every movie should have at least one comment... so I just watched ""The Crime Doctor's Courage"" all the way through. It's a murder mystery with a typical cast of characters, and a couple of the usual suspects -- each with their own possible motive for the crime. The story starts abruptly and the viewer is thrown into the plot with no character development or storytelling whatsoever. I guess that's not too surprising for a B movie of this period. There are also some moments which look and feel like this is pre-WWII, but perhaps that is due to the writer's background in radio shows.<br /><br />The ""Crime Doctor"" is the sleuth who happens to be visiting California for some R&R from his psychiatry practice on the East coast. He hooks up with a mystery novelist friend with whom it is implied has been along for one or more previous mystery solving capers. The novelist occasionally fills the role of sidekick to our sleuth (AKA Dr. Watson), and also occasionally lightens things up with a bit of comic relief (sort of).<br /><br />There is also a somewhat simple, but not quite bumbling police captain who at times is annoyed by the meddling sleuth. And then there are the mysterious Braggas, a brother and sister who are dance artists at a night-club. The dance is sort of an interpretive dance that happens to be one of those moments which feels more like the 30's than the 40's. Though the story location is California, the Braggas appear to live in a castle!<br /><br />There was one plot element which managed to keep me somewhat amused, but I won't divulge any more than that because I always enjoy movies more when the story is discovered, rather than known in advance. (even though I can think of many, many, B films which would rate higher and it is difficult to say that watching this one is time well spent) I have not seen any other movies from the ""Crime Doctor"" series, so I can't make any comparisons.",negative,error,解析失败,负面误判
185,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\49_4.txt,"Frightmare begins with a horror movie icon killing a director and then his servant before he is laid to rest. This icon, who has some Christopher Lee qualities to him, then continues to haunt those around him when a group of horror film society students steal his corpse from the mausoleum he is in.<br /><br />The first ten minutes is well-filmed, good writing and lots of potential for murderous mayhem. But the film drags in the middle (although thankfully not as much as ""House of Death"") and never really gets that initial spurt of energy back.<br /><br />Lots of the deaths are confusing, as they seem to have people just falling over scared when they see a floating coffin or other odd things. Twice we see poisonous gas being used. But the box promises that this horror star will be the embodiment of all the monsters he has played. Boy, is that false advertising, unless he spent his career playing boring old men who take naps and watch ""Matlock"".<br /><br />The general principle of the film is decent: horror society kids stealing a corpse of a dead icon. A modern equivalent (digging up Vincent Price or Peter Cushing) would make a great film. Maybe a remake is in order if that wouldn't be too disrespectful. Sometimes theory doesn't come across as well in application, and this film offers that example.<br /><br />The only redeeming quality of this film (besides the beginning) is the brief appearance of a very young Jeffrey Combs. I saw him and thought ""that's Jeffrey Combs"" but felt I was mistaken as the box never mentioned him. But sure enough, Combs was present. (A note to this movie's film-makers: mention Combs on the cover of the DVD, you'll sell more copies if if you would be deceiving customers.) If you're a Jeffrey Combs die-hard, check out this early role. Otherwise, I cannot offer this as a great selection for a horror movie marathon. Let me suggest ""Intruder"" or ""Popcorn"", as those are both pretty decent and will stand the test of time.",negative,error,解析失败,负面误判
186,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\4_4.txt,"Alas, another Costner movie that was an hour too long. Credible performances, but the script had no where to go and was in no hurry to get there. First we are offered an unrelated string of events few of which further the story. Will the script center on Randall and his wife? Randall and Fischer? How about Fischer and Thomas? In the end, no real front story ever develops and the characters themselves are artificially propped up by monologues from third parties. The singer explains Randall, Randall explains Fischer, on and on. Finally, long after you don't care anymore, you will learn something about the script meetings. Three endings were no doubt proffered and no one could make a decision. The end result? All three were used, one, after another, after another. If you can hang in past the 100th yawn, you'll be able to pick them out. Despite the transparent attempt to gain points with a dedication to the Coast Guard, this one should have washed out the very first day.",negative,error,解析失败,负面误判
187,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\50_3.txt,"My parents used to rent a lot of horror movies when I was a child. We loved watching them even when they were bad they made for some enjoyment. This was one such movie, kind of hard to review as I have only seen it the one time as a child, but it is not anything I want to track down again so I can do a more in-depth review. The story has some old horror actor legend dying. I seem to remember he acted a bit like an over the top Vincent Price, without being likable and classy. He commits murders and dies, but what is this? Is the movie over already? No, as some kids for some reason snag the body and are prepared for a fun night of being killed by the ham from beyond the grave. I remember the murders were nothing all that special after the first couple and I remember this movie was rather disappointing. Seemed to have a good premise, but it just failed to deliver the goods as more cool kills were needed and that super horror actor needed to add a bit to his repertoire.",negative,error,解析失败,负面误判
188,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\51_4.txt,"One of the last surviving horror screen greats - Conrad Radzoff - dies and has his body placed in a mausoleum with televised-before-death snippets of the great Conrad greeting you as you visit. Unfortunately for him and his captors, Conrad's body is ""borrowed"" by a gang of four boys and three girls and taken to a huge manor where they drink with him, toast him, dance with him, laugh with and at him, and then put him to bed in a casket which just happens to by lying in a room upstairs. News of the missing body reaches Radzoff's widow and her friend(who happens to be proficient in the black arts) and she holds some kind of ceremony that brings Conrad back to life so he can, in his own words, get ""an eye for an eye, a tooth for a tooth."" Well, Frightmare is an interesting ""bad"" film. Sure, it is cheap. The sets look like they were borrowed(which I am sure they were). The special effects and blood and guts are done liberally and with little credibility. The acting is average to below average with a few exceptions. Jeffrey Combs of Re-Animator fame is in tow, but really he does little in this rather thankless role as a horror obsessed teen that needs to steal a dead man's body for kicks. None of the ""kids"" except the pretty girl playing Meg is any good. Nita Talbot plays the ""friend"" of the Radzoffs with withering interest. Also, look for the big - I mean big - guy that plays the policeman. That is Porky himself of Porkys fame. But thankfully for all of us, one performance does rise above the material. Ferdy Mayne, an oft overlooked actor from Germany who had Christopher Lee features and did star as a vampire in The Fearless Vampire Killers, does a more than commendable job as the aging horror icon in public life and a real demon of a man in private life. Conrad Radzoff in a bad human being in life, living solely for his own pleasures and we see him kill twice before he is even dead(obviously none of the swinging teens at that point). Mayne is able to look very regal, speak very elegantly, and convey menace with ease. If for no other reason, one should see Frightmare for his performance. I do; however, believe that when they showed black and white clips of Radzoff that they used Christopher Lee footage(anyone have any thoughts?). Anyway, one can guess what happens and it does indeed: Radzoff goes out and goes after the kids that disturbed his peace. Again, the formula is trite and overused. The acting for the most part is anemic, and the direction oh so ridiculous. But Mayne gives a good performance in a sea of ineptitude. Definitely worth a little peek. Watching Mayne keep popping up on screens in his mausoleum brought a wry smile to my lips each time.",negative,error,解析失败,负面误判
189,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\52_4.txt,"Conrad Radzoff(Ferdy Mayne), a hammy cult icon, dies from a heart ailment(not before disposing of an ungrateful assistant and TV commercial director, both of whom disrespected him with showers of insults). His body is removed from his mausoleum by some film students(they wish to ""invite him to dinner""..they are quite big fans). What these kids(..including a young Jeffrey Combs)don't expect is that Radzoff will be resurrected by a medium to wreak havoc on those who removed him from his place of rest.<br /><br />The list of violent acts include Radzoff pulling one guy's tongue out, setting a woman on fire, elevating a casket which crushes a woman's face, decapitates one fellow, and cremates another guy alive in a coffin. A really weird soundtrack and pesky fog wraps around Radzoff's ghoulish activities.<br /><br />Silly hokum from Troma is limited by a very, very low budget and slowwwwww pace. The film feels a lot longer than it is. The film isn't really that gory and we can hardly see much violence because the film is often too damn dark. At times, Radzoff is an ominous presence, yet at other times he just looks real silly.",negative,error,解析失败,负面误判
190,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\53_4.txt,"I don't get it! The teenage leads in ""Horror Star"" supposedly all are devoted horror fans, yet when their favorite idol (Conrad Radzoff) passes away, they dig up his corpse and do all sorts of disrespectful stuff with it, like disco-dancing it around the house and throw food leftovers at it. That doesn't sound like something real horror fans would do, now does it? I'm a big horror fan and I immensely idolize departed icons like Vincent Price, Peter Cushing and Boris Karloff, but it would never come to my mind to ridicule their memory. No wonder Conrad comes back from the dead – admittedly, after a séance – to wipe them all off the face of the earth! Mr. Radzoff already wasn't known for his friendliness in life, since he occasionally killed the directors that disagreed with his visions, and even after his death he suffers from a tremendous ego. Even inside his tomb there are video messages to petrify possible visitors and the group of teenagers will vividly experience that he also enjoys the murdering business outside his film sets. ""Horror Star"" (a.k.a. ""Frightmare"" and ""Body Snatchers"") is a pretty lame 80's horror flick, but there are a handful of cheesy & gory highlights to enjoy. The film mainly suffers from its own stupid plot, since no one – not even a film school student – is stupid enough to steal a recently buried corpse and actually think he'll get away with it, and there are too many tedious moments to struggle through. Conrad's video-speeches from beyond the grave are overly talkative and definitely undermine the tension, but on the other hand his killing methods are pleasingly inventive. One teenager enjoys the experience of getting cremated alive and another one (Jeffrey Combs in one of his first roles!) loses his head in a delightful decapitation sequence. In the absolute messiest sequence, a poor girl' head is crushed by a coffin. Writer/director Norman Thaddeus Vane wanted to bring homage to vintage horror cinema and he obviously how to make film look sinister. The locations and scenery are great, but Vane lacked the necessary funds to provide his film with a proper continuity and editing-job. The acting performances are overall decent, with Ferdy Mayne (imitating Christopher Lee) and Jeffrey Combs delivering the most memorable roles. ""Horror Star"" can hardly be called a must-see or even a good film, but it's worth tracking down in case you're an admirer of enthusiastically made B-horror.",negative,error,解析失败,负面误判
191,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\54_3.txt,"1983's ""Frightmare"" is an odd little film. The director seems to be trying to combine the atmosphere of classic '30s/'40s style horror movies with the shock factor of the then-exploding '80s slasher genre. It isn't totally successful (mostly due to very obvious budgetary restraints, and the less-than-professional caliber of its cast of young actors) but it still has its moments, mostly due to the classy performance (classier than the movie deserves) by the late German actor Ferdinand Mayne, who plays an aging old time horror movie star (ala Vincent Price) named ""Conrad Ratzoff."" At the beginning of the movie we meet the has-been horror star as he's shooting a commercial for dentures and we quickly learn that ol' Conrad is a bit of a hoity-toity, prima donna jerk-off. Just when you think he couldn't be any more un-likable, the commercial director berates Conrad for blowing a take for the umpteenth time and the old goat pushes him off a balcony to his death. Nice, huh? Conrad then visits some fans at a college campus horror movie club, unfortunately he suffers a heart attack in the middle of his speech to them and eventually ends up back at his mansion waiting to die. Still feisty even at Death's door, he manages to do away with a despised business associate by smothering him with a pillow before he finally kicks the bucket himself. Conrad is then laid to rest in true Hollywood style in a high tech neon tomb with video screens above the casket, which will play personal video messages from Conrad himself for visitors who enter to pay their respects.<br /><br />It is at this point that the kids from the college Horror Movie Society decide to pay Conrad's grave an after hours visit, breaking into the tomb and taking his body back home with them for an all night party. (Not exactly my idea of fun, but hey, these are characters in an '80s horror film. Logic has no place here.) The college kids spend the evening having dinner with Conrad's body seated in a place of honor, posing for photos with it and even dancing around the room with it, before parking Conrad and his coffin in the attic, planning to return him to his crypt in the morning. In the meantime, Mrs. Ratzoff, distraught over the theft of her husband's body, has called in a psychic friend to try and ""reach"" Conrad through a seance. You can pretty much figure out the rest from here. Since Conrad wasn't a very nice guy in life, it's not much of a stretch to assume that he won't be any friendlier in death. Psychic Lady makes contact with Conrad and he re-awakens in predictably ticked off fashion, then spends the rest of the movie strolling around the corridors of the students' ridiculously huge house, picking off the young grave robbers one by one. This is where the movie falls apart. Endless scenes of teens wandering around empty hallways saying ""Hello? Is anyone there?"" are intercut with occasional bursts of violence (we do get a pretty gnarly decapitation scene, which is the highlight of the movie) before the last two survivors finally figure out (WAY later than any semi-intelligent people would have figured out the same thing...but again, we're in an '80s horror film!) that the only way to stop the mayhem is to get Conrad's body back to its crypt where it belongs. The sluggish pacing is padded out with a lot of weird lighting and dry ice fog effects backed by a soundtrack made up almost entirely of sound effects rather than music(thunder, moans and groans, howls, etc.) that becomes severely annoying after a while.<br /><br />I can't really recommend ""Frightmare"" to anyone who didn't grow up watching cheap movies like this on late night cable back in the '80s. ""Modern Horror"" fans will doubtlessly find ""Frightmare"" incredibly slow moving and goofy. If you came of age in that magical decade, however, you may get a blast of nostalgia from ""Frightmare."" Fans of Jeffrey (""Re-Animator"") Combs may also want to check it out, as the future Dr. West appears in an early role here as one of the unlucky film students.<br /><br />I will advise the reader to avoid the version of this film on the EastWestDVD label (paired with Roy Ward's ""Vault of Horror"" and sold at dollar stores) because the print quality is terrible. I'm told the film has gotten a deluxe release via the fine folks at Troma, which seems appropriate. If you're a Troma kind of person then ""Frightmare"" will be right up your alley.",negative,error,解析失败,负面误判
192,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\55_4.txt,"I thought maybe... maybe this could be good. An early appearance by the Re-Animator (Jeffery Combs); many homage's to old horror movies; the Troma label on the front… this movie could be a gem! I thought wrong.<br /><br />Frightmare is a boring, overplayed, half assed homage to the fright films of yore. The story is an old one, young people breaking into a house, getting drunk, making love, and tampering with things that shouldn't be tampered with. The oft – recycled slasher film formula is used here, this time with a thought to be dead actor named Conrad Radzoff doing the killing. In fact, the performance by the Radzoff's actor Ferdy Mayne is the only redeeming quality of this film. He does the snooty Dracula style character very well. But as for the kids, its not so good, with Combs only having a minimal part.<br /><br />The film lacks entertainment value, and only features one cool character, and one or two scenes that can hold your attention. I do not recommend this film unless you are desperate for something to watch, and this is the only movie left at blockbuster.",negative,error,解析失败,负面误判
193,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\56_3.txt,"This show should be titled, ""When Bad Writing Happens To Good Actors"" considering most of the players have demonstrated immense talent in other venues, e.g. Andre Braugher in Homicide: Life on the Street and David Morse in St. Elsewhere. I'm hoping that the frenetic pacing of the show is adjusted as the series develops along with the obvious cliches and dialogue so absurd I wondered just how stupid the writers imagined the core audience to be. We're beat over the head with the main points of this show instead of being left to gradually figure it out, almost as if the writers feel that they must spell out that the main character is some sort of avenging angel, sentenced to redeem himself from sins, both venial and mortal, via butting into his cab fares many affairs. Watching the premiere required much suspension of disbelief, that Mike Olshanskey's fares would so rapidly spill their guts and he would feel driven to intervene in the lives of utter strangers. That he possesses those ""Super-Cop"" abilities, to be all things to all people, weapons expert, martial arts master, psychologist, father-confessor, locksmith, and so on, ad infinitum. Pure drivelesque fantasy. What is it about recent televisions shows based in Philidelphia that they all seem to be imbued with a nasty ex-wife and a very disrepectfully bratty child? Overdone. I wanted to like this show, really I did, because it had the virtue of having a premise slightly different than many of the clones appearing in this season's fare and it stars some of my preferred actors. But I'm afraid this is just another possibly good idea ruined by careless execution.",negative,error,解析失败,负面误判
194,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\57_4.txt,"generally speaking I don't make negative comments on here. But since this is a festival piece, I don't want you to waste your time when you could see something else that might not be playing again.<br /><br />I thought the actors were pretty bad. For instance, they totally didn't play off each other, rather, they waited to RECITE their lines which were pretty poor to begin with. The dialogue sounded really forced. Norman or whatever his name tried, or so it would appear, to be witty and biting in the lines he chose but just fell really short.<br /><br />After words he asked if anyone saw the ending coming and some people were all ""yea"", and he all but called them liars. Look there were so many clues, the biggest being a briefcase full of cash for a $500 an hour whore. I mean the john gave her at least 20g's... tell tale sign. Now no you couldn't see exactly what was going to happen but by the time the twist actually occurred, I for one, didn't even care. I was just glad to get out of there. I asked him which draft he shot and he said 8.1, maybe next time he will wait to shoot 'til 15.3 cause this needed a lot of work.<br /><br />But he seemed like a fairly nice guy, he is making his own films, he'll probably get better and I hope he does, not in a snotty way either, I mean it, I wish him luck. Just remember, this is just my opinion.",negative,error,解析失败,负面误判
195,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\58_3.txt,"That snarl...<br /><br />That scowl...<br /><br />The acts of random violence...<br /><br />The gutteral voice...<br /><br />The fetish wear...<br /><br />That shaven head...<br /><br />It can mean only one thing...<br /><br />GRACE JONES IS BACK!<br /><br />Actually my sources tell me that the title role in Blade wasn't played by the 1980s diva, but by Wesley Snipes.<br /><br />All in all this is not an improvement.<br /><br />Blade is an adaptation of a comic character; somehow in the transfer from the simplistic, two-dimensional world of the printed page it has become even more simplistic and lost a couple of dimensions.<br /><br />The plot is hackneyed almost beyond belief and adds nothing to the vampire genre, in fact, much like Nosferatu, it seems to suck the life out of the audience. In brief, upwardly mobile vampire wants to become more powerful but is opposed by Blade, half-human, half-vampire, all annoying. It all climaxes with Blade being put in a vampire juice press, some bad martial arts and the most pitiful CGI since 1968.<br /><br />Blade has to be the least empathic character since Dolph Lundgren's Punisher (also a comic adaptation, perhaps there is a trend here?). Surely the audience is meant to be on the same side as the 'hero'? And whilst a vampire can be a tragic character, this is not true of Blade, he is relentlessly cruel, scornful and not a whole lot better than the bad guys.<br /><br />I assume that Wesley Snipes has an 'acting' career purely so that everyone else can be compared favourably. As he snarls his way through his movie you find yourself looking for a stake - even a ballpoint pen - anything to put Blade in the grave. <br /><br />As a piece of narcissism, Blade is pretty much unbeatable - we are treated to endless lingering shots of a gym-fresh Snipes for no reason whatsoever. Likewise no other actor is allowed any chance to give a reasonable performance; the likes of Steven Dorff *CAN* act, but they have to play second fiddle to Snipes' tedious performance.<br /><br />Kris Kristofferson used to appear in good movies, here he is reduced to a sidekick that you just know isn't going to make it through to the final reel. And what happens when Blade finds out? Yes, you guessed it, he rushes to the scene to wreak his revenge in the villain's giant underground lair.<br /><br />Why can't world-domination take place in a quiet country house? They always go ahead in underground cathedrals that would have had Albert Speer wondering if they were a little grandiose. A lot of these plans could be stopped right now if local councils paid more attention to plans for extending sub-basements. <br /><br />The rest of the movie is just as dull and unimaginative with nothing new to add to the genre. Vampires have been done to undeath and perhaps they should be laid to rest for a while - at least until someone can think of some way to make them interesting again.<br /><br />To finish, there *IS* a Grace Jones vampire movie, it's called Vamp and it's about ten times better than this.",negative,error,解析失败,负面误判
196,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\59_3.txt,"Not like I went in expecting a lot out of it, but I was at least hoping for a fun dumb big budget movie. This isn't even that. This item ranks in the bottom half of all the vampire movies I've ever seen (and believe me, I've seen a lot of them). Bad acting, zero characterization, little to no thought, almost non-existent plot (and that that's there you can drive semi-trucks through the holes in). Sure, it has action and is loud, and has more action, and more noise, and blood, and action... These things alone do not make a good (or even halfway decent) movie. Beats me how some people can say this is the best vampire movie ever made--all I can assume is they haven't seen many. I suggest seeing Near Dark instead.",negative,error,解析失败,负面误判
197,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\5_4.txt,"I wish I knew what to make of a movie like this. It seems to be divided into two parts -- action sequences and personal dramas ashore. It follows Ashton Kutsher through survival swimmer school, guided by Master Chief Kevin Costner, then to Alaska where a couple of spectacular rescues take place, the last resulting in death.<br /><br />I must say that the scenes on the beach struck me as so stereotypical in so many ways that they should be barnacle encrusted. A typical bar room fight between Navy guys and Coast Guardsmen (""puddle pirates""). The experienced old timer Costner who is, as an elderly bar tender tells him, ""married to the Coast Guard."" The older chief who ""keeps trying to prove to himself that he's still nineteen."" The neglected ex wife ashore to whom Kostner pays a farewell visit. The seemingly sadistic demands placed on the swimmers by the instructors, all in pursuit of a loftier goal. The gifted young man hobbled by a troubled past.<br /><br />The problem is that we've seen it all before. If it's Kevin Costner here, it's Clint Eastwood or John Wayne or Lou Gosset Jr. or Vigo Mortenson or Robert DeNiro elsewhere. And the climactic scene has elements drawn shamelessly from ""The Perfect Storm"" and ""Dead Calm."" None of it is fresh and none of the old stereotyped characters and situations are handled with any originality.<br /><br />It works best as a kind of documentary of what goes on in the swimmer's school and what could happen afterward and even that's a little weak because we don't get much in the way of instruction. It's mostly personal conflict, romance, and tension about washing out.<br /><br />It's a shame because the U. S. Coast Guard is rather a noble outfit, its official mission being ""the safety of lives and property at sea."" In war time it is transferred to the Navy Department and serves in combat roles. In World War II, the Coast Guard even managed to have a Medal of Honor winner in its ranks.<br /><br />But, again, we don't learn much about that. We don't really learn much about anything. The film devolves into a succession of visual displays and not too much else. A disappointment.",negative,error,解析失败,负面误判
198,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\60_1.txt,"I'm gettin' sick of movies that sound entertaining in a one-line synopsis then end up being equal to what you'd find in the bottom center of a compost heap.<br /><br />Who knows: ""Witchery"" may have sounded interesting in a pitch to the studios, even with a ""big name cast"" (like Blair and Hasselhoff - wink-wink, nudge-nudge) and the effervescent likes of Hildegard Knef (I dunno, some woman...).<br /><br />But on film, it just falls apart faster than a papier-mache sculpture in a rainstorm. Seems these unfortunate folks are trapped in an island mansion off the Eastern seaboard, and one of them (a woman, I'd guess) is being targeted by a satanic cult to bear the child of hell while the others are offed in grotesque, tortuous ways. <br /><br />Okay, right there you have a cross-section of plots from ""The Exorcist"", ""The Omen"", ""Ten Little Indians"" and a few other lesser movies in the satanic-worshippers-run-amok line. None of it is very entertaining and for the most part, you'll cringe your way from scene to scene until it's over.<br /><br />No, not even Linda Blair and David Hasselhoff help matters much. They're just in it to pick up a paycheck and don't seem very intent on giving it their ""all"". <br /><br />From the looks of it, Hasselhoff probably wishes he were back on the beack with Pam Anderson (and who can blame him?) and Linda... well, who knows; a celebrity PETA benefit or pro-am golf tour or whatever it is she's in to nowadays.<br /><br />And the torture scenes! Ecchhhh. You'll see people get their mouths sewn shut, dangled up inside roaring fireplaces, strung up in trees during a violent storm, vessels bursting out of their necks, etc, etc. Sheesh, and I thought ""Mark of the Devil"" was the most sadistic movie I'd seen....<br /><br />Don't bother. It's not worth your time. I can't believe I told you as much as I did. If you do watch it, just see if you can count the cliches. And yes, Blair gets possessed, as if you didn't see THAT coming down Main Street followed by a marching band.<br /><br />No stars. ""Witchery"" - these witches will give you itches.",negative,error,解析失败,负面误判
199,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\61_1.txt,I and a friend rented this movie. We both found the movie soundtrack and production techniques to be lagging. The movie's plot appeared to drag on throughout with little surprise in the ending. We both agreed that the movie could have been compressed into roughly an hour giving it more suspense and moving plot.,negative,error,解析失败,负面误判
200,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\62_2.txt,"Humm, an Italian movie starred by David hasselhoff and Linda Blair, I wasn´t expecting very much, to be honest and in fact, I took even less than I was expecting. It doesn´t mean this movie is the worst I have seen because I have watched worse things than this but the plot was most of the times confusing and uninteresting and some good gore scenes are the only thing saving this. Apart from that you are going to love some special effects, they are really cheesy and bad. Now I only want to watch ""Troll 3"" by this same director, sure it is not going to be worse than that.",negative,error,解析失败,负面误判
201,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\63_1.txt,"We brought this film as a joke for a friend, and could of been our worst joke to play. The film is barely watchable, and the acting is dire. The worst child actor ever used and Hasslehoff giving a substandard performance. The plot is disgraceful and at points we was so bored we was wondering what the hell was going on. It tries to be gruesome in places but is just laughable.<br /><br />Just terrible",negative,error,解析失败,负面误判
202,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\64_3.txt,"This only gets bashed because it stars David Hasselhoff. Well, then let me bash it to. Compared to the garbage they call horror coming out nowadays, this film isn't too bad. It has the beautiful Leslie Cumming. She is super hot, but can't talk very well. There is a great scene with her when she is supernaturally raped. She shows off her nice body. Linda Blair does nothing here as well as Hasselhoff. 3/10",negative,error,解析失败,负面误判
203,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\65_2.txt,"I watched this movie purely for the setting. It was filmed in an old hotel that a friend owns shares of. The plot was predictable, the acting was mediorcre at best, the scares were all gross-outs, not true scares.<br /><br />I don't remember much of the plot, and I think that's because there wasn't much of one to remember. They didn't even use the hotel to it's fullest potential...The beaches are fantastic and the hotel is situated on a peninsula. At low tide, you can walk almost 1/4 mile into the bay, which is actually an eerie sight first thing in the morning or late at night when the wind is howling through the cracks.<br /><br />The best way to see this movie is with the remote in your hand so you can fast forward through the action (and I'm using that term loosly)scenes and pause at the beauty of the surroundings!",negative,error,解析失败,负面误判
204,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\66_3.txt,"This film features two of my favorite guilty pleasures. Sure, the effects are laughable, the story confused, but just watching Hasselhoff in his Knight Rider days is always fun. I especially like the old hotel they used to shoot this in, it added to what little suspense was mustered. Give it a 3.",negative,error,解析失败,负面误判
205,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\67_3.txt,"A really very bad movie, with a very few good moments or qualities.<br /><br />It starts off with pregnant Linda Blair, who runs down a hallways to flee what might be monsters or people with pitchforks, I'm not sure. She jumps through a window and wakes up, and we see she is very pregnant. The degree to which she is pregnant varies widely throughout the movie.<br /><br />She and an annoying and possibly retarded little boy who I thought was her son travel to an abandoned hotel on an island. Italian horror directors find the most irritating little boys to put in their movies! On the island already are David Hasselhoff and his German-speaking virgin girlfriend (you know how Germans are said to love Hasselhoff...). He's taking photographs, and she's translating an esoteric German book about witches, I think.<br /><br />Also traveling to the island are an older couple who have purchased it, and a real estate agent, and a woman I thought was their daughter. Evidently she was an architect, and Linda Blair and the boy are the older couple's children. I guess they all traveled to the island together, but it really seemed like Linda and the boy were apart from the rest of them (maybe they were filmed separately).<br /><br />The hotel seems neat, certainly from the exteriors, but it isn't used to any great effect. An old woman in bad makeup and a black cloak keeps appearing to the boy and chants something in German sometimes, which he eventually records on his Sesame Street tape recorder.<br /><br />People start getting killed, either in their dreams, or sucked into hell or something. Some of these gore scenes are OK, but not enough to recommend the movie. Though the copy I watched stated it is uncut on the box cover, the death of one character whose veins explode really seems to have been cut. Much of the scene is showing another character's reaction shots, since we're not seeing anything ourselves. The creepiest scene is one in which a man or demon with a really messy-looking wound of a mouth rapes someone. He looked particularly nasty. There's a laughably and painfully bad scene in which Linda Blair is possessed. I wish if a horror movie is going to cast her, they would do something original with her role, and let her leave Exorcist behind her (except for the yearly horror conventions).<br /><br />In the weird, largely Italian, tradition of claiming to be a sequel to something it is unrelated to, this is also AKA La Casa 4 and Ghosthouse 2. That is, it is supposedly a sequel to Casa 3 - Ghosthouse, La (1988) - it's not (that's also a better movie than this one). La Casa 1 and two were The Evil Dead (1981) and Evil Dead II (1987) - again unrelated to Witchery and La Casa 3 (and much better than those). There's also a Casa 5, La (1990) AKA House 5, which seems to want to be a sequel to the fake La Casa series and the series House: House (1986) House II: The Second Story (1987), The Horror Show (1989) AKA House III, and House IV (1992). How's The Horror Show fit in there? It doesn't really, it claimed to be a sequel, thus requiring the real series entry to renumber itself to cause less (or more?) confusion. Oddly, The Horror Show is also AKA Horror House, and La Casa 5 is also AKA Horror House 2. Does your head hurt yet?",negative,error,解析失败,负面误判
206,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\68_1.txt,"Witchy Hildegard Knef traps a group of people in an isolated hotel and picks them off one by one in twisted, disgusting ways. I thought I'd seen it all until one unfortunate man here is crucified and then has his head set on fire. Hildy is quite the prankster too: she takes a nagging harpy and sews her mouth shut...then hangs her upside down in the chimney just in time for a roaring fire! ""Witchery"" made me sick. It made my eyes hurt. I was ready to write it off as the worst movie ever-ever-ever made by otherwise competent people...until the finale. I have to admit I loved the ending. It involves a boy and his toy tape-recorder cornered by Linda Blair looking fantastically possessed. The scene only lasts for about a minute and the movie's over, but you know that old saying: ""If you've got a great ending, people will forgive you for just about anything!""",negative,error,解析失败,负面误判
207,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\69_4.txt,"""Witchery"" might just be the most incoherent and lamentably scripted horror movie of the 80's but, luckily enough, it has a few compensating qualities like fantastic gore effects, an exhilarating musical score and some terrific casting choices. Honestly the screenplay doesn't make one iota of sense, but who cares when Linda Blair (with an exploded hairstyle) portrays yet another girl possessed by evil powers and David Hasselhof depicts a hunky photographer (who can't seem to get laid) in a movie that constantly features bloody voodoo, sewn-shut lips, upside down crucifixions, vicious burnings and an overused but genuinely creepy tune. Eight random people are gathered together on an abandoned vacation resort island off the coast of Massachusetts. The young couple is there to investigate the place's dark history; the dysfunctional family (with a pregnant Linda Blair even though nobody seems to bother about who the father is and what his whereabouts are) considers re-opening the hotel and the yummy female architect simply tagged along for casual sex. They're forced to stay the night in the ramshackle hotel and then suddenly the previous landlady – an aging actress or something who always dresses in black – starts taking them out in various engrossing ways. Everything is somehow related to the intro sequence showing a woman accused of witchery jump out of a window. Anyway, the plot is definitely of minor importance in an Italian horror franchise that started as an unofficial spin-off of ""The Evil Dead"". The atmosphere is occasionally unsettling and the make-up effects are undoubtedly the most superior element of the entire film. There's something supremely morbid and unsettling about staring at a defenseless woman hanging upside down a chimney and waiting to get fried.",negative,error,解析失败,负面误判
208,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\6_3.txt,"A tough sell: British playwright Ronald Harwood adapts his autobiographical stage drama into loud, bellowing film about WWII Shakespearean theatrical troupe saddled with an aged, blustery, brilliant-but-unreliable star at the end of his tether. The actor's effete assistant works diligently to get his master coiffed and costumed for a production of ""King Lear"" (during an Air Raid!), yet both men are losing their grip on their unraveling situation. Based on the waning years of actor Donald Wolfit, whose dresser was Ronald Harwood, this acclaimed production would seem to be a welcome haven for scenery-chewing thespians. Unfortunately, Albert Finney (at this point in his career, not at all elderly) seems too robust and quick-thinking to play the actor; Finney (and Oscar-nominated director Peter Yates) cannot modulate Sir's moods and bouts of coherency in a way that makes sense to us, so that in one scene he's stopping a train with the commanding echo of his voice, and in the next he's curiously falling apart. With such a wreck of a human being in the midst of failing health and aptitude, one would assume a dedicated assistant would go to great lengths to protect his boss (and his future), yet servant Tom Courtenay prods and badgers and goads Finney to carry on rather than rest. Courtenay, who played this part on stage (and was nominated for an Oscar alongside Finney for Best Actor), is far more attuned to his role, and eventually his bleating commands and confusion achieve the only real feeling in the film. These two, thankfully, do not peck at each other's heads, and scenarist Harwood is careful not to fall into a love-hate pattern (which could possibly be perceived in the film's first act); but, without a juxtaposition of servant vs. celebrity, there's nothing much to behold in this portrait except for the deterioration of narcissism, the hint at what once was. *1/2 from ****",negative,error,解析失败,负面误判
209,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\70_1.txt,"Witchcraft/Witchery/La Casa 4/ and whatever else you wish to call it. How about..Crud.<br /><br />A gathering of people at a Massachusetts island resort are besieged by the black magic powers of an evil witch killing each individual using cruel, torturous methods. Photographer Gary(David Hasselhoff)is taking pictures for Linda(Catherine Hickland whose voice and demeanor resemble EE-YOR of the Winnie the Poo cartoon), a virgin studying witchcraft, on the island resort without permission. Rose Brooks(Annie Ross, portraying an incredibly rude bitch)is interested in perhaps purchasing the resort and, along with husband Freddie(Robert Champagne, who is always ogling other women much younger than him), pregnant daughter Jane(Linda Blair)and grandson Tommy(Michael Manchester, who just looks bored throughout, probably wanting to watch Sesame Street instead of starring in this rubbish), go by boat to the resort being treated to a look at the property by Realtor Tony Giordano's son Jerry(Rick Farnsworth), obviously a pup in the business getting his feet wet. Along with these folks is architect Leslie(Leslie Cumming, whose character is a nympho)who might help Rose re-design the resort. The boat's captain is killed by The Lady in Black(Hildegard Knef, wearing her make-up and lip-stick extra thick)and a storm is brewing. The boat drives off by itself(..guided by the invisible power of The Lady in Black, I guess)with everyone stuck in the decrepit resort, which is in dire need of repairs. Most of the victims, before meeting their grisly fates are carried through a type of red wormhole whose vortex leads to another dimension(..perhaps a type of hell or something)where they are tortured by these fiends dressed in raggedy clothes with a crummy visage. One victim has her mouth sown before being hung upside down in a chimney, roasted as the others light the fireplace. One poor soul is tortured by harsh twistings of rope wrapped tightly around her flesh before being found hanging from the snout of a swordfish penetrating through her neck. One fellow is slowly suffocating as his veins bulge(..and bleed) and neck's blood vessels burst squirting in Hasselhoff's face! One fellow is crucified with nails hammered into his hands before being hung upside down over an open flame. Blair's pregnant victim becomes possessed with her hair standing on end speaking in another woman's voice. One is raped by this demonic man with a ""diseased"" mouth as the hellish hobos stand nearby gleefully cheering. The film, despite it's excesses, is mostly dull fodder for those who really wish to see the lowest point in the careers of Hasselhoff and Blair, who deserve better than this. Almost unbearable at times, building little-to-no suspense. Clumsy execution of the death sequences which look cheap and laughable. Sure some gore is okay, but most of the film shows victims after they've been run through the ringer. We do get a chance to see pregnant women(..who look exactly like stuntmen in costume with bad wigs) jumping out three story windows. Oh, and The Lady in Black's reflected face often pops up on inanimate objects for characters to see. Tommy has a little Sesame Street recorder which tapes The Lady in Black's mumbo jumbo chants, obviously used for later. For some reason, The Lady in Black likes to visit little Tommy. He's not at all scared of her, for Tommy's just too bored to show any expression on his face, much less fear. Need I say more? This one's a real stinker. Ugh.",negative,error,解析失败,负面误判
210,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\71_4.txt,"There are many different versions of this one floating around, so make sure you can locate one of the unrated copies, otherwise some gore and one scene of nudity might be missing. Some versions also omit most of the opening sequence and other bits here and there. The cut I saw has the on-screen title WITCHCRAFT: EVIL ENCOUNTERS and was released by Shriek Show, who maintain the original US release title WITCHERY for the DVD release. It's a nice-looking print and seems to have all of the footage, but has some cropping/aspect ratio issues. In Italy, it was released as LA CASA 4 (WITCHCRAFT). The first two LA CASA releases were actually the first two EVIL DEAD films (retitled) and the third LA CASA was another film by the same production company (Filmirage), which is best known here in America as GHOSTHOUSE. To make matters even more confusing, WITCHERY was also released elsewhere as GHOSTHOUSE 2. Except in Germany, where GHOSTHOUSE 2 is actually THE OGRE: DEMONS 3. OK, I better just shut up now. I'm starting to confuse myself!<br /><br />Regardless of the title, this is a very hit-or-miss horror effort. Some of it is good, some of it isn't. I actually was into this film for the first half or so, but toward the end it became a senseless mess. A large, vacant hotel located on an island about 50 miles from Boston is the setting, as various people get picked off one-by-one by a German- speaking witch (Hildegard Knef). Photographer Gary (David Hasselhoff), who wants to capture ""Witch Light,"" and his virginal writer girlfriend (Leslie Cumming), who is studying witchcraft, are shacking up at the hotel without permission. Along comes real estate agent Jerry (Rick Farnsworth), who's showing off the property to potential buyers Rose (Annie Ross) and Freddie (Robert Champagne) Brooks. Also tagging along are their children; pregnant grown daughter Jane (Linda Blair) and very young son Tommy (Michael Manchester), as well as oversexed architect Linda Sullivan (Catherine Hickland - Hasselhoff's wife at the time). Once everyone is inside, their boat driver is killed (hung) and the boat disappears, so they find themselves trapped and basically at the mercy of the ""Lady in Black.""<br /><br />So what can you expect to find here? Plenty of unpleasantries! One of the characters has their lips sewn shut and is then hung upside down in the fireplace and accidentally slow-roasted by the rest of the cast. There's also a crucifixion, witches eating a dead baby, a swordfish through the head, someone set on fire, a possession, a Sesame Street tape recorder, the virgin getting raped by some demon, a guys veins bulging and exploding thanks to voodoo doll pokes and some other stuff. From a technical standpoint, it's a nice-looking film with pretty good cinematography, a decent score and good gore effects. The hotel/island setting is also pretty nice. Blair (particularly at the end) and Ross both seem like they're having fun and Knef is great as the evil witch. Even though people like to ridicule Hasselhoff these days, he's not bad in his role, either.<br /><br />On the down side, despite all the gore, the film seems somewhat dull and it gets monotonous after about an hour. The supernatural themes are muddled and confusing, too. When characters are being swept into the witches lair to be tortured and killed, the filmmakers unwisely decided to superimpose the screaming actors over some silly looking red spiral vortex effect that looks supremely cheesy. And the witch lair itself is vacant and cheaply designed with unfinished lumber. And while most of the cast is at least decent, a few of the performances (particularly the ""actress"" who plays Hasselhoff's girlfriend and the kid) are so bad they're constantly distracting.",negative,error,解析失败,负面误判
211,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\72_4.txt,"Oh my... bad clothing, worse synth music and the worst: David Hasselhoff. The 80's are back with vengeance in Witchery, an American-Italian co-production, helmed by infamous Joe 'D'Amato on the production side and short-careered director (thank heavens for small miracles) Fabrizio Laurenti directing . Marketed as a kind of sequel to Sam Raimi's Evil Dead series in Italy (that was dubbed ""La Casa"" in there), Witchery delivers some modest gore groceries and bad acting.<br /><br />A mix of ghost story, possessions and witchcraft, the film bounces clueless from scene to another without letting some seriously wooden actors and hilarious day and night mix-ups slow it's progress to expectable ending, topped with some serious WTF surprise climax. (I just love the look on her face...) Surprisingly Laurenti manages to gather some suspense and air of malice in few - very few - scenes; unluckily for him, these few glimpses of mild movie magic go down quickly and effectively.<br /><br />The plus sides are experienced, when the gore hits the fan. This department is quite effective and entertaining in that classic latex and red paint style of the 80's Italo-gore, when things were made 100% hand-made and as shockingly and vivid as modest budgets could allow. I could only watch with sadistic glee and few laughters all the over-the-top ways that obnoxious characters (and actors) got mangled and misused, one by one. I only felt sorry for Linda Blair, who apparently haven't been let to try any other than that good old possessed girl / woman role ever in his career, or so it looks like when checking out his filmography.<br /><br />Well, folks - not much more to tell, and even less to tell home about. Don't expect too much when spending some rainy afternoon with this, and probably you'll experience at least some mild fun. It also helps if your rotten little heart pounds in the beat of 80's euro gore horror. And speaking of hearts - every movie that has David Hasselhoff getting skewered by a sizeable metal object and bleeding heavily around the room and corridors, MUST have it's one on the right place.<br /><br />This is my truth - what is yours?",negative,error,解析失败,负面误判
212,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\73_4.txt,"An Italian/American co-production co-starring Linda Blair and David 'The Hoff' Hasselhoff: how could any fan of trashy horror resist such a treat?<br /><br />Well, based on the uneventful, extremely tedious, and utterly nonsensical first forty minutes or so, I would have said 'very easily'; thankfully, however, things do eventually get a tad more entertaining with the introduction of several inventive death scenes, and for those lucky enough to find an uncut copy, a smattering of nudity too (unfortunately, my copy was optically edited to remove such offensive material).<br /><br />The Hoff stars as Gary, a photographer who accompanies his beautiful girlfriend Leslie (Leslie Cumming) to a run-down hotel on a seemingly deserted island in order to take pictures for her latest project, a book about witches; whilst there, frustrated Gary also hopes to try and cure a bad case of blue balls by relieving Leslie of her virginity.<br /><br />His plans for nookie are scuppered, however, by the unexpected arrival of property developers Freddie and Rose Brooks (Robert Champagne and Annie Ross), their pregnant daughter Jane (Blair), son Tommy (Michael Manchester), pretty nymphomaniac architect Linda Sullivan (Catherine Hickland), and estate agent Jerry (Rick Farnsworth), who have come to inspect the island's hotel.<br /><br />After explaining their unexpected presence on the island, Gary and Leslie are welcomed by the property's new owners, and when a violent storm suddenly picks up, making it perilous to return to the mainland, everyone agrees to spend the night in the old building. Unfortunately, unbeknownst to the hotel's new guests, the place is also home to the spirit of an evil witch (Hildegard Knef), who requires human sacrifices in order to bring herself back to life. One by one, victims are pulled into a swirling red vortex (which is guaranteed to provide unintentional laughs), before meeting a terrible fate.<br /><br />None of this makes much sense, and the acting is atrocious (Manchester as Tommy is particularly bad, whilst Hasselhoff proves to be one of the better performers, which speaks volumes about the others), but those viewers who make it past the dreary first half are rewarded with some pretty decent moments of gore: Rose has her lips sewn together, before being roasted alive in a fireplace; Jerry is crucified and burnt alive; Linda is tortured by hags and impaled on a swordfish(!!); Freddie's veins pulsate and erupt in geysers of blood; and Gary gets stabbed in the back.<br /><br />Oh, and Leslie is raped by a guy with no lips and Blair gets possessed (again).",negative,error,解析失败,负面误判
213,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\74_4.txt,"Talented screenwriter Alvin Sargent sadly cannot get any engaging ideas cooking in this artificial trifle about a wayward mother and her mature teenage daughter trying to make their lives work in Los Angeles despite mom's flighty behavior. Apart from several good sequences, I didn't quite buy Susan Sarandon as a flake (she's too intrinsically smart and focused to be passed off as this devil-may-care lady), and her naturally grounded personality is a bad fit for the role of an irresponsible parent. Natalie Portman fares much better as her kid, and yet there's a creepy aloofness to her work (and some of her scenes, such as the one where she asks a boy to strip, are misguided and uncomfortable to watch). Certainly not an incompetent piece, ""Anywhere But Here"" does have moments that work, but it isn't an embraceable film, nor has it proved to be an important one. ** from ****",negative,error,解析失败,负面误判
214,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\75_1.txt,"This film is about a couple that decides to take a vacation to The Everglades along with another couple and the family dog. When they first get there, they are not welcomed by the neighboring gas attendant that warms them to stay away from the cabin in which they are to spend the night at for the week. After pestering with the old man, three hillbillys also do not take kindly to their arrival as they approach their car and threaten them to leave. After asking some of the local dummies that can't speak or just don't want to answer, they finaly find the cabin. After they settle in, strange things happen to the visitors including discovering crap on their car, the man thats the head of this trip thats an idiot shoots the family dog thinking it was a killer clawing at the door and a series of deaths later on in the end. Adding a church group did not make the story any better. Then at the end, the idiot that survives the whole ordeal goes around the town carrying a shot gun. Lame. thats what this movie is.",negative,error,解析失败,负面误判
215,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\76_4.txt,"An obscure horror show filmed in the Everglades. Two couples stay overnight in a cabin after being made a little uneasy by the unfriendliness of the locals. Who, or what, are the Blood Stalkers? After awhile they find out. Watch for the character of the village idiot who clucks like a chicken, he certainly is weird.",negative,error,解析失败,负面误判
216,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\77_2.txt,"OK, so my summary line is a cheap trick. But the movie is full of them and it gets absurdly praised, so...<br /><br />I caught this one on TV (uncut, as TV here shows all movies, that's for you Americans who might say I didn't like it because I saw a cut TV version - fortunately that's only an US thing), and had no idea about what it was. I switched on, caught the last minutes of a show, and the movie began. Within a minute, I was begging it was a comedy, given the particularly ridiculous clichéd beginning (yes, it's a bad movie-within-the-movie, I know, but what a way to try to keep the viewer interested! I don't even know why I didn't switch channels). And, yes, in fact the movie turned out to be a comedy, albeit an unintentional one.<br /><br />Marina Zudina is pretty enough, but gosh, what a dreadful performance! While casting a foreigner in the role is smart enough (she doesn't talk so bye bye language barrier), yet, sorry, Marina baby, playing mute doesn't mean impersonating Harpo Marx. Her acting is unintentionally funny in many moments, just look at her when she draws an X in the air while stalked by the killer. He wants to kill you, it's no time to play Zorro. We get plenty of ""running upstairs"" stuff passing for tension, as in the worst slashers, and things like pulling a carpet and a bad guy shots the other. Ugh! Will Hollywood ever learn? Yet the best/worst pearl is having a guy electrocuted in a bathtub and... Well, I have never seen anyone being electrocuted to death in a bathtub, but I'm sure you can't see the blue cartoon rays in real life, do you? And how about immediately trusting a mean-looking guy because he SAYS he's a cop, and not asking him to show you his credentials? OK, so he turns out to be a real cop. But still, not asking for the badge makes no sense (plot-wise, we could always think the credentials might be phony or he might be a crooked cop. Screen writing 101). And how about the big twist? Don't tell me you didn't see that coming from 200 miles away...<br /><br />I feel sorry for poor old Alec Guinness and his useless stock footage cameo. Now I think about this, what's the point in giving him a ""Mystery Guest Star"" credit... in the END titles? The movie's over, there's no mystery anymore, and everybody and their brother have identified Guinness (even non-movie buffs will recognize ""the old guy from 'Star Wars'""). Yet better off this way, so we can pretend it's not the late great actor.<br /><br />People keep comparing this to, of all people, Hitchcock. I suppose it has to be John Hitchcock the milkman, as the late Sir Alfred would feel embarrassed out of watching this, let alone making it. And this gets a 6.8/10???? It's Bottom 100 material! But then, we're talking a rating system that allows 'The Lord of the Rings: The Return of the King' to appear as the third best movie ever made (check Top 100), so...<br /><br />2/10.",negative,error,解析失败,负面误判
217,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\78_1.txt,"I found this movie really hard to sit through, my attention kept wandering off the tv. As far as romantic movies go..this one is the worst I've seen. Don't bother with it.",negative,error,解析失败,负面误判
218,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\79_2.txt,"No, no, no, no, no, no, NO! This is not a film, this is an excuse to show people dancing. This is just not good. Even the dancing is slow and not half as entertaining as the mediocre 'Dirty Dancing', let alone any other good dance movie.<br /><br />Is it a love story? Is it a musical? Is it a drama? Is it a comedy? It's not that this movie is a bit of all, it's that this movie fails at everything it attempts to be. The film turns out to be even more meaningless as the film progresses.<br /><br />Acting is terrible from all sides, the screenplay is definitely trying to tell us something about relationship but fails miserably.<br /><br />WATCH FOR THE MOMENT - When Patrick Stewart enters the scene and you think the film might get better as he brightens up the dull atmosphere. For a second.",negative,error,解析失败,负面误判
219,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\7_1.txt,"Blake Edwards' legendary fiasco, begins to seem pointless after just 10 minutes. A combination of The Eagle Has Landed, Star!, Oh! What a Lovely War!, and Edwards' Pink Panther films, Darling Lili never engages the viewer; the aerial sequences, the musical numbers, the romance, the comedy, and the espionage are all ho hum. At what point is the viewer supposed to give a damn? This disaster wavers in tone, never decides what it wants to be, and apparently thinks it's a spoof, but it's pathetically and grindingly square. Old fashioned in the worst sense, audiences understandably stayed away in droves. It's awful. James Garner would have been a vast improvement over Hudson who is just cardboard, and he doesn't connect with Andrews and vice versa. And both Andrews and Hudson don't seem to have been let in on the joke and perform with a miscalculated earnestness. Blake Edwards' SOB isn't much more than OK, but it's the only good that ever came out of Darling Lili. The expensive and professional look of much of Darling Lili, only make what it's all lavished on even more difficult to bear. To quote Paramount chief Robert Evans, ""24 million dollars worth of film and no picture"".",negative,error,解析失败,负面误判
220,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\80_4.txt,"A sprawling, overambitious, plotless comedy that has no dramatic center. It was probably intended to have an epic vision and a surrealistic flair (at least in some episodes), but the separate stories are never elevated into a meaningful whole, and the laughs are few and far between. Amusing ending, though. (*1/2)",negative,error,解析失败,负面误判
221,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\81_3.txt,"Okay, so it was never going to change the world, and it bombed at the box office, but Honky Tonk Freeway is one of those films I fell in love with as a child (the BBC showed it a few times during the 1980s and I happened to have a high quality VHS tape in the machine - lucky, that!) and watched endlessly. I watched the DVD last night and sadly, time has not been kind to this would-be blockbuster. Either that or I've just grown out of this kind of broad, dopey humour. Come on, when Schlesinger is so desperate for laughs he gives us close-ups of novelty underpants with 'amusing' slogans, what can you say about the cast or screenplay?<br /><br />Certainly, it's ambitious, interesting, unusual and sprawling, but it's never once laugh-out-loud funny. I'd describe it as a children's film with some 'adult' overtones - you can safely let your youngsters watch this, despite the 15 certificate. They won't get the drug references, so don't worry about it. I had a pleasant surprise when I realized I'd forgotten just how catchy both the title song and the song-writing truck driver's 'Everybody's Going Faster, Faster' song were, not to mention the town of Ticlaw's patriotic anthem. The whole cast give commendable performances, the photography is crisp and captures the mood of the various locations perfectly, and there's a real time capsule feeling about the fashions, the cars, the gadgets (especially the dashboard-mounted drum machine), the interiors and the pop-culture references - I was more than a little surprised to hear the nutty bum in the bank loudly telling everyone ""I'm OJ Simpson!"", particularly now Simpson's legal tangles have overshadowed his sporting achievements. The snag is, there's almost no plot to speak of, it's way too obvious to be witty and not funny enough to elicit many genuine laughs. I wish I'd left this one as a pleasant memory.",negative,error,解析失败,负面误判
222,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\82_3.txt,"STMD! is not a terrible movie, but it IS quite forgettable. The lighting is intentionally poor in many scenes and unintentionally poor in all the rest, so you are likely to come out of a viewing with a headache or eye-strain. Special effects are imaginative, but obvious. The gratuitous nudity essential for teen slasher flicks is there, of course, along with the archetypical teenagers, but the whole movie just doesn't gel. What was needed was some snappier dialogue and more tongue-in-cheek humor.<br /><br />I can't really recommend that you use your time watching this movie. I often give a nod to a movie based on just a scene or two that demonstrates imagination or humor, but these are sadly lacking in this film.",negative,error,解析失败,负面误判
223,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\83_1.txt,"Now I understand that this took two months to shoot. Really? I'm pretty certain my crew could do it in less than a week. This movie sucked so bad I couldn't even pay close attention. Just more proof that boob bearing women can't always save you from horrible writing, acting and direction. Now I understand it was a no budget endeavor, but there is also no continuity and no real reason to not to turn it off and watch infomercials or foreign news in a language you don't understand. Oh, there are a few decent looking females showing the goods. Still, there aren't enough sexy women alive to warrant watching this travesty perpetrated on the film industry. One of the longest 80 minutes of my life. I trooped it out though with the help of my old friend Jim Beam. Do yourself a favor and get your gun ready cuz you may want to use it after this hack job. Lastly, the individual (moron) who left a comment before mine thought this was a great movie and LOVED it. Just more proof that siblings shouldn't pro-create. Ow, BURN!!! - Captain J",negative,error,解析失败,负面误判
224,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\84_3.txt,"Seeing the title of this movie ""Stupid Teenagers Must Die"" made me believe this was a spoof of some kind. I discovered later on the original title was ""Blood and Guts"". Both titles are misleading, though. This is not a spoof, neither a serious splatter movie. This is something in between, failing in both areas. A group of teenagers is attending a séance at a spooky house and then the killing starts. Sounds over familiar, doesn't it. Well, this movies adds nothing whatsoever to the endless stream of similar movies. And it is badly made. Because of the lack of light the entire film is grainy. Now this effect can be highly effective, but it isn't in this case. The young cast isn't acting too badly, but the director has no clue as what to do with actors. In numerous scenes the actors are clearly waiting for directions, but these are given too late. It could also be an editor's mistake, of course. The characters are unrealistic and the story line just stinks. The sound is terrible at times: conversations are undecipherable, but when talking loudly or screaming the actors are very loud indeed.<br /><br />This is not the worst horror movie I have ever seen, but it still is a bad one. For me a 3 out of 10.",negative,error,解析失败,负面误判
225,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\85_2.txt,"I have no idea how anyone can give this movie high marks. I didn't rent it thinking it was the next great horror flick, the next great horror spoof, or the next great low-budget horror spoof. Obviously, this isn't meant to scare, but one fatal flaw with the production entirely sapped the joy out of the viewing experience. The sound editing was horrible. I had to work the volume control the entire movie. You can imagine how difficult it is to get into something - even a low-budget spoof - when you're either turning the volume up or down, or trying to anticipate the next time you have to do so. The regular dialogue is very low, and all screams, noises, etc., are VERY loud. We're not talking about toggling between 5 and 7 on the volume control, finding a happy medium at 6. We're talking toggling between 2 and 9 on the volume where it is virtually impossible to leave the volume alone. Again, this movie might be a decent example of what it is meant to be, but you're going to be spending so much time adjusting your volume control that you'll never have the chance to enjoy it.",negative,error,解析失败,负面误判
226,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\86_3.txt,Widow hires a psychopath as a handyman. Sloppy film noir thriller which doesn't make much of its tension promising set-up. (3/10),negative,error,解析失败,负面误判
227,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\87_1.txt,"I can't believe the high marks people have given this film on this site. The writing is incredibly bad with people coming in at just the right time and revealing exactly what the heroine is doing to try to escape. (Don't you just hate it when that happens?). And the acting is so very, very bad that you may get a splinter in your eye from all the scenery being chewed.<br /><br />A nut is holding her hostage, children are outside the open screen, so she whimpers for help instead of screaming when only a moment ago she was brave enough to be smashing windows to yell to these same children.<br /><br />She's finally free and alone in the house. Her chance to go for help, so what does she do? Wanders around the house and lies down. She's in the basement, locked away. So what does she do? Takes a little nap. Come on! Most of the movie is the nut wandering away and finding her sitting there snoozing when he wakes her up. Four times! What? If the writer is too bored to actually write a real plot why should we be paying attention? I think the key here is that it was originally a play for the radio, so they filled in with the heroine just sitting around rather than pretending to be screen writers and actually writing any action.<br /><br />And the ending is horrendous.<br /><br />The whole movie is completely implausible, horribly written and almost comically acted. Beware this movie at all costs!",negative,error,解析失败,负面误判
228,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\88_3.txt,"Wow, what an overrated movie this turned out to be! It was supposed to be ""an extremely suspenseful tale of a crazed killer holding a woman hostage and in terror in her home."" Well, I doubt it terrorized audiences in the early '50s and I know it would put today's audiences asleep.<br /><br />""Sends shivers down the spine,"" proclaims the New York Times. No, the only shivers I get is that anyone is left on the planet who believes anything the N.Y. Times prints about anything.<br /><br />Well, it was about a deranged man who held a woman hostage for a short time in her house but the man. ""Howard Wilton"" (Robert Ryan) was actually harmless and friendly. In fact, this was one of the nicest roles Ryan ever played! Yes, ""Wilton"" was nuts but he never harmed the woman and only wanted a friend to trust.<br /><br />The film even turned boring after awhile with very little going on except a lot of yakking. <br /><br />Beware, my reader.....this sucks.",negative,error,解析失败,负面误判
229,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\89_3.txt,"Artificial melodrama with a screenplay adapted by Mel Dinelli from his play ""The Man"" concerns a boarding-house proprietress taking in a troubled handyman who may be homicidal. Despite solid work from Ida Lupino and Robert Ryan (both trying their best), this tedious yarn isn't very inventive within its one primary set (which quickly becomes visually dull) and underpopulated cast of characters (there is however a smart pooch who senses the worst!). Hokey and humorless, with a stilted direction from Harry Horner (perhaps Lupino should have directed?). Where's all the suspense promised by the ads? Dinelli also served as a co-producer. *1/2 from ****",negative,error,解析失败,负面误判
230,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\8_2.txt,"I'm not a big fan of musicals, although this technically might not qualify as a musical. But I thought I would give it a chance as I love war movies. It was mediocre at best.<br /><br />Hudson seems totally out of kilter in this role. It just didn't work for me. Julie Andrews probably played her part as best as she could, but I just find it hard to buy her as a conniving, deceptive spy. Sorry, I know that is classic stereotyping on my part. But I have to say I think this is Julie at her most beautiful and feminine looking. I always thought of her as more matronly, but then surely that's a result of her roles in Sound of Music and Mary Poppins. No doubt they were desperately trying to get her out of that typecasting in this role. She was quite beguiling in appearance here, but I still didn't buy her as a spy.<br /><br />I couldn't keep my focus through the whole movie and found myself tuning in and out - and having conversations with those in my room (which I usually never do - I'm always shushing everybody). So that tells you how little it held my attention. Don't waste your time!",negative,error,解析失败,负面误判
231,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\90_2.txt,"The only reason this movie is not given a 1 (awful) vote is that the acting of both Ida Lupino and Robert Ryan is superb. Ida Lupino who is lovely, as usual, becomes increasingly distraught as she tries various means to rid herself of a madman. Robert Ryan is terrifying as the menacing stranger whose character, guided only by his disturbed mind, changes from one minute to the next. Seemingly simple and docile, suddenly he becomes clever and threatening. Ms. Lupino's character was in more danger from that house she lived in and her own stupidity than by anyone who came along. She could not manage to get out of her of her own house: windows didn't open, both front and back doors locked and unlocked from the inside with a key. You could not have designed a worse fire-trap if you tried. She did not take the precaution of having even one extra key. Nor could she figure out how to summon help from nearby neighbors or get out of her own basement while she was locked in and out of sight of her captor. I don't know what war her husband was killed in, but if it was World War II, the furnishings in her house, the styles of the clothes, especially the children and the telephone company repairman's car are clearly anachronistic. I recommend watching this movie just to see what oddities you can find.",negative,error,解析失败,负面误判
232,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\91_4.txt,"Beware, My Lovely (1952) Dir: Harry Horner <br /><br />Production: The Filmmakers/RKO Radio Pictures<br /><br />Credulity-straining thriller from the pioneering producer team of Collier Young and Ida Lupino, aka The Filmmakers (with Lupino pitching in with some uncredited direction). <br /><br />Robert Ryan is the 'peril' and Ida Lupino is the 'woman' in this entry in the 'woman in peril' style film. Ryan plays Howard Wilton, a tightly-wound psychotic handyman drifter (noooo, Ryan? I know, hard to believe). Lupino is the lonely war widow, Helen Gordon, who hires Howard to do some work around her house. Things go downhill from there as Howard makes Helen a prisoner in her own home. <br /><br />Howard has a nasty secret, not that he could reveal it. You see, consciousness is a real challenge for him. Maintaining it, that is. He has an unfortunate habit of coming to and finding his employers dead. This is part of the film's problem. The nature of Howard's psychosis is so extreme that it is nearly impossible to believe that he's been free to roam from town to town unobstructed, even in the year 1918 (when the film is set). He can't remember anything that happened ten minutes ago. His violent, threatening, anti-social tendencies are set off by the smallest and most common of things (a young girl flirting, inadequacies involving the war, due to his being rejected for service). I don't know how he even made it past the interview with Helen. There are other implausibilities. If you were locked in your house with a madman, but nonetheless left on your own for periods of time, couldn't you figure out a way to escape? <br /><br />Ryan, I think, is defeated by the material. It feels like he's overplaying his hand. His series of tics and spasms and the tightly coiled bursts of dementia all have a been-there, done-that robotic feel to them. At this point in his career he'd probably played this character, to some degree, ten times and it shows. We are encouraged to empathize with Howard (I didn't) through shown bits of humanity, like him being stopped in his tracks by a music box and his relating to a group of children who won't judge him. Lupino just has to act frazzled and in distress, which she is more than capable of and does. <br /><br />The picture had one thing going for it; what would be the eventual resolution of the conflict? So naturally there was a disappointing ending that was abrupt and ineffective. <br /><br />Of slight interest was a recurring motif where the camera would catch Howard's reflection (in mirrors, water, Christmas tree decorations). This indicated something going on, or about to go on, in his head. Horner (1953's Vicki), who made his reputation in production design, does a fine job of making the house feel like a prison. Credit too, the always reliable RKO art department for the work on the house. In the end, sub-standard work from the principals, who all have much better films to their credit. <br /><br />*½ out of 4",negative,error,解析失败,负面误判
233,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\92_1.txt,"this film has no plot, no good acting, to be honest it has nothing, the same songs play over and over awful acting and if you can actually sit there and watch the whole thing and enjoy it there is something wrong with you. I wish i could give this 0 out of 10 but i cant so it has to be a 1 which is generous! ice-t isn't even a good rapper and even worse at acting, every bit of the film is rubbish, i got this film on DVD without knowing what it was for the price of £1.99 and thought that i had picked up a bargain, i then looked at the IMDb rating and didn't take it into consideration but after watching it found out that the DVD i had bought was a complete waste of time, money and electricity. if you have this film there are two things you can do sell it to someone who doesn't know about it or burn it!",negative,error,解析失败,负面误判
234,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\93_1.txt,"I quite enjoyed The Wrecking Crew (1999), which was the last of the three films in this series (the first being Urban Menace (1999) which I've yet to see). I know it was baaaaad, but the three leads did a pretty decent job, all things considered.<br /><br />This, however, was truly atrocious. Ice-T was dreadful, and he's the producer! Can't say I've ever heard of Silkk The Shocker (who apparently never learnt how to spell), but his performance was one of the worst I've ever seen in a movie.<br /><br />Miss Jones did pretty well in her small role, though she later went on to make some atrocious, racist ""jokes"" on her radio show after the SE Asian tsunami (plus other occasions sadly). Way to go, girl...<br /><br />No-one else comes out with any credit. Strangely, TJ Storm and Ernie Hudson (who are both pretty bad here) are far better in The Wrecking Crew, which was made, along with Urban Menace, at the same time as Corrupt. How that works, I don't know.<br /><br />I'm going to try the Ice-T commentary now, to see whether he apologises for the film, or tries to make us think it's a great piece of film-making.",negative,error,解析失败,负面误判
235,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\94_2.txt,"The most positive points in this film were the credits (text style) and some moments in Ice-T's acting. The story-line; two rival gangs having to fight it out, with the sub-plots of betrayal, power and change are well worn plots but in this case painful(very) to wade through. The decrepit scenery, which added slight believability in places, and questionable lighting, constantly distracted from any interest/identification with the characters (the shine off of the actress's forehead/nose was blinding, not to mention other scenes with the same problem.) Not even half way into the film I wanted to know more about how and why it came about as opposed to what was going on on screen. A disappointment if you have seen Ice-T in other roles. Kudos to other actors/actresses who seemed to get into their roles despite the weak direction; Corrupt's side kick and the other restaurant worker.",negative,error,解析失败,负面误判
236,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\95_3.txt,"I'm the type of guy who loves hood movies from New Jack City to Baby Boy to Killa Season, from the b grade to the Hollywood. but this movie was something different. i am no hater and this movie was kinda enjoyable. but some bits were just weird. well the acting wasn't to good, compared to Silkk The Shockers performance in Hot Boyz (quite good) and Ice-T in new Jack and SVU (great). the scene where Corrupt (Ice-T) kills the wanna be Jamaican dude he says something and lights himself on fire burning both Ice-T and the other dude, this kills the Jamaican, however Ice-T is unharmed, very similar to Ice's other movie Urban Menace (which stars both of these actors) were Snoops character is supernatural, however after this there is nothing suggested that Corrupt is like a demon. When MJ (Silkk) gets stabbed at first he struggling but after that he fights normally and was stabbed in the thigh-WITH OUT BLOOD. and when MJ confesses killing a cop cos the cop was beating up his friend Benny was weird, Benny isn't introduced in this movie and the scene isn't in the film. it does hold weight to the fact why Corrupt wants to kill MJ but is still makes u scratch your head. wen Jody writes a letter to Miss Jones character explaining what happened to them afterwords doesn't mention what happen 2 other main characters MJ and Lisa. the film did show the horror and poverty of the ghetto-which plagues the lives of Latinos and Blacks word wide-was a good part of the film, even though the clip of the projects was re-used thousands of times. and the scene where Miles kills the Latino brother by crashing his bike at full speed (not wearing a helmet) and running into my Latino brothers car would of killed him. the movie was similar to the film Urban Menace and half the actors were in both of these movies as well as the production team. it was OK tho. but me being from poverty i love hood films, however if u don't love em like i do Don't WATCH IT. only thing saving me from walking out is it reminded me of the first movie i made which was made with 100 dollars, and my love of the genre.<br /><br />Nathaniel Purez",negative,error,解析失败,负面误判
237,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\96_1.txt,"Seriously, I can't imagine how anyone could find a single flattering thing to say about this movie, much less find it in themselves to write the glowing compliments contained in this comment section. How many methamphetamines was Bogdonovitch on during the filming of this movie? Was he giving a bonus to the actor that spat his lines out with the most speed and least inflection or thought? The dialogue is bad, the plot atrocious, even for a ""screwball"" comedy, and claims that the movie is an homage to classic film comedy is about the most inane thing I've ever heard. The cinematography is below the quality and innovation of that exhibited by the worst made-for-TV movies, the acting is awful (although I get the feeling that the fault for that lies squarely in the lap of the director), and speaking of which, did I mention the direction is so haphazard and inscrutable that it defies the definition of the word? The whole thing is a terribly unfunny (even in the much-beleaguered world of so-bad-it's-funny clunkers), soul-sucking, waste of two hours of your life that you'll never get back. Be afraid, be very afraid...",negative,error,解析失败,负面误判
238,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\97_1.txt,"Lowe returns to the nest after, yet another, failed relationship, to find he's been assigned to jury duty. It's in the plans to, somehow, get out of it, when he realizes the defendant is the girl he's had a serious crush on since the first grade.<br /><br />Through living in the past by telling other people about his feelings towards this girl (played by Camp), Lowe remembers those feelings and does everything in his power to clear Camp of attempted murder, while staying away from the real bad guys at the same time, and succeeding in creating a successful film at the same time.<br /><br />I've heard that St Augustine is the oldest city in the US, and I also know it has some ties to Ponce de Leon, so the backdrop is a good place to start. Unfortunately, it's the only thing good about this movie. The local police are inept, the judge is an idiot, and the defense counsel does everything in her power to make herself look like Joanie Cunningham! I don't know whether to blame the director for poor direction, or for just letting the cast put in such a hapless effort.<br /><br />In short, this movie was so boring, I could not even sleep through it! 1 out of 10 stars!",negative,error,解析失败,负面误判
239,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\98_1.txt,"<br /><br />Never ever take a film just for its good looking title.<br /><br />Although it all starts well, the film suffers the same imperfections you see in B-films. Its like at a certain moment the writer does not any more how to end the film, so he ends it in a way nobody suspects it thinking this way he is ingenious.<br /><br />A film to be listed on top of the garbage list.<br /><br />",negative,error,解析失败,负面误判
240,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\99_3.txt,"Four things intrigued me as to this film - firstly, it stars Carly Pope (of ""Popular"" fame), who is always a pleasure to watch. Secdonly, it features brilliant New Zealand actress Rena Owen. Thirdly, it is filmed in association with the New Zealand Film Commission. Fourthly, a friend recommended it to me. However, I was utterly disappointed. The whole storyline is absurd and complicated, with very little resolution. Pope's acting is fine, but Owen is unfortunately under-used. The other actors and actresses are all okay, but I am unfamiliar with them all. Aside from the nice riddles which are littered throughout the movie (and Pope and Owen), this film isn't very good. So the moral of the story is...don't watch it unless you really want to.",negative,error,解析失败,负面误判
241,D:\ai_learning-master\ai_learning\data\acllmdb_sentiment_small\negative\9_4.txt,"David Bryce's comments nearby are exceptionally well written and informative as almost say everything I feel about DARLING LILI. This massive musical is so peculiar and over blown, over produced and must have caused ruptures at Paramount in 1970. It cost 22 million dollars! That is simply irresponsible. DARLING LILI must have been greenlit from a board meeting that said ""hey we got that Pink Panther guy and that Sound Of Music gal... lets get this too"" and handed over a blank cheque. The result is a hybrid of GIGI, ZEPPELIN, HALF A SIXPENCE, some MGM 40s song and dance numbers of a style (daisies and boaters!) so hopelessly old fashioned as to be like musical porridge, and MATA HARI dramatics. The production is colossal, lush, breathtaking to view, but the rest: the ridiculous romance, Julie looking befuddled, Hudson already dead, the mistimed comedy, and the astoundingly boring songs deaden this spectacular film into being irritating. LILI is like a twee 1940s mega musical with some vulgar bits to spice it up. STAR! released the year before sadly crashed and now is being finally appreciated for the excellent film is genuinely is... and Andrews looks sublime, mature, especially in the last half hour......but LILI is POPPINS and DOLLY frilly and I believe really killed off the mega musical binge of the 60s..... and made Andrews look like Poppins again... which I believe was not Edwards intention. Paramount must have collectively fainted when they saw this: and with another $20 million festering in CATCH 22, and $12 million in ON A CLEAR DAY and $25 million in PAINT YOUR WAGON....they had a financial abyss of CLEOPATRA proportions with $77 million tied into 4 films with very uncertain futures. Maybe they should have asked seer Daisy Gamble from ON A CLEAR DAY ......LILI was very popular on immediate first release in Australia and ran in 70mm cinemas for months but it failed once out in the subs and the sticks and only ever surfaced after that on one night stands with ON A CLEAR DAY as a Sunday night double. Thank god Paramount had their simple $1million (yes, ONE MILLION DOLLAR) film LOVE STORY and that $4 million dollar gangster pic THE GODFATHER also ready to recover all the $77 million in just the next two years....for just $5m.... incredible!",negative,error,解析失败,负面误判